Classic Photography Auction 2020-05-17 Auction - 203 Price Results - Seagrave Gallery in California - Page 3
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ANSEL ADAMS - Aspens, Northern NM, 1958BRETT WESTON - Mendenhall Glacier, Alaska, 1973HENRY GILPIN - Highway 1, 1965
Done
Pacific Grove, CA, United States
Auction Details

Classic Photography Auction

Seagrave Gallery's inaugural photography auction is the first of its kind, offering premium material from three important Californian collections at entry-level pricing to entice new bidders. Highlights include vintage prints by Ansel Adams, Edward Weston, Carleton Watkins, and many others. For additional details, please email info@seagravegallery.com
Lot Number: Lowest
24
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BRETT WESTON - Owens Valley, Clouds, Mountain, 1968: This unmounted, trimmed, vintage contact print is one of only two known prints, with the other residing in The Phillips Collection. This was likely the same print that was reproduced on the cover of
0053: BRETT WESTON - Owens Valley, Clouds, Mountain, 1968Est. US$2,500-US$4,500
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WILLIAM B. GILES - Shouting Brook, c. 1970: Signed and titled in ink with Kodak brand stamp sheet verso. This untrimmed, unmounted print was likely printed in the 1970s or '80s. Materials & Techniques: Resin-Coated Silver Gelatin
0054: WILLIAM B. GILES - Shouting Brook, c. 1970Est. US$600-US$800
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ROBERT K. BYERS - Spotted Lake, Osoyoos, British: Signed in pencil mount recto; Message from the West Coast portfolio stamp with number, title and date mount verso. Materials & Techniques: Vintage Silver Gelatin
0055: ROBERT K. BYERS - Spotted Lake, Osoyoos, BritishEst. US$400-US$600
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HENRY GILPIN - Tenaya Lake, c. 1965: This vintage print is signed in pencil mount recto; stamped and numbered mount verso; mounted to Hi-Art illustration board, and therefore likely printed in the 1960s. Materials & Techniques: Vintage
0056: HENRY GILPIN - Tenaya Lake, c. 1965Est. US$800-US$1,000
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RICHARD GARROD - Pond, Yosemite Valley, 1990: This vintage print is signed in pencil mount recto; stamped, titled, dated and numbered "Print 3" in ink mount verso. Materials & Techniques: Vintage Silver Gelatin
0057: RICHARD GARROD - Pond, Yosemite Valley, 1990Est. US$500-US$700
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PAUL CAPONIGRO - Monument Valley, Utah, 1970: This print was produced in 1973 for inclusion in Portfolio II (Edition of 100). Signed in pencil mount recto. Materials & Techniques: Vintage Silver Gelatin
0058: PAUL CAPONIGRO - Monument Valley, Utah, 1970Est. US$1,500-US$2,500
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PAUL CAPONIGRO - Landscape, Kalamazoo, Michigan, 1970: This print was produced in 1973 for inclusion in Portfolio II (Edition of 100). Signed in pencil mount recto. Materials & Techniques: Vintage Silver Gelatin
0059: PAUL CAPONIGRO - Landscape, Kalamazoo, Michigan, 1970Est. US$1,000-US$2,000
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ANSEL ADAMS - El Capitan, Winter, 1948: This special edition print made by Ansel's assistant Alan Ross was likely produced in the 1980s. The Special Edition Yosemite stamp with Alan Ross's initials are on the reverse of the mount.
0060: ANSEL ADAMS - El Capitan, Winter, 1948Est. US$600-US$1,000
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ANSEL ADAMS - Cathedral Spires and Rocks, Late: This special edition print made by Ansel's assistant Alan Ross was likely produced in the 1980s. The Special Edition Yosemite stamp with Alan Ross's initials are on the reverse of the mount.
0061: ANSEL ADAMS - Cathedral Spires and Rocks, LateEst. US$800-US$1,200
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ANSEL ADAMS - Monolith, the Face of Half Dome, 1927: This Parmelian print of Adams' first iconic image comes directly from the descendants of Albert Bender"”Adams' first and greatest patron. Bender, who also supported Diego Rivera and other Bay Area
0062: ANSEL ADAMS - Monolith, the Face of Half Dome, 1927Est. US$15,000-US$25,000
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BRETT WESTON - Guatemala Landscape, 1965: This print, which was included in a custom "100 Print Portfolio" c. 1980 for an important Californian collector, is signed and dated in pencil mount recto; titled "Guatemala" in pencil mount verso.
0063: BRETT WESTON - Guatemala Landscape, 1965Est. US$2,500-US$3,500
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BRETT WESTON - Toba, Japan, 1970: This unsigned print was given to Brett's friend Harold A. Short, whose return address label is on the back of the mount. Titled and attributed in ink in an unknown hand mount verso. Accompanied by a
0064: BRETT WESTON - Toba, Japan, 1970Est. US$600-US$800
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ANSEL ADAMS - Tenaya Lake, Yosemite, 1946: This Special Edition print was made in the early 1960"s, when it was purchased by a photographer attending Adams' Yosemite workshops. The print remained in his collection until late 2019. This print
0065: ANSEL ADAMS - Tenaya Lake, Yosemite, 1946Est. US$2,500-US$3,500
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HENRY GILPIN - Wonder Lake, Alaska, 1978: This intimate scene of Mt McKinley and Wonder Lake is one of Henry Gilpin"s most well-known photographs. This print is signed in pencil mount recto and bears the portfolio label, title, editioned
0067: HENRY GILPIN - Wonder Lake, Alaska, 1978Est. US$500-US$700
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WILLIAM B. GILES - Colorado Falls, 1980: Signed and titled in ink sheet verso. Materials & Techniques: Silver Gelatin
0068: WILLIAM B. GILES - Colorado Falls, 1980Est. US$800-US$1,200Lot Passed
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BOB KOLBRENER - Rock Covers Paper #9, Big Sur, 1999: This selenium-toned silver gelatin print was hand-crafted by Kolbrener around 2010. The print is signed in pencil mount recto, with studio stamp and title mount verso.Just down the coast from Carmel
0069: BOB KOLBRENER - Rock Covers Paper #9, Big Sur, 1999Est. US$1,500-US$2,500
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WYNN BULLOCK - Wave, Point Lobos, 1958: This rare enlargement was printed by Harry Abrams under the supervision of Wynn Bullock in 1972. This particular example is a test print from an edition of 10, which is inscribed and signed sheet
0070: WYNN BULLOCK - Wave, Point Lobos, 1958Est. US$600-US$1,000
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