Attributed to Thomas Faed (Scottish, 1826-1900) Portrait of a Manchester Terrier

Attributed to Thomas Faed Head portrait of a Manchester terrier with a red collar Oil on board 27 x 22cm (10 5/8 x 8 5/8in.)

Attributed to Thomas Faed, R.S.A. (1826-1900, Scottish), "Fair Warbler, Sings't Thou Thus by Break of Day," oil on canvas, faint and partial signature lower right, framed, H.- 36 in., W.- 28 in.

Thomas Faed (Scottish, 1826-1900) Woman Fanning Fire 1884, oil on canvas. Signed 'Tos. Faed 1884' (lower left). 12 x 10 in.

Lot 67 Thomas Faed Scottish (1826-1900) The Response oil on canvas signed lower right sight: 16 x 14 inches Provenance: A private Manhasset, NY Collection Acquired in 1999 from Days Gone By Antiq

exceptional pre raphaelite painting attributed to Thomas Faed (1826-1900) superbly rendered!!retaining presumably it's original frame! Possibly depicting "Evangeline" Previous conservation present.Age

ARTIST: ATTRIBUTED TO Thomas Faed (United Kingdom, Scotland, 1826 - 1900) TITLE: Parents with Baby YEAR: 1860 MEDIUM: oil on canvas CONDITION: Relined. Few minor paint losses. Minor stable craquelure.

Thomas Faed (1826-1900) Oil on Canvas, Signed Genre scene of parents with baby in bassinet. Oil on canvas. Thomas Faed; Signed "T. Faed." Dimensions: 17.5" x 13.5"; In Giltwood frame: 25" x 21" EF/B15

Thomas Faed (United Kingdom, 1826-1900) oil on canvas landscape genre scene titled Maternal Joy, depicting a girl watching tenderly as a boy feeds baby birds in a nest. Signed faintly lower right T. F

ARTIST: Thomas Faed (United Kingdom, Scotland, 1826 - 1900) TITLE: The Choice MEDIUM: oil on canvas CONDITION: Relined. Some inpainting mostly along edges. Some craquelure. Normal wear to frame. ART S

ARTIST: Thomas Faed (United Kingdom, Scotland, 1826 - 1900) NAME: The Response (titled on verso) MEDIUM: oil on canvas CONDITION: Some craquelure. Very minor inpainting. Some damages to frame. SIGHT S

(Scottish, 1825-1900) Sir Walter Scott and His Literary Friends at Abbotsford, 1849, not apparently signed, watercolor and body color on paper wrapped on panel stretcher with remnants of red wax seals

(British, 1815-1885) Portrait of a White Terrier with a Leather Collar, unsigned, oil on canvas, 16 x 14 in.; 19th century gilt wood frame,. Condition: lined, restretched on old stretcher, some retouc

Oil on canvas. Approx. 50" x 40" unframed, 55" x 45" framed. Relined. Flecking.

Scottish School, circa 1900 Portrait of a Gentleman, likely James Cullen of Leith, Scotland Oil on canvas Label to verso for Aitken Dott, the leading frame maker and gilder in Edinburgh that eventuall

Attributed Sir Henry Raeburn, R.A. (Scottish, 1756-1823), Portrait of Mrs. Benjamin Belloil on canvas (lined), unsigned, presented in an antique gilt frame. Stretcher size 30 x 25 in.; Frame dimension

Pair of 19th century double portrait paintings attributed to Thomas Sully of Philadelphia. One with a boy and girl and the other with two girls. In original gilt frames. Ashton and Browning. 204 Chest

American Miniature Portrait Attributed to Justus Dalee (active 1826-1847), profile portrait of a woman wearing a lace bonnet and sitting in a red painted American chair, in original lemon gilt frame a

Marilyn Monroe Suite: OLD MASTER PORTRAIT OF A LADY ATTRIBUTED TO THOMAS SULLY

Attributed to Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of a lady, presumably Mrs Tierney, half-length, in a fur wrap oil on canvas 76.2 x 63.4cm (30 x 24 15/16in). Footnotes:

Large American School portrait of General George Washington, after the original by John Faed (Scottish,1819-1902) titled "Washington Receiving a Salute on the Field of Trenton". The oil on canvas pain

Thomas Hewes Hinckley (American, 1813-1896) Portrait of a Seated Terrier Signed and dated "T.H. Hinckley/1870" lower left. Oil on canvas, 26 x 20 in. (66.0 x 51.0 cm), framed. Condition: Lined, fine c

Thomas Buchanan Read (attributed) unsigned. Portrait of a Civil War General. Original frame. Condition: Excellent condition. Minor imperfections. Frame:H 42-1/4" W 36-5/8". Sight: H 29-1/2" W 24-3/8".

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli