Antique Prints and Maps - NO RESERVE - DAY 2

Ulisse Aldrovandi (1522-1605) – Antimony or the Grey Wolf – engraving (1648)

Victor Levasseur (1800–1870) – Map of the Department of Lot and Garonne (France)

Girolamo Ruscelli (1504-1566) – Semper Idem – Woodcut (1584)

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Avignon, Provence-alpes-c?te D?azur, France

Auction Details

Antique Prints and Maps - NO RESERVE - DAY 2

Proverde Auctions

Explore a diverse array of items at our auction, featuring antique prints, modern prints and maps with starting bids at just $5 USD with no reserve prices. Don't miss out, browse our selection today!

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Georges-Louis Le Rouge (1712–1790) – Map of France – Engraving (1748): La France par Postes. This engraving presents a detailed geographical and administrative map of France, highlighting the established postal routes and relay stations of the mid eighteenth century.

0001: Georges-Louis Le Rouge (1712–1790) – Map of France – Engraving (1748)Est. $100-$200

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Victor Levasseur (1800–1870) – Map of the Department of Lot and Garonne (France): Dept de Lot et Garonne. This engraving presents a detailed geographical map of the Lot-et-Garonne department in southwestern France, situated at the confluence of the Lot and Garonne rivers. The

0002: Victor Levasseur (1800–1870) – Map of the Department of Lot and Garonne (France)Est. $100-$200

Alexandre Vuillemin (1812-1880) – Map of France showing Railways and Stations: "Nouvelle Carte de la France" is a large-scale administrative and industrial map detailing the national network of railways and stations. This engraving was published in Paris in 1873 by Fatout and

0003: Alexandre Vuillemin (1812-1880) – Map of France showing Railways and StationsEst. $100-$200Lot Passed

M. Malte-Brun (1775-1826) – Map of Italy and the Confederation of the Rhine – Italy: "Italie et Confederation du Rhin." This hand-coloured engraving depicts a detailed map of the Italian Peninsula and Central Europe during the Napoleonic era. The geography covers Italy, including the

0004: M. Malte-Brun (1775-1826) – Map of Italy and the Confederation of the Rhine – ItalyEst. $100-$200Lot Passed

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Sebastian Munster (1488–1552) – Panoramic view of Naples – Woodcut (1550): Der Koniglichen Statt Neapels Abconterfehung. This woodcut presents a detailed bird eye panoramic view of the coastal city of Naples, Italy. The composition illustrates the city’s dense urban

0005: Sebastian Munster (1488–1552) – Panoramic view of Naples – Woodcut (1550)Est. $50-$100

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Sebastian Munster (1488–1552) – Panoramic view of Mirandola – Woodcut (1550): Beschreibung der Herrlichen und weitberhumpte Statt Mirandula. This woodcut presents a detailed bird eye panoramic view of the fortified city of Mirandola in northern Italy. The composition

0006: Sebastian Munster (1488–1552) – Panoramic view of Mirandola – Woodcut (1550)Est. $50-$100

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Sebastian Münster (1488–1552) – Chariot racing in a Roman circus – Woodcut (1550): Das Ander Buch. This woodcut presents two separate scenes illustrating ancient Roman chariot racing within a circus arena. The left panel shows four charioteers driving teams of horses around a

0007: Sebastian Münster (1488–1552) – Chariot racing in a Roman circus – Woodcut (1550)Est. $50-$100

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Sebastian Münster (1488–1552) – View of the Eifel region – Woodcut (1550): Von der Eyfel. This print presents a detailed regional map of the Eifel territory in western Germany, situated between the Rhine, Moselle, and Ahr rivers. The composition illustrates the rugged

0008: Sebastian Münster (1488–1552) – View of the Eifel region – Woodcut (1550)Est. $50-$100

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Ulisse Aldrovandi (1522-1605) – Salarmeniacum or the Eagle – engraving (1648): "Salarmeniacum. Salmiack." depicts an eagle perched on a branch with its wings partially spread, serving as an alchemical symbol for sal ammoniac. This engraving was published in Bologna in 1648

0009: Ulisse Aldrovandi (1522-1605) – Salarmeniacum or the Eagle – engraving (1648)Est. $50-$100

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Ulisse Aldrovandi (1522-1605) – Antimony or the Grey Wolf – engraving (1648): "Antimonium. Stibium. Spiess-Glass." depicts a wolf standing upon a small mound of earth, symbolizing the alchemical element antimony. This engraving was published in Bologna in 1648 within the

0010: Ulisse Aldrovandi (1522-1605) – Antimony or the Grey Wolf – engraving (1648)Est. $50-$100

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Jacob Cats (1577-1660) – Emblem of the beacon and the sailing ship – Engraving (1658): "Monstrat, non ducit." This circular engraving depicts a coastal scene at night where a tall beacon light stands on a wooden pier, casting light toward a sailing ship navigating turbulent waters.

0011: Jacob Cats (1577-1660) – Emblem of the beacon and the sailing ship – Engraving (1658)Est. $50-$100

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Girolamo Ruscelli (1504-1566) – Semper Idem – Woodcut (1584): Semper Idem" This print depicts an emblem featuring a rocky island standing firm amidst a turbulent sea, symbolizing resilience and steadfastness. Above the central image, a ribbon bears the Latin

0012: Girolamo Ruscelli (1504-1566) – Semper Idem – Woodcut (1584)Est. $50-$100

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Girolamo Ruscelli (1504-1566) – Yo Meior Las Guardare – Woodcut (1584): "Yo Meior Las Guardare" This print depicts an emblem featuring a dragon guarding a tree laden with fruit, set within a coastal landscape with a fortified building. The central image is enclosed in a

0013: Girolamo Ruscelli (1504-1566) – Yo Meior Las Guardare – Woodcut (1584)Est. $50-$100

Bernard de Montfaucon (1655-1741) – Perspective view of an ancient square mausoleum: "Mausolees." This engraving presents two renderings of ancient Roman funerary architecture. The left section shows a detailed perspective of a massive stone sarcophagus or tomb base situated in a

0014: Bernard de Montfaucon (1655-1741) – Perspective view of an ancient square mausoleumEst. $50-$100Lot Passed

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Bernard de Montfaucon (1655-1741) – View of ancient sepulchral urns – Engraving: "Urnes Sepulcrales." This engraving features two distinct depictions of Roman funerary monuments. The left section shows a rectangular stone sarcophagus or niche containing the sculpted relief busts

0015: Bernard de Montfaucon (1655-1741) – View of ancient sepulchral urns – EngravingEst. $50-$100

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Bernard de Montfaucon (1655-1741) – Perspective and ground plan of an ancient: "Mausolées." This engraving provides two distinct architectural views of an ancient Roman funerary monument. The section on the left presents a perspective view of a circular mausoleum featuring a

0016: Bernard de Montfaucon (1655-1741) – Perspective and ground plan of an ancientEst. $50-$100

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Mattheus Smallegange (1624–1710) – Panoramic view of the city of Veere – Engraving: De Stad Vere. This engraving presents a detailed panoramic view of the city of Veere from the water. The composition shows the city skyline dominated by the massive Grote Kerk and other prominent

0017: Mattheus Smallegange (1624–1710) – Panoramic view of the city of Veere – EngravingEst. $50-$100

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Mattheus Smallegange (1624–1710) – View of the city of Veere – Engraving (1696): De Stad Vere. This engraving presents a detailed bird eye view of the fortified city of Veere in the province of Zeeland. The composition illustrates the complex network of defensive walls, bastions,

0018: Mattheus Smallegange (1624–1710) – View of the city of Veere – Engraving (1696)Est. $50-$100

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Mattheus Smallegange (1624-1710) – Zeeland Refined – Engraving (1696): Zeeland Veredelt. This engraving features an elaborate allegorical and heraldic assembly centered on a seated monarch under a canopy, surrounded by figures representing various administrative and

0019: Mattheus Smallegange (1624-1710) – Zeeland Refined – Engraving (1696)Est. $50-$100

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Mattheus Smallegange (1624–1710) – Heraldic collection of Zeeland family arms: Zeeland Veredelt. This engraving presents an extensive grid of individual family coats of arms belonging to the noble and regent families of the province of Zeeland. The plate features over one

0020: Mattheus Smallegange (1624–1710) – Heraldic collection of Zeeland family armsEst. $50-$100

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Friedrich Justin Bertuch (1747–1822) – View of the Arch of Constantine and an Architectural: "View of the Arch of Constantine and an Architectural Pedestal" consists of two hand-coloured etchings featuring classical Roman architecture and design elements. The upper image illustrates the Arch

0021: Friedrich Justin Bertuch (1747–1822) – View of the Arch of Constantine and an ArchitecturalEst. $50-$100

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Friedrich Justin Bertuch (1747–1822) – View of a Chinese Wedding Procession – etching: "View of a Chinese Wedding Procession" depicts a vibrant indoor scene featuring a large group of figures participating in a traditional marriage ceremony. The composition showcases the interior of a

0022: Friedrich Justin Bertuch (1747–1822) – View of a Chinese Wedding Procession – etchingEst. $50-$100

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Friedrich Justin Bertuch (1747–1822) – View of the Colossal Statue of Hercules at Kassel: "View of the Colossal Statue of Hercules at Kassel" depicts the monumental stone sculpture of the Greek hero situated within the Bergpark Wilhelmshöhe. The composition features the muscular figure

0023: Friedrich Justin Bertuch (1747–1822) – View of the Colossal Statue of Hercules at KasselEst. $50-$100

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0024: Claude-Joseph Vernet - View of the French port city - Etching - 1762Est. $50-$100

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Auction Details

Proverde Auctions

Avignon, France

4.4

53 Reviews

293 Followers

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Payments for winning lots should be paid within 10 days, as all items are antiques and/or vintage please contact us before bidding if you have any concerns regarding the condition, we are happy to answer any questions. We usually answer within 1 day. While we do request you put a credit card on file to bid, we do not require this and may not automatically charge you for the lots, though we do reserve this right.