HEDLEY FITTON. (English, 1859-1929). ST. JOHN STREET, CANONGATE, EDINBURGH, signed in pencil lower

Hedley Fitton (English, 1859-1929), etching, Italian Street, pencil signed lower right, 14-1/4" x 9-1/2" plate, 23" x 18" overall

Hedley Fitton (English, 1859-1929), Pantheon, engraving, pencil signed lower right, overall (with frame): 26"h x 31"w

Hedley Fitton ( English 1859 - 1929 ) " Morning - St. Etienne du Mont Paris " Original Pencil Signed Etching 36" H 27 1/2" L in Overall Great Condition Please look at Photos Closely Out of a New York

HEDLEY FITTON (BRITISH 1859-1929), ETCHING WITH DRYPOINT; H 14 1/4", W 15 1/4", STREET SCENE WITH FORTRESS & VENDORS :Pencil signed lower right; published by Robert Dunthorme, London, Nov. 1, 1916, fr

Hedley Fitton (1859 - 1929) England Title: Morning - St. Etienne du Mont, Paris Etching Signed in Pencil Measure 24"in H x 16"in W and 29"in H x 20 1/2"in W with frame Known for: Architectural subject

Hedley Fitton (British, 1859-1929) Bridge at Avignon. Etching dated to 1926, pencil signed lower right. Provenance: The F.H. Bresler Co., Milwaukee, WI 17.75" x 17.75" Frame: 26" x 27.25"

DESCRIPTION: Hedley Fitton (England, 1859-1929). Three etchings on paper. Each signed lower right in pencil "Hedley Fitton". Each with attached label to the reverse from Sessler's Book Shop of Philade

ST. MARY'S PADDINGTON BY G.E. STREET Lithograph printed in colours 1964, 60/70 Signed in pencil lower right. Image size: 28" x 19" / 71cm x 48.1cm Framed: 36" x 26 1/2" / 91.4cm x 67cm

St. George and the Dragon, 1947 Etching on paper From the edition of 250 Signed in pencil in the lower margin: Salvador Dali; The Print Club of Cleveland, Cleveland, OH, pub., with their ink stamp

Elbridge Ayer (E.A.) Burbank (1858-1949)Five works:"Sport," 1929Charcoal, graphite, and red colored pencil on paperSigned in pencil on the lower edge, at right: E.A. Burbank; titled and date

Figure devant tapa africain, 1929 (plate 126) Lithograph on Japan imperial paper under glass Edition: 35/50 Signed and numbered in pencil in the lower margin, at right: Henri Matisse Image: 21.25"

Arthur Clifton Goodwin(1864-1929)"Mt. Vernon Street, Beacon Hill"Oil on canvas laid to canvasSigned lower right: A.C. Goodwin; titled on the frame plaque25" H x 30.5" W

Monumental framed oil on canvas painting, "St. Cecilia," signed lower right Eric Reed, after the original by John William Waterhouse (English, 1849-1917), with some overall loss/ peeling to craquelure

ST. MALO, HARBOUR SCENE, 1929, pencil and watercolor on pale graph paper, signed and inscribed lower right and dated lower left, sight 5 x 7 ¾”, frame 12 ½ x 15 ½”. Fr

Konstantin Alexeyevich Korovin, Russian, 1861 to 1939, oil on canvas painting depicting a Parisian street, 1929. Signed by the artist lower left. Framed. Konstantin Alekseyevich Korovin was a leading

John Northcote Nash R.A. (British, 1893-1977) Spring Landscape, Iver Heath signed 'John Nash' (lower left) pencil, charcoal and watercolour 25.5 x 42.5 cm. (10 x 16 3/4 in.) Executed circa 1914 Footno

FLORIS VAN SCHOOTEN (DUTCH 1590-1655) St. John the Baptist Preaching to Multitude, 1621 oil on panel 53 x 93 cm (21 x 36 1/2 in.) signed lower center CONDITION Observed in frame. Panel is slightly bow

"Composition aux cercles," 1975 Color lithograph on paper under Plexiglas Edition 30/95; signed in pencil lower right: Calder Image/Sheet: 29.5" H x 43.5" W Notes: "Man Hole Covers" sometimes app

JOHN MARIN Woolworth Building (Swaying). Pencil on heavy cream wove paper, circa 1913-15. 370x298 mm; 14¾x11¾ inches. Signed in pencil, lower right recto. Strathmore paper blind stamp lower

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

Brown, John George (American, 1831-1913) “Boot Black”. Oil on canvas painting of a 19th century shoe shine boy street urchin. Signed lower left “J. G. Brown N.A. 1884”. Painting is in good con

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark

JOHN MARIN Downtown, New York. Pencil on cream wove paper, circa 1920. 305x228 mm; 12¼x9 inches. Signed in pencil, lower right recto.Provenance: Estate of Patrick Roberts, founder of the American