Hiro Yamagata (b. 19487) Japan American

VOYAGE 365 JOURS, 1978, oil painting on canvas, signed and dated lower right, 15 x 18”, frame 17 x 20”.

THE IMPRESSIONISTS, 1984, color screenprint, signed and numbered X/LXXV (10/75) Roman numeral in pencil, published by Martin Lawrence Editions, image 19 ¾ x 29 ¾”, full margins, frame

LE MOULIN ROUGE, 1979, color screenprint, signed and numbered 191/300 in pencil, published by Martin Lawrence Editions, image 24 x 29”, full margins, frame 34 x 39”.

YAMAGATA, 1987, Austin Jaynes, revised edition hardbound book, signed in ink, published by Martin Lawrence, printed by Dai Nippon Printing, Japan, in original shipping cover.

AIR SHOW, color screenprint, signed and numbered 22/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 32 ½ x 23 ½”, full margins, frame 44 &f

SUNDAY SUNDAE, color screenprint, signed and numbered 225/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 30 x 24”, full margins, discardable frame 41 &f

ROBBERS, 1982, color screenprint, signed and numbered 200/275 in pencil, published by Martin Lawrence Limited Editions, with their and printer’s blind stamps lower left, image 24 ¼ x 24

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered 136/295 in pencil, published by Martin Lawrence Editions with blind stamp lower left, image 19 ¾ x 29 &frac34

THE WRIGHT BROTHERS, 1980, color screenprint, signed and numbered 22/300 in pencil, published by Martin Lawrence Limited Editions, image 26 ¾ x 36”, full margins, frame 39 ¾ x 48 &

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered H.C. (hors commerce) 19/75 in pencil, aside from the numbered edition of 295, published by Martin Lawrence Editions

L’EXPRESS, circa 1977, color screenprint, signed and numbered XXX/C (30/150 Roman numeral) in pencil, pre-Martin Lawrence edition, image 25 ½ x 21 ¼”, full margins, frame 34

VACANCES (Yamagata page 138), 1980, color screenprint, signed and numbered 32/300 in pencil, published by Martin Lawrence Galleries, image 21 ½ x 27 ½”, full margins, frame 32 &fra

LE MOULIN ROUGE, 1979, color screenprint, signed and numbered AP (artist’s proof) 12/30 in pencil, aside from the numbered edition 300, published by Martin Lawrence Limited Editions, image 24 x

DANSE; EARTHLY PARADISE IN ROME; PARIS ORCHESTRA; HONG KONG NIGHT, four color screenprints, three with hot foil stamping, each signed in pencil, images 26 1/2 x 26", 27 x 21" and two 28 x 22"; All wit

EARTHLY PARADISE IN ROME; FOGGY PARK; DIAMOND; FOGGY DAY OF MONTMARTRE, four color screenprints, each signed in pencil, images 27 x 21", 24 1/4 x 24", 20 1/2 x 26" & 23 x 23 3/4"; All with the artist�

IKAROGA; SNOW FIRE II; BAKERY; SAN FRANCISCO, four color screenprints, each signed in pencil, images 22 x 27 3/4", 25 x 25", 22 x 28" & 23 1/2 x 30", three with the artist’s and studio blind stamps,

FOGGY NIGHT SEINE RIVE; GRAND PRIX; WEDDING RINGS; CHILDREN’S CONCERT, four color screenprints, each signed in pencil, images 26 1/4 x 25", 22 1/4 x 28 1/4", 22 x 28" & 23 x 26", All with the artist

CONCERT IN THE PARK (Jaynes page 139), 1983, color screenprint, signed and numbered 36/275 in pencil, published by Martin Lawrence Limited Editions with blind stamp lower left, image 24 x 24”, f

DOLPHINS (Jaynes page 154), 1984, color screenprint, signed and numbered 262/295 in pencil, printed by Accent Studio and published by Martin Lawrence blind stamps lower left, image 24 x 24”, ful

PICNIC (Jaynes page 155), 1985, color screenprint, with original graphite drawing of a squirrel lower left margin, signed and numbered 20/75 Roman numeral in pencil, printed by Accent Studio and publi

FATHERS & SONS (see Jaynes page 86), circa 1988, color screenprint, signed and numbered 123/295 in pencil, published by Martin Lawrence Editions with blind stamp lower left and label on back, image 15

FIREWORKS, 1982, color screenprint, signed in pencil, numbered X/LXXV (10/75), published by Martin Lawrence Limited Editions with their blind stamp lower left, image 28 x 24”, full margins, framed w

FESTIVAL FEU D’ARTIFICE, color screenprint, signed in pencil and inscribed HC 1/50 (hors commerce), image 18 x 14", full margins, framed.

FIREWORKS, 1982, color screenprint, signed in pencil, numbered AP 35/50 (artist’s proof), published by Martin Lawrence Limited Editions, with their blind stamp lower left, image 28 x 24”, full mar