Rembrandt van Rijn Moses Breaking the Tablets of the Law Custom Framed Print

A religious historical heliogravure etching with drypoint on paper titled "Death of a Virgin" by Rembrandt Van Rijn. The Death of the Virgin is a 1639 print in etching and drypoint by Rembrandt, showi

REMBRANDT VAN RIJN (Dutch, 1606-1669) Posthumous etching and drypoint, "The Pancake Woman" JEAN-FRANCOIS RAFFAELLI (French, 1850-1924) Etching, untitled (picnic gathering) (framed separately) Both sig

Rembrandt Harmenszoon van Rijn, framed antique etching laid on paper "St. Jerome Reading". Provenance: Contessa Gallery, Cleveland OH. From a Greenwich, CT private collection. Dimensions:  Art:&n

A period, 17th century etching (framed): Rembrandt Van Rijn (Netherlands, 1606 - 1669), "Small Lion Hunt" with two lions, B.115, H. 180, sheet 6 3/8 x 5", on laid paper (tissue backed), armorial water

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

etching, glazed and framed; signed in plate to center; 14 1/2 x 10 in. (36.8 x 25.4 cm.), Frame: 27 1/2 x 23 1/4 in. (69.9 x 59.1 cm.) Provenence: Property from an Estate; Bellette Hofmann Fine Art In

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

After Rembrandt van Rijn (Dutch, 1606-1669), Portrait of a Young Man in a Gorget and Cap, Possibly a self-portrait of the artist, oil on canvas. Inner: 24 .5"h x 20.75"w (62.3 x 52.7 cm) Framed: 34.65

Ca. 1920, after the original drawings by Rembrandt. published by Mar�es-Gesellschaft, R. Piper & Co., Munich, each print bearing their blindstamp. Dimensions: The largest measures approximately 1

Oil on canvas, framed. Featuring portrait of a man. "Rembrandt Harmenszoon van Rijn 1606-1669" printed beneath the image. Damaged frame. "Rembrandt original oil painting" inscribed on verso. "Rembrand

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o