Deborah Oropallo "Coupon" etching with drypoint

DEBORAH OROPALLO (American b. 1954) "Coupon" 1997 etching with drypoint sheet: 23 x 19 inches; overall with frame: 25.5 x 21.5 inches, signed dated lower right: 'Oropallo' 97 and numbered lower left:

Deborah OROPALLO (American, b. 1954): "Coupon". Color spitbite and waterbite aquatint etching with drypoint, 1997. Signed, dated, and inscribed AP8, aside from the edition of 40. With the publisher's

Deborah Oropallo (American 1954- )- ''Crown Prince''- etching and aquatint in colors, 1987, signed and numbered 25/50 in pencil. 12 x 9 1/2''

Deborah Oropallo (American, b. 1954), "Lawn Chair on Grill," 1999, etching and aquatint in colors, pencil signed and dated lower right, edition 28/40, image: 24"h x 21.75"w, sheet (unframed): 32"h x 2

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" IN VERSO REMBRANDT VAN RIJN , 1641 (6 1/2" X 8 1/4" SIGHT SIZE

DEBORAH OROPALLO (American b. 1954) Pointers, 1994 (diptych) Each oil and paper on canvas Each 36 x 34 inches / 91.44 x 86.36 cm Each signed and dated verso: Oropallo 94 Provenance: Stephen Wirtz Gall

This is a vintage signed etching and drypoint print from artist Bernard Buffet (French, 1928 - 1999). An exclusively figurative artist, his works can be seen in the collections of the world's leading

Deborah Oropallo (American, b. 1954), "Uprising," 1992, oil on canvas, signed on the right side of the canvas, gallery label (Stephen Wirtz Gallery, San Francisco) adhered verso, canvas (unframed): 96

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

Deborah Oropallo (California/New Jersey, b. 1954) oil on canvas painting titled "Weeds of Alabama". Depicts an outline of the letter A superimposed onto the phrases: "Fields and roadsides/Roadsides, e

Louis Icart reproduction "Lady with Peacock" etching & drypoint copyright notice upper left 1925 29" x 24"

Deborah Oropallo (American, b. 1954), "Falling Crown," 1992, monotype, pencil signed and dated lower right and titled verso, image: 35.5"h x 23.75"w, sheet (unframed): 43"h x 30"w

Louis Icart "Lady with Peacock" etching & drypoint copyright notice upper left 1925. Pencil rigned LR, windmill mark LL, plate size approx 15"w x 18.5"h , frame size 28" w x 32"h

Louis Icart(1888-1950)"Intimacy," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ic

Louis Icart(1888-1950)"Mockery," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ica

Robert Indiana(1928-2018)"American Dream II, Eat, Die, Hug, Err," 1996Etching, drypoint, and aquatint in color on wove paper, watermark ArchesEdition: XXXXVI/LSigned, titled, dated, and numb

Deborah Oropallo 1992 oil painting "Big Ears" of abstract compositions with two ears and stripes running along the surface. Painting has a contemporary wood frame. Painting is in good condition. Measu

Deborah Oropallo (American, b. 1954). Oil on masonite diptych painting titled "Tim," 1985, depicting a handsaw floating above a burning tree stump. Signed along the verso of each painting.Pr

Louis Icart (1888-1950)"Blue Alcove," 1929Etching, drypoint, and aquatint in colors on paperFrom the edition of unknown sizeSigned and numbered in pencil along the lower edge: Louis Icart /

SEYMOUR HADEN (BRITISH, 1818–1910), ETCHING, DRYPOINT AND PLATE TONE ON BUFF PAPER, 1865 H 4.25" W 7.5" OLD CHELSEA (Old Chelsea Church) Literature: Schneiderman 101