10pc PAUL CEZANNE Landscape Plates. "View of Paris (detail). c. 1996 from Philadelphia Museum of Art

Member of the Russell Skull Society of Artists oil Buyer's Premium is up to 17%. Click on View Auction Policy for Details

Member of the Russell Skull Society of Artists oil Buyer's Premium is up to 17%. Click on View Auction Policy for Details

Russell Skull Society Artist Chris Owen oil BUYER'S PREMIUM is up to 20% for this Lot. Click on View Auction Policy for Details

This enchanting oil painting on canvas showcases the charm of a village. The artist skillfully captures the essence of the rural scene, using the medium to highlight the quaint details and inviting at

French, 19th C. Depicting views of Philadelphia. Provenance: Property from the Westervelt Company, Tuscaloosa, Alabama. Hirschl and Adler Galleries, New York City.

After Rembrandt, framed etching of a landscape with buildings and a windmill. Possibly British Museum sanctioned print of "View of Amsterdam from the Northwest" (Kadjik). [Art: 3 1/2" x 5"; Frame: 12"

Théodore Rousseau (French, 1812-1867) Théodore Rousseau (French, 1812-1867) Paysage oil on paper laid on board 10.8 x 33cm Provenance: Wilstach Gallery, Philadelphia Museum of Art, USA; The

DESCRIPTION:Oil on panel painting attributed to French artist Paul Cezanne. Illustrates a landscape scene in the manner of Cezanne with a village and scenic mountainous landscape backdrop. In an ornat

Watercolor on paper. A celebrated post impressionist and Divisionist painter, Paul Signac is known for his luminous depiction of subjects ranging from cabaret performers to seascapes. Signac is famous

Charles Ethan Porter (1847 - 1923), Rambling Roses, oil on canvas, signed lower right C.E. Porter, New Britain Museum of American Art label on back, Connecticut Gallery label on back, exhibited Octobe

Alfred Leslie Instant Pictures 1981oil on linen 84 h × 60 w in (213 × 152 cm) Signed and dated to lower right 'Copyright © Alfred Leslie 1981'. Exhibited: C

Louis XIV-Style Bronze-Mounted Brass Inlaid Tortoiseshell and Ebonized Bibliotheque, mid-19th c., by Eugene-Paul Caillaux, Paris, stamped twice CAILLAUX, in the style of Andre'-Charles Boulle model in

Edward Sheriff Curtis (1868 - 1952) The North American Indian, Plates from the Plains Portfolios, (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980 leather portfolios with photogravu

Edward Sheriff Curtis (1868 - 1952) The North American Indian, Plates from the Southwest Portfolios, (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980 leather portfolios with photogr

Richard Mayhewb. 1924untitled, Landscapec. 1970-1980pencil drawing on paper17 x 19-1/2 inchessigned

Texas Bluebonnet Landscape, c. 1950, oil on canvas, 25 x 30, signed lower right: Robert Wood, Exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo M

14.5x19.5 cm. Weight 920 gram.

Marc Chagall painted Madoura ceramic plate, c. 1953 Signed and dated on back along with Madoura stamp Measures: 9 inches

JOSIAH NUILAALIK (1928-2005) QAMANI’TUAQ (BAKER LAKE) Shaman, c. 1996 stone and antler, 17. x 12.25 x 4.5 in (43.2 x 31.1 x 11.4 cm), measurements reflect dimensions with inset antlers signed, "

Pol Bury Gold ring This work is number 6 from the edition of 30 produced by Jacques Bugin and published by Galerie Maeght, Paris; c. 1975 18k yellow gold Signed Pol Bury with maker's mark for Jacque

19th C. Wood, bronze, and gilt gesso "J.F. Browne & Co./Makers/London 58 Broadway New York" Harp, Circa 1859-66. 90" x 60". New York Metropolitan Museum of Art has one on display (according to second

Early 20th century American oil on canvas by Granville Redmond (1871-1935). Depicting an impressionist-style landscape scene with house view on the background. The art is dated and signed on the lower

Description: Chinese Scroll Painting of Mountain Views by Huang Junbi on Paper. Signed and Dated. Size: 53 in. by 24 in. or 135 cm by 61 cm. Provenance: From a Philadelphia Art Collection.

oil on canvas 24 x 30, signed lower right: Julian Onderdonk. This painting is included and pictured as Cat. no 260 on page 123 of the book: Julian Onderdonk: A Catalogue Raisonne, by: Harry A. Halff a