Antique Prints and Maps - NO RESERVE - DAY 1 2026-04-11 Auction - 266 Price Results - Proverde Auctions in Provence-Alpes-C?te d?Azur
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Antique Prints and Maps - NO RESERVE - DAY 1
Jacob Cats (1577–1660) – View of Cupid and Death – Engraving (1655)Cornelis Bega (1631-1664) - Interior with a Nursing Mother - Etching (17th Century)Georges Cuvier (1769–1832) – Study of Crustaceans – Hand-coloured engraving (1837)
Done
Avignon, Provence-alpes-c?te D?azur, France
Auction Details

Antique Prints and Maps - NO RESERVE - DAY 1

Proverde Auctions

Proverde Auctions

Explore a diverse array of items at our auction, featuring antique prints, modern prints and maps with starting bids at just $5 USD with no reserve prices. Don't miss out, browse our selection today!
Pablo Picasso (1881–1973), after – Still Life with Guitar, Bottle, Fruit Dish, and Glass: "Still Life with Guitar, Bottle, Fruit Dish, and Glass on a Table." The composition presents a complex arrangement of objects rendered in a Cubist style, featuring a central guitar, a fruit dish
0001: Pablo Picasso (1881–1973), after – Still Life with Guitar, Bottle, Fruit Dish, and GlassEst. $50-$100Lot Passed
Pablo Picasso (1881–1973), after – Olga Pensativa – Offset print (20th Century): "Olga Pensativa" portrays a woman seated in profile, captured in a moment of quiet introspection with her hand raised toward her forehead. The subject wears a vibrant blue dress and a dark,
0002: Pablo Picasso (1881–1973), after – Olga Pensativa – Offset print (20th Century)Est. $50-$100Lot Passed
Picasso, Pablo (1881–1973), after – The Lovers – Offset print (20th Century): The artwork depicts a man in a blue suit and a woman in a light-colored top, standing in a close, tender embrace. Their hands are clasped, and the man's arm is wrapped around the woman's waist, set
0003: Picasso, Pablo (1881–1973), after – The Lovers – Offset print (20th Century)Est. $50-$100Lot Passed
SOLD
James Sowerby (1757–1822) – Rubus fruticosus (Common Bramble) – Hand-coloured: "Rubus fruticosus" depicts the botanical features of the common bramble, showcasing leafy stems adorned with delicate pink flowers and sharp, distinctive thorns. The illustration meticulously
0004: James Sowerby (1757–1822) – Rubus fruticosus (Common Bramble) – Hand-colouredEst. $50-$100
James Sowerby (1757–1822) – Red Currant – Hand-coloured engraving (1800): "Ribes rubrum" depicts the botanical features of the red currant, showing leafy branches with drooping racemes of small flowers and clusters of bright red berries. A small, detailed cross-section of
0005: James Sowerby (1757–1822) – Red Currant – Hand-coloured engraving (1800)Est. $50-$100Lot Passed
SOLD
James Sowerby (1757–1822) – Ribes rubrum (Red Currant) – Hand-coloured engraving: "Ribes rubrum." This hand-coloured copperplate engraving depicts the botanical features of the red currant, including flowering stems, detailed leaves, and clusters of ripe red fruit. The plate also
0006: James Sowerby (1757–1822) – Ribes rubrum (Red Currant) – Hand-coloured engravingEst. $50-$100
Carl Axel Magnus Lindman (1856–1928) – Juniperus communis – Chromolithograph: En, Juniperus communis L. depicts the common juniper, showing the branch structure, male reproductive structures, mature branch with berries, seed, fruit sections, and anatomical details of the seeds
0007: Carl Axel Magnus Lindman (1856–1928) – Juniperus communis – ChromolithographEst. $50-$100Lot Passed
Carl Axel Magnus Lindman (1856–1928) – Kambräken (Blechnum spicant) – Chromolithograph: "Kambräken, Blechnum spicant (L) With" depicts the botanical features of the hard fern. The illustration shows the complete plant with its rhizome roots, sterile fronds, and fertile fronds,
0008: Carl Axel Magnus Lindman (1856–1928) – Kambräken (Blechnum spicant) – ChromolithographEst. $50-$100Lot Passed
Unknown Artist (18th Century) – Saint Cajetan – Copperplate engraving (mid-18th century): "S. Caietanus. Conf." depicts Saint Cajetan kneeling in a landscape, receiving a miraculous vision of the Virgin Mary holding the infant Jesus within a cloud formation. This copperplate engraving is
0009: Unknown Artist (18th Century) – Saint Cajetan – Copperplate engraving (mid-18th century)Est. $50-$100Lot Passed
Unknown Artist (18th Century) – Saint Clement – Copperplate engraving (mid-18th century): S. Clemens P. M. depicts Saint Clement standing before a group of followers with the Lamb of God appearing in the heavens above. This is a copperplate engraving, a devotional holy card intended for
0010: Unknown Artist (18th Century) – Saint Clement – Copperplate engraving (mid-18th century)Est. $50-$100Lot Passed
Unknown Artist (18th Century) – Saint Eberhard – Copperplate engraving (mid-18th century): S. Eberhardus Ep. depicts Saint Eberhard kneeling in prayer before an altar, with celestial figures observing from above. The print is a copperplate engraving, a devotional holy card intended for
0011: Unknown Artist (18th Century) – Saint Eberhard – Copperplate engraving (mid-18th century)Est. $50-$100Lot Passed
Jean-Baptiste Lallemand (1716-1803) – Small View of Macon Coming from Chalon – Etching: "Petite Vue de Macon en Venant de Chalon." The etching displays a landscape view of the city of Macon as seen from the direction of Chalon, with the river flowing in the foreground and a large tree
0012: Jean-Baptiste Lallemand (1716-1803) – Small View of Macon Coming from Chalon – EtchingEst. $50-$100Lot Passed
Jean-Baptiste Lallemand (1716-1803) - View of the Baillage Presidial and Chancellerie of Dijon: "Vue du Baillage Presidial et Chancellerie de Dijon." This etching captures a street scene in Dijon, prominently featuring the Baillage Presidial and the Chancellerie buildings. The composition
0013: Jean-Baptiste Lallemand (1716-1803) - View of the Baillage Presidial and Chancellerie of DijonEst. $50-$100Lot Passed
William Beveridge (1637-1708) – Frontispiece for Pensees Secretes – Engraving (1700s): "Pensees Secretes sur la Religion" is a frontispiece engraving featuring allegorical figures, including a central female figure holding a palm branch, accompanied by putti and a celestial light
0014: William Beveridge (1637-1708) – Frontispiece for Pensees Secretes – Engraving (1700s)Est. $50-$100Lot Passed
Reinier Vinkeles (1741-1816) – Ulfilas Teaching the Goths to Write – Engraving: "ULPHILAS, Bisschop der Gothen, voor hun de uitvinder van Letterfchrift." The engraving depicts Ulfilas, the bishop of the Goths, pointing to a stone tablet inscribed with letters, demonstrating the
0015: Reinier Vinkeles (1741-1816) – Ulfilas Teaching the Goths to Write – EngravingEst. $50-$100Lot Passed
Johann Heinrich Roos (1631-1685) – Pastoral Scene with Sheep – Etching (17th Century): "Pastoral Scene with Sheep" depicts two sheep in a foreground setting near a weathered tree and stone ruin. One sheep stands, while the other rests in the shade. The background features a distant
0016: Johann Heinrich Roos (1631-1685) – Pastoral Scene with Sheep – Etching (17th Century)Est. $50-$100Lot Passed
Cornelis Bega (1631-1664) - Interior with a Nursing Mother - Etching (17th Century): "Interior with a Nursing Mother" depicts a domestic scene in a rustic setting with a woman nursing an infant and a man looking on from behind a wooden structure. The lighting is focused, creating
0017: Cornelis Bega (1631-1664) - Interior with a Nursing Mother - Etching (17th Century)Est. $50-$100Lot Passed
Reinier Vinkeles (1741-1816) – Osiris Instructing His People in Agriculture – Engraving: "De Aegüptische Koning OSIRIS onderwijst zijn volk in den landbouw." The engraving depicts the Egyptian king Osiris teaching a farmer how to plow the earth, with a pyramid visible in the background
0018: Reinier Vinkeles (1741-1816) – Osiris Instructing His People in Agriculture – EngravingEst. $50-$100Lot Passed
Marcel Lambert (1847-1914) – Architectural Restoration of the Acropolis – Lithographs: "Acropole d'Athenes Vue interieure" provides detailed visual reconstruction of the ancient Greek citadel in Athens. This image depict the Propylaea, the Parthenon, and the surrounding sacred precinct
0019: Marcel Lambert (1847-1914) – Architectural Restoration of the Acropolis – LithographsEst. $50-$100Lot Passed
SOLD
Adriaen Collaert (ca. 1560–1618) – Title Plate of the Life and Passion of Christ – Engraving: "Vita, Passio, et Resurrectio Iesu Christi" features a central cartouche surrounded by four circular medallions depicting the four evangelists. The top center contains the coat of arms of the
0020: Adriaen Collaert (ca. 1560–1618) – Title Plate of the Life and Passion of Christ – EngravingEst. $50-$100
Bernard de Montfaucon (1655–1741) – View of Siege Machines – Engraving (1719–1724): "MACHINES POUR LES SIEGES" displays schematic representations of ancient military siege equipment. The copper engraving features a wheeled protective pent-house or siege shed used for approaching
0021: Bernard de Montfaucon (1655–1741) – View of Siege Machines – Engraving (1719–1724)Est. $50-$100Lot Passed
Bernard de Montfaucon (1655-1741) – View of German, Moorish, and Numidian Cavalry: "Cavaliers Germain, Maure, et Numide" displays three scenes of mounted figures from ancient military history. The engraving features soldiers on horseback representing different cavalry traditions.
0022: Bernard de Montfaucon (1655-1741) – View of German, Moorish, and Numidian CavalryEst. $50-$100Lot Passed
Bernard de Montfaucon (1655–1741) – View of Parthian, Amazon, and Scythian Horsemen: "PARTHE A CHEVAL, AMAZONE ET SCYTHE" displays three distinct scenes of ancient mounted figures. The copper engraving presents a Parthian horseman, an Amazon in combat posture, and a Scythian rider.
0023: Bernard de Montfaucon (1655–1741) – View of Parthian, Amazon, and Scythian HorsemenEst. $50-$100Lot Passed
Bernard de Montfaucon (1655-1741) – View of Greek Military Attire – Engraving (1719-1724): "Habit Militaire des Grecs" depicts multiple figures demonstrating historical military garments and weaponry. The copper engraving presents a standing figure in ornate armor, a pair of individuals
0024: Bernard de Montfaucon (1655-1741) – View of Greek Military Attire – Engraving (1719-1724)Est. $50-$100Lot Passed