17th Century Italian Drawings

Late 16th or Early 17th Century Italian School, Crucifixion Group, circa 1610, pen and bistre ink drawing on watermarked laid paper, 8 x 11.5 inches, Provenance: Rifkin-Young Fine Arts, Riverdale N.Y.

Hardcover copy of 17th Century Italian Drawings in The Metropolitan Museum of Art. By Jacob Bean. Published b6 The Metropolitan a museum of Art/ Harry N. Abrams, 1979. Some wear to book jacket. Measur

17th Century Italian Drawings In the Metropolitan Museum of Art Jacob Bean (1979). New York / The Metropolitan Museum of Art. ISBN: 0870991841 CHF 20 / 40 EUR 20 / 40

on wove paper in the form of a frieze with procession of people and horses, unsigned though catalogue numbers verso, 22.5 cm x 40 cm

ANTIQUE ITALIAN 17TH CENTURY SEPIA INK DRAWING SEA GODS Antique Italian 17th century sepia Ink drawing of Sea Gods marked acquisition # 522D. Converse Auctions does not authenti

Old Masters School, two-sided drawing, Old Masters School (Italian, 17th c.), Head of a Woman, Drapery Studies (verso), black and red chalk on paper, gallery label verso, matted and framed under glass

Ambrogio-Figino-circle/17th Century Italian/Attributed. Risen Christ. Pen/brown ink/wash/watercolor. 4.4x8.2. 17th Cent. Milano Italian drawing. 1608yr. Laid on period woven paper. Provenance: LaMaiso

An Italian Sanguine Drawing on Paper, Depicting Armature and Helmets 17TH CENTURY brown paper mounted on paper. Sheet 7 1/2 x 12 inches.

17th/18th century drawing of figures, probably Italian.4" x 3.5" in a frame 6"x 5.5"..////////////////////////////////////////////////////////////////////////////////////////////Provenance:Krzystof Po

Italian 17th/18th Century Old Master Drawing, no signature, 10 1/4" x 7 1/8", mounted to a cardstock

A Screen of Trees Shading a Cluster of Small Buildings, charcoal on grey laid paper, probably Italian, circa 17th c., in gilt stick frame, under French-ruled mat, glazed, OS: 16 1/2" x 22", SS: 10 1/2

Italian Old Master drawing. Soldiers on horseback leaving a city. Small holes, a crease and old repairs. 17th/18th century frame. Sight size: 13" x 19". Overall size: 21" x 17".

An early drawing or litho of the Adoration of the Magi, probably Italian, possibly 17th century. It shows the Virgin Mary holding the infant Christ while several men and servants carrying presents app

Italian School 17th Century. Angel Players. Brown ink on laid cream period paper. 6.1x6.1. 17th Cent drawing. Angels players, playing musical instruments. Nice detail. Provenance: LaMaison d'Art Galle

Italian School (17th Century) Sheet of Studies: Holy Family with Angels. Ink drawing with red and black chalk, unframed. Together with 'A Port City' a gouache on paper 4.25" x 5"

Italian School 17th Century Cupid and Women Pen/brown ink 5.5x7.7 17th cent. Italian drawing on cream laid watermarked period paper. Detailed. Provenance: LaMaison d'Art Gallery, di Giovacchini Simone

Italian School 17th Century Mythological Scene Brown ink on cream laid paper. 7.5x5.5 17th century drawing on laid period paper. Nice detail. Script writing on Verso. Provenance: LaMaison d'Art Galler

Italian School/17th Century. Jesus +Mary. Pen/brown ink/wash. 5.7x7. 17th cent Italian drawing on period cream laid paperImage of Jesus and Mary. Very detailed.Possibly Bologna school. Provenance: LaM

Italian "Christ & Pontius Pilate" sanguine chalk drawing on laid paper, possibly 17th century. Image: 9.5" H x 8" W; unframed. Stain top center and foxing throughout.

Wonderful red chalk drawing. Bottom of backside says Antonio (Illegible). 11 3/4" by 18 3/4". Italian 17th-18th Century.

Artist: Italian School [17th-18th century]. Title: "Adoration of the Virgin". Medium: Pen and ink with wash drawing. Date: Composed c1670-1710. Dimensions: Overall size: 6 1/4 x 8 5/8 in. (15

Artist: Italian School [17th-18th century]. Title: "Triumph of Venus". Medium: Pen and ink with pencil drawing. Date: Composed c1680-1720?. Dimensions: Overall size: 4 1/4 x 5 3/4 in. (108 x

Rare 17th Century Old Master Sepia Ink Drawing "Roman Soldiers Amidst Architecture" Unsigned. Extensive bio attached to verso from Jean-Paul Meulemeester, Brussels with mention of P. Crozat in the wri

(possibly 16th/17th century) The Judgement of Solomon, unsigned, inscribed verso in ink crediting the work to Paolo Veronese (Italian, 1528-1588), red chalk on laid paper, 6-5/8 x 9-7/8 in.; modern fr