2 Framed R. Ackermann Aquatint Prison & Guildhall

Two 19th Century Framed R. Ackermann Hand Colored, Etched and Aquatinted Prints of Kings Bench Prison & Guildhall. Both were printed by J. Bluck, published by R. Ackermann in 1808. The frames are reve

Framed print "New York in 1834", Engraved in Aquatint by R. Varin published by A. Ackermann & Son inc 50 East 57th Street New York City 1929.. Sight 18 1/2" x 23", overall 27 1/2" x 32".

A pair of R. Ackermann's Microcosm of London aquatint engravings including New Gate Prison Chapel, 1808 water marked "J. Whatman, 1806" and The Roman Catholic Chapel, 1809 without watermark.

(lot of 2) Framed hand-colored aquatints on paper, early 19th c., from "A Select Collection of Views and Ruins in Rome and Its Vicinity," by James Merigot (France, 1760-1824), published by R. Edwards,

“Dans l’Atelier”. Signed l/r. Numbered 21/50. Dated in the plate. 1966. Etching on Aquatint. Measuring 12 1/2” by 18 1/2”. Framed under Plexiglas. (Cond: good) (3000/4000)

(lot of 2) Framed aquatint engravings on paper, after Edward Algernon Stuart Douglas (British, 1848-1918), engraved by Edward Gilbert Hester (British, 1843-1903), published by Arthur Ackermann, London

PETER MILTON (American b. 1930) "The Jolly Corner" Etching and Aquatint. Plate Sight: 15 3/8 x 10 1/2 inches; Framed: 22 1/2 x 17 inches. Pencil signed l/r, annotated center "III: 7" and numbered l/l

"Rinse". Signed in pencil l/r. Dated 1978 and numbered 4/78. Aquatint Etching with Pochoir. Measuring 17 1/2" by 35". Framed under Plexiglas. (Cond: good) (800/1000)

Jack Levine (1915-2010), 'The General', aquatint, ed 16/100, signed L/R, 15" x 18", framed 24" x 26 1/2". Exhibited by the Far Gallery New York City, and The Art Gallery Newark, New Jersey.

“Coursing”. Signed in pencil l/r. Windmill blind stamp. Dated 1930. Drypoint Etching with Aquatint. Measuring 15 1/2” by 25”. Framed under Plexiglas. (Cond: good, slight toning) (800/1000)

(British, 1775-1811). Published by R. Havell, 1831, color aquatint, sight size: 14 x 18 1/4 in., framed size: 22 x 26 1/2 x 1 in., in an eglomise frame.

Framed Engraving "Artaxerxes Aged 12 Years," Painted by F.C. Turner and engraved by R.G. Reeve. Colored aquatint engraving measures in frame 27.50"x23"x1-1/2". Weight 9 pds. PROVENANCE: A Seabrook Isl

(lot of 2) Framed aquatint etchings on paper, signed lower right P. Bisson (Paul Bisson, British, b.1938), including: (1) "Fisherman's Cottage, Guernsey," numbered 15/ 20, sight: approx 5.5"h, 7.5"w,

(lot of 2) Framed aquatint etchings on paper, including: (1) "Chaumiere" (Cottage), signed lower right Louis Haumont (French, 20th c.), (1) Canal, signed lower right Renarof (?), numbered 50/ 350, sig

(Born 1920 American) 2 framed aquatint etchings, "The Road to Cataract Falls" and "Another Winter", both signed and titled lower margin, approximate plate size of each 4 1/2" x 7 7/8", frames 13 1/4"

2 Framed R. H. Polanske Hunting-Fishing Prints “Let’s Go” and “Pretty Soft”

Piza, Arthur Luiz (Brazilian 1928-2017), Modification III and Another from same Portfolio, etching and aquatint in colors, 6.5 x 5.25 inches and slightly smaller, both pencil signed and numbered, fram

(2) Original Framed R. Atkinson Fox Prints, (1) 12.75" x 16.75" Frame Size, Scene Of Two Women On Terrace, Some Fading (1) 9" x 15" Frame Size, Titled "Love's Paradise", Scene Of Young Mother Holding

THE HISTORY OF THE ABBEY CHURCH OF ST. PETER'S WESTMINSTERIts Antiquities and Monuments, volume 2 only, R. Ackermann, London, M DCCC XII (1812), pp. 275 plus index. Filled with large color images. Lea

(Early 20th C. European School) 2 figures, framed aquatint, signed indistinctly in pencil lower right, approximate image size 7 3/4" x 7 1/2", frame 21" x 19".

(lot of 2) Framed hand-colored aquatints on paper, c.1823, published by Robert Pollard, Holloway, London, centered in black and gilt eglomise frames, including: (1) "Yorkshire Hero," (1) "The Champion

(lot of 2) Framed hand-colored aquatints on paper, published by Robert Pollard, Holloway, London, centered in black and gilt eglomise frames, including: (1) "The Cheshire Pile," c.1826, after James Po

(1840-1905). ONE IS A COASTAL SCENE, 7" X 10", SIGNED LOWER LEFT IN GOLD FRAME, SHOWS FOXING. THE OTHER DEPICTS A FISHING BOAT, SIGNED LOWER LEFT, 2 1/2" X 3 1/2".

Original fine condition, framed, matted and sealed under glass, signed in pencil by the artist. L'Hermitage Ed., Paris. Late 20th Century original abstract color etching and aquatint on Arches paper b