Daguerreian Garden, Historic, Artistic Photos

WELLINGTON LEE, "HARMONICA PLAYING" SELF PORTRAIT

TWO HORSES PULL A SLEIGH-WAGON, 1/6 PLATE DAGUERREOTYPE

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Yonkers, NY, United States

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Daguerreian Garden, Historic, Artistic Photos

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Exciting selection of Daguerreotypes and other early images, historical photographs(Civil War), 20th century art photographs

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HENRI CARTIER-BRESSON, "ON THE BANKS OF THE MARNE,": HENRI CARTIER-BRESSON, "ON THE BANKS OF THE MARNE," 1938, printed later. 8 x 11 3/8-inch gelatin silver print on Agfa paper. One of Cartier-Bresson's beloved images. This has his blue "Mention

0089A: HENRI CARTIER-BRESSON, "ON THE BANKS OF THE MARNE,"Est. US$2,500-US$3,500Lot Passed

ALFRED EISENSTAEDT, WOMAN IN FLORENCE STREET, 1933: ALFRED EISENSTAEDT, WOMAN IN FLORENCE STREET, 1933. 9 ¾ x 7- inch ferrotyped gelatin silver print. German Associated Press stamp on verso, covered by a PIX label, and with a PIX New York stamp. An

0090: ALFRED EISENSTAEDT, WOMAN IN FLORENCE STREET, 1933Est. US$1,500-US$1,800Lot Passed

ALFRED EISENSTAEDT, PORTRAIT OF FEE MEYER, 1932: ALFRED EISENSTAEDT, PORTRAIT OF FEE MEYER, 1932. 9 3/8 x 7 ½- inch matte toned gelatin silver print. Eisenstaedt's German A.P. stamp on verso, and pencil title (in his hand)- "Berlin, Februar 1932/

0091: ALFRED EISENSTAEDT, PORTRAIT OF FEE MEYER, 1932Est. US$1,200-US$1,500Lot Passed

ALFRED EISENSTAEDT. PORTRAIT OF KING GUSTAV OF SWEDEN,: ALFRED EISENSTAEDT. PORTRAIT OF KING GUSTAV OF SWEDEN, 1934. 9 ½ x 7- inch matte toned gelatin silver print. Eisenstaedt's German A.P. stamp on verso has been covered by a PIX label, and there is a

0092: ALFRED EISENSTAEDT. PORTRAIT OF KING GUSTAV OF SWEDEN,Est. US$800-US$1,200Lot Passed

HAROLD EDGERTON, "DENSMORE SHUTE BENDS THE SHAFT": HAROLD EDGERTON, "DENSMORE SHUTE BENDS THE SHAFT". 7 7/8 x 8 ¾- inch ferrotyped gelatin silver print, 1938, printed early 1960's. Has "H.E. Edgerton" stamp and Neikrug Gallery "New York 21, N.Y."

0093: HAROLD EDGERTON, "DENSMORE SHUTE BENDS THE SHAFT"Est. US$1,200-US$2,000Lot Passed

WELLINGTON LEE, "HARMONICA PLAYING" SELF PORTRAIT: WELLINGTON LEE, "HARMONICA PLAYING", 1965 (or before.) 20 x 15 1/2- inch toned gelatin silver print mounted on a board. Signed in ink on the recto, with title and "#1" in pencil,, His 44 Mulberry

0094: WELLINGTON LEE, "HARMONICA PLAYING" SELF PORTRAITEst. US$2,800-US$3,500Lot Passed

Sold

WELLINGTON LEE, "SUBWAY ENTRANCE" FILM NOIR FEELING: WELLINGTON LEE, "SUBWAY ENTRANCE", 1956 (or before.) 14 x 17- inch gelatin silver print, unmounted. Title in pencil in Lee's hand, "#4" and other notations in pencil, Lee's 44 Mulberry Street NY

0095: WELLINGTON LEE, "SUBWAY ENTRANCE" FILM NOIR FEELINGEst. US$1,500-US$2,000

See Sold Price

WELLLINGTON LEE, "MEN AT WORK": WELLLINGTON LEE, "MEN AT WORK", 1956 (or before.) 14 x 17- inch gelatin silver print, 1956. Title in pencil in Lee's hand, and "#3" on verso, plus a label for the 16th International Focus Salon

0096: WELLLINGTON LEE, "MEN AT WORK"Est. US$1,500-US$2,000Lot Passed

WELLINGTON LEE, "ARTIST AT WORK" MODEL IS BETTIE PAGE: WELLINGTON LEE, "ARTIST AT WORK", 1955 (or before.) 16 ½ x 14 ¾ toned gelatin silver print, titled in pen on the verso in Lee's hand, and with his 44 Mulberry Street N.Y. stamp (to which he has

0097: WELLINGTON LEE, "ARTIST AT WORK" MODEL IS BETTIE PAGEEst. US$2,000-US$3,000Lot Passed

WELLINGTON LEE, "WINE AND GIRL", 1987: WELLINGTON LEE, "WINE AND GIRL", 1987. 16 ½ x 15 3/8- inch gelatin silver print, titled in pencil in Lee's hand, and "#3." Stamp for the Hong Kong Camera Club 1987 17th International Salon of

0098: WELLINGTON LEE, "WINE AND GIRL", 1987Est. US$1,800-US$2,200Lot Passed

YOUSUF KARSH, PORTRAIT OF RODDY McDOWALL, ca. 1970: YOUSUF KARSH, PORTRAIT OF RODDY McDOWALL, ca. 1970. 13 ¼ x 10 1.2- inch ferrotyped gelatin silver print with Karsh's Copyright stamp, and Studio stamp, and "No: 90/ R. McDowell" in pencil. The

0099: YOUSUF KARSH, PORTRAIT OF RODDY McDOWALL, ca. 1970Est. US$500-US$900Lot Passed

PHILIPPE HALSMAN, YOUNG FRANK SINATRA, 1944: PHILIPPE HALSMAN, YOUNG FRANK SINATRA. This is the first of a group of some of Halsman's celebrated close portraits of celebrities. They were published in 1978 in an edition of 500, of which this is

0100: PHILIPPE HALSMAN, YOUNG FRANK SINATRA, 1944Est. US$1,200-US$2,000Lot Passed

PHILIPPE HALSMAN, MARLON BRANDO, 1950: PHILIPPE HALSMAN, MARLON BRANDO. Gelatin silver print in a 19 x 16- inch frame. Published in 1978 in an edition of 500. This is "A.P." (Artist's proof) with stamped embossed signature on the recto

0101: PHILIPPE HALSMAN, MARLON BRANDO, 1950Est. US$1,200-US$2,000Lot Passed

PHILIPPE HALSMAN, JUDGE LEARNED HAND: PHILIPPE HALSMAN, JUDGE LEARNED HAND. Gelatin silver print in a 19 x 16- inch frame. Published in 1978 in an edition of 500, with stamped embossed signature on the recto and Halsman's stamp on the

0102: PHILIPPE HALSMAN, JUDGE LEARNED HANDEst. US$1,200-US$2,000Lot Passed

PHILIPPE HALSMAN, ROBERT KENNEDY, 1952: PHILIPPE HALSMAN, ROBERT KENNEDY, 1952. Gelatin silver print in a 19 x 16- inch frame. Published in 1978 in an edition of 500 of which this is an A.P. (Artist's Proof,) with stamped embossed

0103: PHILIPPE HALSMAN, ROBERT KENNEDY, 1952Est. US$1,200-US$2,000Lot Passed

PHILIPPE HALSMAN, JOHN STEINBECK, 1952: PHILIPPE HALSMAN, JOHN STEINBECK, 1952. Gelatin silver print in a 19 x 16- inch frame. Published in 1978 in an edition of 500, of which this is "A.P." (Artist's Proof), with stamped embossed

0104: PHILIPPE HALSMAN, JOHN STEINBECK, 1952Est. US$1,200-US$2,000Lot Passed

PHILIPPE HALSMAN, HUMPHREY BOGART, 1944: PHILIPPE HALSMAN, HUMPHREY BOGART, 1944. Gelatin silver print in a 19 x 16- inch frame. Published in 1978 in an edition of 500, of which this is "A.P." (artist's proof) with stamped embossed

0105: PHILIPPE HALSMAN, HUMPHREY BOGART, 1944Est. US$1,200-US$2,000Lot Passed

PHILIPPE HALSMAN, TULLULAH BANKHEAD, 1952: PHILIPPE HALSMAN, TULLULAH BANKHEAD, 1952. Gelatin silver print in a 19 x 16- inch frame. Published in 1978 in an edition of 500, of which this is "A.P." (Artist's Proof) with stamped embossed

0106: PHILIPPE HALSMAN, TULLULAH BANKHEAD, 1952Est. US$1,200-US$2,000Lot Passed

PHILIPPE HALSMAN, GEORGIA O’KEEFFE, 1948: PHILIPPE HALSMAN, GEORGIA O’KEEFFE., 1948. Gelatin silver print in a 19 x 16- inch frame. Published in 1978 in an edition of 500, of which this is "A.P." (Artist's Proof), with stamped embossed

0107: PHILIPPE HALSMAN, GEORGIA O’KEEFFE, 1948Est. US$1,200-US$2,000Lot Passed

Sold

PHILIPPE HALSMAN, HITCHCOCK AND "THE BIRDS": PHILIPPE HALSMAN, HITCHCOCK AND "THE BIRDS." 5 x 4- inch gelatin silver contact print, ferrotyped, with "14" on the top and left edge, 1962. "Copyright by Philippe Halsman" stamp on verso and pencil

0108: PHILIPPE HALSMAN, HITCHCOCK AND "THE BIRDS"Est. US$1,000-US$1,500

See Sold Price

BRETT WESTON, "SPANISH VILLAGE ROOFTOPS, 1960": BRETT WESTON, "SPANISH VILLAGE ROOFTOPS, 1960". 7 5/8 x 9 ½- inch gelatin silver print, dry mounted and dated on the mount, recto. In my view the most successful of his photographs of this subject.

0109: BRETT WESTON, "SPANISH VILLAGE ROOFTOPS, 1960"Est. US$3,000-US$5,000Lot Passed

BRETT WESTON, "GRASS AND LAVA, 1982": BRETT WESTON, "GRASS AND LAVA, 1982". 10 ¾ x 13 3/8- inch gelatin silver print, dry mounted, signed on the mount recto. An excellent dramatic rich print. A part of the very top of the print that was

0110: BRETT WESTON, "GRASS AND LAVA, 1982"Est. US$2,500-US$3,500Lot Passed

Sold

DIANE ARBUS, "LADY AT A MASKED BALL WITH TWO ROSES IN: DIANE ARBUS, "LADY AT A MASKED BALL WITH TWO ROSES IN HER DRESS, NYC. 1967". 4 5/8 x 4 3/8- inch ferrotyped gelatin silver print with an "Aug 7, 1977" date stamp on verso. Also, in red pen, "Text

0111: DIANE ARBUS, "LADY AT A MASKED BALL WITH TWO ROSES INEst. US$1,500-US$3,000

See Sold Price

GEORGE KRAUSE, PORTFOLIO 1960 – 1970: GEORGE KRAUSE, PORTFOLIO 1960 – 1970. A beautiful clamshell box, 21 ½ x 14 ½ x 2 ¼- inches, containing 12 toned gelatin silver prints. This was published in 1980 by the Mancini Gallery,

0112: GEORGE KRAUSE, PORTFOLIO 1960 – 1970Est. US$5,000-US$10,000Lot Passed

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Everything is guaranteed authentic, original and as described. We almost never have returns. Please inquire for additional information. Make sure you understand our rigorous condition codes. The scans, as far as possible, are accurate representations of the objects. Significant aspects of condition are mentioned in the text. In addition, we supplement the descriptions with codes that alert you to the general nature of the object. * All material with actual damage to the surface (not to the mount) will have a prefix "D," as in [D3]. In a few cases where the damage does not affect normal viewing it will be mentioned but the Prefix will not be given. Some damage is quite minor, but it will be mentioned anyway. * Material that was originally well produced and has been preserved in that condition will have a grade of [4]. We do not use this category lightly. * Material that was a little less fine to begin with, but still has an attractive presence and no distracting problems, will have a grade of [3] * Typical collectible material with some fading, minor wear and soil (but no actual damage) will be graded [2]. Particular factors will be mentioned in the text. A "plus" or "minus" will sometimes be used to indicate which end of the condition range is applicable.