Old Master Paintings, Drawings and Engravings 2014-07-09 Auction - 59 Price Results - BIBLIOPATHOS Auctions in it - Page 2
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Bassano, Lamentation over the Dead Christ, 1580-82Giulio Cesare Procaccini, Sacrifice of IsaacVincent Sellaer, Leda and the Swan
Done
Verona, Italy
Auction Details

Old Master Paintings, Drawings and Engravings

A collection of some important paintings of Old Masters, with a section of ancient drawings and engravings. Among the authors, a signed Procaccini, an important Bassano coming from the Royal Collection of the Kings of Spain, a drawing by Géricault, etchings by Tiepolo and Canaletto.
Lot Number: Lowest
24
Bartolozzi, Music Lesson: FRANCESCO BARTOLOZZI (1728-1815) The Music Lesson Sepia etching on folio reale, 16,4x11,6 inches (418x295 mm) (plate) Scarce and very fine impression. Francesco Bartolozzi born in Firenze, was a
0026: Bartolozzi, Music LessonEst. €1,000-€1,500Lot Passed
Castelli, Transfiguration of Christ: ANNIBALE CASTELLI (Bologna, 1573-dopo il 1623) Transfiguration of Christ Black ink pen watercolored and white lead on brown prepared paper, 13x9,2 inches (331 x 233 mm) Inscription Annibale
0029: Castelli, Transfiguration of ChristEst. €1,500-€2,000Lot Passed
Géricault, Knights: THÉODORE GÉRICAULT (1791-1824) Knights Drawing, black and red pen, 19,6x29,5 inches (50x75 mm) Attributed to Géricault by Prof. Pierre Rosenberg. Theodore Gericault (179-1824), was a
0032: Géricault, KnightsEst. €3,000-€4,000Lot Passed
Goya, ¿Por qué esconderlos?: FRANCISCO GOYA (1746-1828) ¿Por qué esconderlos? («Why to hide them»?») Aquatint, Serie: Los Caprichos (fifth edition), no. 30, 8,6x6 inches (218x153 mm) A miser but very respectable
0034: Goya, ¿Por qué esconderlos?Est. €400-€500Lot Passed
Goya, Al Conde Palatino: FRANCISCO GOYA (1746-1828) Al Conde Palatino («The Count Palatine») Aquatint, Serie: Los Caprichos (fifth edition), no. 33, 8,6x6 inches (219x152 mm) In all sciences there are charlatans, who
0035: Goya, Al Conde PalatinoEst. €400-€500Lot Passed
Goya, El vergonzoso: FRANCISCO GOYA (1746-1828) El Vergonzoso («The indecent man») Aquatint, Serie: Los Caprichos (fifth edition), no. 54, 8,5x6 inches (217x152 mm) There are men whose face is the most indecent part
0036: Goya, El vergonzosoEst. €400-€500Lot Passed
Goya, Duendecitos: FRANCISCO GOYA (1746-1828) Duendecitos («Trolls») Aquatint, Serie: Los Caprichos (fifth edition), no. 49, 8,5x6 inches (217 x152 mm) True trolls of this world are the priests and monks who eat
0037: Goya, DuendecitosEst. €400-€500Lot Passed
Goya, Ensayos: FRANCISCO GOYA (1746-1828) Ensayos («The Proofs») Aquatint, Serie: Los Caprichos (second edition), no. 60, 8,2x6,53 inches (210x166 mm) From a Goya's autograph manuscript explaining this
0038: Goya, EnsayosEst. €600-€800Lot Passed
Goya, Aguarda que te unten: FRANCISCO GOYA (1746-1828) Aguarda que te unten («Wait till they anoint you») Aquatint, Serie: Los Caprichos (fifth edition), no. 67, 8,6x6 inches (218x153 mm) In the manuscript of Ayala, Goya
0039: Goya, Aguarda que te untenEst. €400-€500Lot Passed
Goya, Unos á otros: FRANCISCO GOYA (1746-1828) Unos á otros («Each other») Aquatint, Serie: Los Caprichos (fifth edition), no. 77, 8,6x6 inches (218x152 mm) Goya observes that «the old crocks still jerk around
0041: Goya, Unos á otrosEst. €400-€500Lot Passed
Goya, Despacha, que dispiertan: FRANCISCO GOYA (1746-1828) Despacha, que dispiertan («Serve, that they wake up») Aquatint, Serie: Los Caprichos (fifth edition), no. 78, 8,6x6 inches (218x152 mm) According to the manuscript at
0042: Goya, Despacha, que dispiertanEst. €400-€500Lot Passed
Lapi, Knight: EMILIO LAPI (1814-1898) Knight Signed by the author Drawing, sanguine, 280 x 215 mm A tear in the lower right corner. Emilio Lapi studied in “Accademia di Belle Arti” of Florence. At the
0043: Lapi, KnightEst. €400-€500Lot Passed
Sold
Marieschi, Campo dei Frari, 1741: MiCHELE GIOVANNI MARIESCHI (1710-1743) Campo dei Frari Etching, 1741, first state (of four) 12.4 x 18.4 inches (31.6 x 46.7 cm) Wonderful imprint, in excellent condition. Michele Marieschi was a
0045: Marieschi, Campo dei Frari, 1741Est. €1,000-€1,300
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Matham (circle), Allegory of Hope: CIRCLE OF JACOB MATHAM (1571-1631) Allegory of Hope Drawing, red pencil, 6,4x4,1 inches (162x105 mm) Jacob Matham (1571 – 1631), of Haarlem, was a famous engraver and drawer, stepson and pupil
0046: Matham (circle), Allegory of HopeEst. €1,300-€1,500Lot Passed
Piranesi, Colosseo, 1757: GIAMBATTISTA PIRANESI (Mogliano Veneto 1720 - Roma 1778) View of Anfiteatro Flavio, called Colosseo. Etching, burin and drypoint, 1757, first state (of four), 17,3x27,3 inches - 440x695 (510x745)
0048: Piranesi, Colosseo, 1757Est. €2,500-€3,000Lot Passed
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