Anonymous sculptor/medalist of th

GARDEN SCENE, gouache on Brownie Board, image 10 ½ x 19 ½”, board 13 ¾ x 20”, gold leaf frame 16 x 25” with silk mat and gold-leaf filet, with glass.

Anonymous portrait painter of the 18th century, portrait of a man with allonge wig and red jacket, oil on canvas, unsigned, patches and retouching, inscribed on frame plaque ''H. Rigaud'', 74 x 60 cm,

Anonymous sculptor at the end of the 20th century, small snake, dark patinated bronze with fine scale drawing, unsigned, stamped ''Verlag des G.G. Zimmermark (?) Hanau'' and numbered II273 on the bott

Anonymous sculptor at the end of the 19th century, Saint Peter on the throne, brown patinated bronze (figure) on brass with minimal residual gilding (throne), coffered base, unsigned, rubbed and bumpe

Henry Moore O.M., C.H. (British, 1898-1986) Reclining Figure numbered '5/7' (on the top of the base); stamped with foundry mark 'C. VALSUANI CIRE PERDUE' (on the side of the base) bronze with a brown

T.H. ROBSJOHN-GIBBINGS (1905 - 1976) WIDDICOMB Mesa coffee table, Grand Rapids, MI, 1950s Walnut Manufacturer label, stenciled markings 17" x 73 1/2" x 49" Provenance: Private collection, Deal, NJ Lit

Louis Vuitton leather and canvas "monogramme" trunk with brass appliques, 21th century. Comes with documents from Louis Vuitton 2016. Interior with three removable trays. Label with numbering "MZ02660

ANONYMOUS, CANTON SCHOOL Dutch Folly Fort on the Pearl River, circa 1847 Oil on canvas, on a stretcher, framed and glazed. 16 5/8 x 21 3/4in (42.2 x 55.3cm) Footnotes: 佚名　&#28023

IMPORTANT & VERY RARE Chinese 19th Century CHENXIANG-WOOD Imperial Court ChaoZhu Beads & OFFICER HAT China, Qing Dynasty, Qianlong Period, 18th C., Qing imperial court necklace

Edwin Lord Weeks (1849-1903) Loading the Camels, Salé, Morocco, alternately titled Along the Nile and Loading in the Donkeys, Near East Signed 'E.L. Weeks' (lower right), identified on a label fr

ANONYMOUS (18TH-19TH CENTURY) Flock of Cranes Edo period (1615-1868), 18th/19th century A six-panel folding screen in ink, color, and gold on paper depicting a flock of 17 cranes standing on the shore

AUGUST LOHR (Germany, 19 th - 20 th  century). VIEW OF POPOCATEPETL FROM ECATZINGO(?). Oil on panel. Signed. 30.5 x 21.5 cm

ANONYMOUS, (19TH/EARLY 20TH CENTURY) Gu Eun Mong (A Nine Clouds Dream) Late Joseon dynasty (1392-1897), 19th/20th century An eight-panel screen, painted in ink and colors on paper, mounted on brocade,

TH Robsjohn-Gibbings, custom lotus console, c. 1935, USA, marbleized and lacquered carved wood, unmarked but likely produced by Petersen Studios for the Sans Epoque Collection, 34.5"h x 66"l x 19"d Pr

TH Robsjohn-Gibbings, (6) Klismos dining chairs, 1969, Greece, Greek walnut, leather strap seat, model no. 105, for Saridis of Greece, one with metal manufacturers tag to under seat, 34"h x 19"w x 20"

H:141cm,W:66cm

T.H. Robsjohn-Gibbings (1905-1976) Saridis of Athens 'Klini' Chaise, Athens, Greece, designed 1961, walnut, leather, metal label 'Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens,'

Anonymous, Landscape Painting Length:305cm.Width: 56cm. Provenance: Released from John Sparks Ltd., owned by a private collectors of the company around 1970s~1990s. Scroll and mounted. The hand scroll

A Chinese Ink and Color on Silk Scroll Marks: three red seals 12-3/4 x 301 inches (32.4 x 764.5 cm) (work) Property form the Estate of Dr. Cornelius

ANONYMOUS (16TH CENTURY) Military Banners and Insignia Joseon dynasty (1392-1897), 19th century A four-panel screen and six matching famed panels painted in ink and colors on paper depicting banners,

A fine early-mid 18th century burr walnut silver-mounted, quarter repeating table clock Henry Thornton, London The inverted bell top with solid silver handle and four finials over pierced quadrants an

H:143cm,W:93cm

FRAMED 19 TH C O/C INDIA LANDSCAPE 18"X26"

"Bishop Saint". Hispanic-Flemish. Anonymous. Circa 1500.White wooden sculpture, not polychromed. 95 x 28 x 20 cm.The anonymous Bishop Saint is outstanding due to the skill displayed in the sculptorâ�