manner of Nicolas Poussin (French, 1594-1665), Figural

Follower of Nicolas Poussin (French, 1594-1665) "Enlevement", ca. 1700 oil on linen unsigned. Framed. 38-1/4" x 53-1/4", framed 56-1/2" x 69-1/2"

Guillaume Chasteau (French, 1635-1683) after Nicolas Poussin (French, 1594-1665). 2 plates. "Le matin la terre fut couverte comme d'une bruyne qui estant inconnue aux Hebreux, leur fit dire en leur la

Frederick Christian Lewis (English 1779-1856) print. Artist name ("F.C. Lewis, fc 1808") printed lower right. Etching is of work by Nicolas Poussin (French 1594 - 1665), printed lower center. Printing

Nicolas Poussin (French, Italian, 1594-1665) print on paper, Venus en Mercurius. Signed with initials lower left and stamped lower right. Framed. Nicolas Poussin was the leading painter of the classic

Nicolas Poussin (French, Italian, 1594-1665) print on paper, Venus en Mercurius. Signed with initials lower left and stamped lower right. Framed. Nicolas Poussin was the leading painter of the classic

IN THE MANNER OF NICOLAS POUSSIN 1594 Les Andelys (Normandy) - 1665 Rome DIANA AND ACTAEON Oil on canvas. 62 x 74 cm (F. 75,5 x 87,5 cm). Verso: Old monogrammed 'BL' on the back. Part. slightly old re

(French, 1594-1665) Assumption of the Virgin, oil on canvas, 36-1/4 x 28-1/4 in.; unframed [Old Masters] Provenance: The Estate of Peter H. Tillou, Litchfield, Connecticut

ENGLAND/SCOTLAND, 1721-1791 A copper engraving after Nicolas Poussin's (1594-1665) "The Judgement of Hercules" by Robert Strange. The work is signed and annotated within the plate. Provenance: An exac

Assumption of the Virgin, by Nicolas Poussin (1594–1665). Triumph of Galatea by Domenichino. 2 19th C. prints. 14 1/4" x 11".

Titled "Abram and Lot" and attributed to Nicolas Poussin to the name plate Oil on canvas ca. late 18th C H. 15" W. 19.5"

after Nicolas Poussin (Italian 1594-1665)- ''Venus and Mars'', (Andresen 349); (De Vesme 2); (Wildenstein 122 i/ii)- etching, 1635 by Fabrizio Chiari (Italian 1615-1695)- before the address of De Ross

Jean PESNE (ROUEN, 1623 - PARIS, 1700) D'APRÈS NICOLAS POUSSIN (VILLERS, 1594 - ROME, 1665) - La grande sainte Famille servie par les anges. Paris, chez Vallet. s.d. Gravure. 495 x 658 au TC. Nom des

NICOLAS POUSSIN (SCHOOL) 1594 Les Andelys, Normandie - 1665 Rom VENUS AND CUPID WITH PANFAMILY AND GOATS Oil on canvas (old relined). 43,5 x 34,5 cm (F. 60 x 52 cm). Part. min. old restored. Frame. Pr

(Les Andelys, 1594 - Roma 1665) Studio per deposizione Penna e bistro su carta, cm 7,5X13,5 Studio per Compianto Matita e bistro su carta, cm 9X12 (2) Poussin dipinse simili composizioni almeno due vo

An antique 19th Century French bronze. A figural statue depicting dueling swordsmen after "Le Duel" by Nicolas Mayer (1852-1929). Depicting dual opposing shirtless male figures in combative fencing st

Circle of Nicholas POUSSIN (1594-1665) in Rome: "Figures Among Ancient Ruins". Brown pen ink and grey wash on laid paper. With a similar subject on the verso in pen and ink only. Sheet size: 8 3/8 x 1

oil on canvas; unsigned; Provenance: Property from the F.G. Kammer Estate, Santa Barbara, CA: 29 x 20 1/2 inches; 45 x 38 1/2 inches frame

Manner of Nicolas Lancret (French, 1690-1743) Untitled (Figures in a Wooded Landscape) oil on canvas unsigned 21 x 37 1/2 inches. Property from the Collection of Doron Berger, St. Louis, Missouri

Manner of Nicolas Lancret(French, 1690-1743)A Man Playing the Flute for a Woman in a Landscape19th centuryunsigned9 3/4 x 7 3/4 inches (sight)17 3/4 x 15 3/4 inches (frame)Provenance: Private

Manner of Nicolas de Largilliere (French, 1656-1746) 19th Century Portraits of a Gentleman and a Lady oil on canvas Each: 34 1/4 x 29 1/2 inches.

Manner of Nicolas de Stael (French/Russian, 1914-1955) Composition, oil painting on canvas, unsigned. Framed. Size: 20'' x 15.75'', 51 x 40 cm (stretcher); 25'' x 22'', 64 x 56 cm (frame).

French Neoclassical style lamp, bisque cast from a James Pradier (1790-1852) sculpture depicting a classical maiden sitting in repose beside a lyre, on brass floral openwork base atop a foliate repous

In the manner of Nicolas de Largillière (1656-1746) French, portrait of Princess Anne of Denmark, later to become Queen Anne of England, oil on canvas, unsigned. An almost identical portrait of M

A large antique French figural grouping in the manner of Sevres offers parian porcelain construction with surreal scene of figures, cherubs and birds, seated on pierced bronze base, 19th c.Measures- 1