James Rosenquist, New York Says It from the New York, New York Portfolio, Screenprint and Offset

James Rosenquist (American, b.1933) 'New York Says It (G. 200)' 1983 Lithograph and screenprint ed. 176 of 250; 30 x 34 (in) Signed and dated in pencil Rosenquist 1983, lower right Kew Gallery New Yor

Artist: James Rosenquist Title: New York Says It Year: 1983 Dimensions: 30 1/8in. by 34in. Edition: From the rare limited edition of 250 Publisher: NY Graphic S

Artist: James Rosenquist Title: New York Says It Year: 1983 Dimensions: 30in. by 33in. Edition: 203 from the rare limited edition of 250 Publisher: NY Graphic S

Artist: James Rosenquist Title: New York Says It Year: 1983 Dimensions: 30in. by 33in. Edition: From the rare limited edition of 250 Publisher: NY Graphic Socie

Short Cuts, 8th New York Film Festival by James Rosenquist, 1970 Unsigned Offset Lithograph. Paper size is 34.5 x 23.75 inches, with an image size of 34 x 23.25 inches. The Offset Lithograph is from a

James Rosenquist (1933-2017) F-111 (LEO CASTELLI GALLERY) Color offset lithograph, 1965, on wove paper, signed and dated in pencil, from the edition of unknown size, published by Leo Castelli Gallery,

Color screenprint on white wove paper. Signed, dated and numbered 105/150 in pencil, lower margin. Printed by Chiron Press, New York. Published by the Paris Review, New York. Date: 1967 Dimensions: 74

Screenprint in colors; "Circles of Confusion," 1965 (framed); Signed and numbered 8/200; Published by Original Editions, New York, printed by KMF; 23 1/2" x 19 1/2" (sheet)

JAMES ROSENQUIST (AMERICAN, 1933–2017) OFFSET LITHOGRAPH, ON WOVE PAPER 1970 H 20.75" W 27.25" HORIZON EXHIBITION POSTER Signed lower right, published by the Leo Castelli Gallery, New York, the full

Hand signed & Numbered 34/40 Ca. 1974 Image: 36" x 72" Frame: 40 1/2" x 77" Condition: Plexiglass and metal frame need to be refitted. Plexiglass has partially slipped out of the frame. Image itself i

THE from HIGH TECHNOLOGY & MYSTICIM (G.182), 1981, color lithograph, signed in pencil, numbered 107/150, printed by Siena Studios, published by Rosebranches Inc. & Aripeka Ltd. Editions, image 28 x 28

A FREE FOR ALL (G.102), 1976, color lithograph with string collage, inadvertently unsigned, titled and inscribed HC (hors commerce) 2/25 in pencil lower left, published by Trans World Art, New York, p

GRAVITY FEED (G.147), 1978, color etching with hand-coloring, signed, dated, titled and inscribed 9/15 AP (artist’s proof) in pencil, aside from the numbered edition of 78, sheet 22 ¾ x

STAR LADDER (G.136), 1978, color etching, signed and dated and titled in pencil, numbered 26/78, published by Multiples Inc., printed at Flatstone Studio, with their blind stamp lower right, plate 17

JAMES ROSENQUIST 8TH NEW YORK FILM FESTIVAL 1970, LITHOGRAPHIC POSTER 34.5" X 23.75" FRAMED "SHORT CUTS"

James Rosenquist STARFISH, 1974, color lithograph poster mounted to foamcore, signed and dated in pencil lower right, 35 x 24 ½"; Together with Jimmy Ernst PHOENIX, color poster, signed in pen lower

MIRRORED FLAG (G.37), 1971, color lithograph with mirrored Mylar foil, signed and dated and numbered 9/70 in white pencil, 29 x 22 ”, published by Graphicstudio, framed, in apparently good condition

Robert Rauschenberg Statue of Liberty (from the New York, New York portfolio) 1983lithograph and screenprint in colors with collage on Kazuki 36 h × 24 w in (91 × 61 cm) Signed, ti

Malcolm Morley Beach Scene (from the Six New York Artists portfolio) 1969screenprint in colors on Rives BFK sheet: 29.75 h × 21.5 w in (76 × 55 cm) image: 20 h × 15 w in (51 &tim

Richard Anuszkiewicz (American, 1930-2020) Diamond Chroma from the New York Ten portfolio, 1965 screenprint signed, dated and numbered 183/200 in pencil 20 x 15 inches.

Arman Boom-Boom (from New York International portfolio) 1966screenprint in colors with graphite 17 h × 22 w in (43 × 56 cm) Signed and numbered to lower edge '32/225 Arman' with pr

Group of Four Assorted Modern Art Books comprising "Jocks and Nerds: Men's Style in the Twentieth Century" by Richard Martin and Harold Koda (Rizzoli New York), "James Rosenquist: A Retrospective" (Gu

Roy Lichtenstein Finger Pointing (from the New York Collection for Stockholm portfolio) 1973screenprint in colors 12 h x 9 w in (30 x 23 cm) Numbered to verso '258/300'. This work is number 25

Peter Ford Young Two People Looking At a Piece of Paper (from the New York 10/69 portfolio) 1968 / 1969screenprint in colors 20.125 h × 24.125 w in (51 × 61 cm) Signed, dated an