RON BURNS Happy Dog Print. Graphic Harlequin design with purple column capitals images. Pencil signe

FRANK STELLA Graphic Lithograph Screen Print "Shards III". Green fishnet background with colorful abstract images. Pencil signed and numbered 76/100, dated 1983. In a custom acrylic box frame. Comes w

"Cassandre originally created this atmospheric image for the Venice Graphic Design Conference in 1951. While they continued to use it for many years, the Italian Tourist Bureau also found it particula

Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he

Escher, Maurits Cornelius (Dutch, 1898-1972) Day and Night, (Bool 303) woodcut print, on Japan woven paper, signed in the lower left in pencil, image measuring 15.5 by 26.5 inches, with the sheet size

EDWARD STEICHEN (1879-1973) Mine Craters Combres Hill. Silver print, the image measuring 6½x9 inches (16.5x23.2 cm.), the sheet slightly larger, with Steichen's title in pencil on verso. 1918-19P

Berenice Abbott (American, 1898-1991) New York at Night, 1932, later impression, gelatin silver print, pencil signed lower right, image: 13.75"h x 10.75"w, overall (with frame): 25"h x 21.25"w

ANSEL ADAMS (1902-1984) Moonrise from Glacier Point. Silver print, the image measuring 7x9 inches (19.7x24.4 cm.), the mount 13x16 inches (34.3x41.9 cm.), with Adams' signature in pencil on mount rect

1983 Dean Explorer bass, serial number 83-06400, in yellow finish with green, blue and red pinstripe accents and back design with the graphic featured on the back of the 1983 Eliminator album, double-

Frank Stella (American, 1936-), black, blue and purple "V" Series lithograph print, signed in pencil "F. Stella 68," editioned 51/100, 16 1/4" h x 35 1/4" w. Provenance: from the Santa Barbara, Califo

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

Thomas Hart Benton (1889-1975) Prodigal Son 1939 The lithograph signed by the artist in pencil below the image lower right and titled lower left with dedication, an edition of 250 prints published by

Collotype and pochoir printed in colors signed in pencil and numbered 335/350 Very light foxing in the bottom margin and acid burn seen in margins. Image: 20" x 24.75" Frame: 29" x 32.5" Sheet measure

Thomas Hart Benton (1889 - 1975) The Music Lesson 1943 The lithograph published in an edition of 250 prints by Associated American Artists is signed by the artist in pencil below the image lower right

Gene Kloss (1903-1996) Penitente Fires 1939 The aquatint etching from an edition of 50 prints on Whatman paper is signed by the artist in pencil below the image lower right, and titled lower left. The

Thomas Hart Benton (1889-1975) Forward Pass 1972 The lithograph published by Associated American Artists in an edition of 250 prints is signed by Benton in pencil below the image lower right and liste

Thomas Hart Benton (1889-1975) Making Camp 1972 The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and li

Thomas Hart Benton (1889-1975) Jessie and Jake 1942 The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right an

Thomas Hart Benton (1889-1975) Fire in the Barnyard 1944 The lithograph signed by the artist in pencil below the image lower right, from an edition of 250 prints, Fath number 64. Benton comments in Cr

Thomas Hart Benton (1889-1975) Self Portrait 1972 The lithograph signed by the artist in pencil below the image lower right, from an edition of 300 prints, Fath number 84. In Creekmore Fath's catalog,

Erich Lessing (Austrian, 1923-2018), West Germany, Rhineland-Westphalia, Ruhrgebiet region, Gelatin Silver Print, signed in blue ink lower right, pencil inscribed to verso. Image: 11.75" H x 15.75" W;

PEDRO DE LEMOS (1882 - 1954) "The Cliff Dweller," Monterey Coast, CA, ca. 1915-20; Color woodblock print on tissue paper; Matted and framed; Pencil signed and titled; Image: 11 3/4" x 9"

Hiromu Kira (1898-1991 Washington) ''The Thinker'' 1930 Silver Gelatin Print 10.5''x13.25'' Image. A scarce WPA era image by this Japanese American founding member of the Seattle Camera Club. Pencil s

Gordon Parks (1912-2006) American Gothic, Washington D.C. [Ella Watson], 1942 Gelatin silver print, printed later, signed in pencil on the verso. image: 12 x 8 1/2in. (30.5 x 21.6cm.) sheet: 14 x 11in

STRANGERS FROM HOPI LAND, (Chamberlain 81), 1924, color woodcut print, signed and titled in pencil, numbered 26/100, image 11 x 9 ¾”, full margins, frame 19 ¾ x 18” with glas