Attributed to John Martin (British 1798 - 1854) - Destruction of Sodom and Gomorrah

John Martin British 1833 Engraving and Mezzotint, "Destruction of Pharoah's Host", 7 1/2 x 11 1/4" Image size, 14 3/4 x 18" overall.John Martin (19 July 1789 – 17 February 1854) was an Engli

Two mezzotints by John MARTIN (British, 1789-1854): "Paradise Lost: two small plate mezzotint proofs". Includes the famous "Bridge Over Chaos" (book 10, line 312-347), and "Satan on the Burning Lake"

Four mezzotints by John MARTIN (British, 1789-1854): "Paradise Lost: four large plate mezzotint proofs". Proof mezzotints on laid paper, 1824-1827. Proof impressions, before the plates? edition in boo

John Martin (British, 1789-1854), "Satan in Council," circa 1824, mezzotint and engraving, image: 18.5"h x 27.5"w, overall (with frame): 25.5"h x 32.5w. Reference: Campbell-Wees, 87

John Martin (British 1789-1854)- ''Joshua Commanding the Sun to Stand Still''; ''Fall of Babylon''; ''The Tower of Babel''- 3 mezzotints. 7 1/2 x 11 3/8''; 7 1/2 x 11 1/4''; 7 3/4 x 11 5/8''

John Martin (British 1789-1854)- ''Fall of The Walls of Jericho''; ''Belshazzar's Feast''; ''Moses Breaketh the Tables''- 3 mezzotints. 7 1/2 x 11 3/8'' ea. (2); 7 1/2 x 11 1/4''

John Martin (British, 1789–1854) - Belthazzar's Feast, Hand Colored Etching. 33x50cm.

the first: John Taylor Arms (American, 1887-1953), Notre Dame de Laòn, etching, 1929, pencil signed and marked as third state lower margin; the second: John Martin (British, 1789-1854), The Approac

After John Martin (1789-1854) British. 'The Third Temptation' Mezzotint, Unframed, 2.75" x 4.25", together with a quantity of other Mezzotints. Quantity (Q).

Attributed to Henry Ossawa Tanner (American, 1859-1937), Gouache on Paper, The Destruction of Sodom and Gomorrah on one side, landscape on obverse behind glass. Double sided paper board panel. Signed

Steel Engraved Map Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Drawn & Engraved by John Rapkin. Cen

Steel Engraved Map Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Drawn & Engraved by John Rapkin. Cen

Steel Engravings Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Paper Size: 11 x 7 inch (28 x 18cm) Ve

Steel Engraving Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Paper Size: 11 x 7 inch (28 x 18cm) Goo

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

Attributed to John Wilson (British, 1774-1855) Rough Seas. Oil on canvas, unsigned 28" x 36" Frame: 34" x 42"

John Constable (attrib), oil on canvas, Attributed to John Constable (British, 1776-1837), Landscape with Herdsmen, no signature observed, artist tag on frame, old auction label verso stretcher, 35"h

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

Attributed to John Wilson Carmichael (British, 1800–1868) On the Thames Bears signature 'J.W. Carmichael' on bottom stretcher verso; also titled on bottom stretcher verso, oil on canvas 10 1/4 x 14

Attributed to John Nost Sartorius (British, 1755-1828), "Huntsman and Hounds at an Alehouse", oil on canvas, unsigned, period label with artist and title on stretcher, 17 5/8 in. x 22 5/8 in., framed,

Attributed to John Brewster (1766-1854): Portrait of Dr. Josiah Osgood of Andover and Salem, Massachusetts Oil on canvas, unsigned, lined. 30 x 25 in., 36 x 31 in. (frame).Sold Skinner, Boston, Novemb

Attributed to John James Wilson (British, 1818-1875). Oil on canvas, signed "J.J. Wilson" lr, 34 x 43 1/2 in., framed.

Attributed to John Frederick Herring (British, 1795-1865). Am oil on panel equestrian portrait of a horse. Unsigned. Nameplate tag on gilt frame. 12 in x 16-1/4 in. Provenance: C. Thomas and Alexandra

Attributed to John Frederick Herring, Sr. (British, 1795-1865) Village Blacksmith oil on canvas 30 x 25 inches. This lot is located in Chicago. Provenance: Ex Collection of Anna Mary Glaab, Peeples Va