Félix Bracquemond (France, 1833-1914). Le pont Alexandre III, ca. 1877

Felix Bracquemond France,1833-1914 Titled "Duck Pond," depicts ducks and ducklings swimming and hiding in reeds. Etching on paper Signed "Bracquemond" in pencil bottom right margin. From the collectio

FELIX BRACQUEMOND (FRANCE, 1833-1914) ETCHING. 9 5/8 X 8 3/8 INCHES.

Felix Bracquemond (French 1833-1914) ''Le Lapin de Garenne'' (Beraldi 220)- etching, some soiling and staining in margins, crease to paper lower left corner, well away from image. 8 3/4 x 4''

Felix Bracquemond (French 1833-1914) ''Le Lievre'' (Beraldi 277)- etching, signed in pen, after Albert De Balleroy, very good condition. 6 1/4 x 9 3/4''

Bracquemond, Félix Henri (France, 1833-1914). A group of 7 prints. ++The Handmaid, After H. Leys. Etching. Posthumous impression. 33.5 x 26.2 cm. ++ Les Trembles, published in the Gazette des Beaux A

"Le Corbeau." Etching. 10 3/4 x 8 1/2 in.; 16 x 12 in. (framed).

Rare painted ceramic plaque by French Impressionist artist, Felix Bracquemond (1833 - 1914). Circa 1875. Underglaze Barbotine technique painting of a landscape with trees on a hillside at sunrise or s

PABLO PICASSOSpain/France, 1881-1973Le Repos du Sculpteur III. Signed in pencil lower right. From La Suite Vollard, 1933. From the edition of 260. Printed by Lacouriere, Paris. Published by Vollard, P

France, ca. 1920s In the mid 1920s Raoul Dufy (1877-1953) collaborated with the Spanish architect Nicolau Rubio and ceramicist Josep Artigas to create a small group of miniature ceramic gardens. They

Alexandre FASSIANOS (Né en 1935) EVE Vase en porcelaine vernissée rose Pièce éditée à 8 exemplaires par le porcelainier Bernardaud, France, Limoges. Signée, titr&#23

Phuc Duyen Tran (1923-1993), Le pont Huc sur le lac Hoan Kiem menant au temple Ngoc Son, laque sur panneau en bois, signée, 48x32,5 cm 48x32,5 cm; 48x32,5 cm

Willy Eisenschitz (Austrian, 1889-1974) Le Pont Marie a Paris, 1957 oil on canvas signed W. Eisenschitz (lower right); signed, dated, and titled (verso) 31 x 23 ¾ inches. The authenticity of this

Watercolor on paper. A celebrated post impressionist and Divisionist painter, Paul Signac is known for his luminous depiction of subjects ranging from cabaret performers to seascapes. Signac is famous

Christo (Bulgarian, 1935–2020) Le Pont Neuf Empaqueté, Paris, 1975-85, 1991 offset lithograph with collage of woven polypropylene fabric signed and numbered 21/75 in pencil 36 1/2 x 21 inch

Alberto Giacometti (1901-1966)Petit Monstre N°2Bronze Fonte SusseCréation en 1953 fondu en 1958Edition 5/6 Portant le cachet du fondeur Signée et numérotée sur le côté du socle Ã

CARTIER 18K Gold, Coral, Pearl, Diamond, and Emerald Bird BroochFrance, ca. 1950; with a Baroque pearl body, coral head and carved coral tail, fluted gold wings, oval cabochon emerald eyes, and full-c

Ancient Egypt, New Kingdom, 18th Dynasty, between the reigns of Amenhotep II, Thutmose IV, and Amenhotep III, ca. 1408 to 1372 BCE. A breathtaking and sizable example of a standing ushabti figure carv

AN IMPORTANT CARTIER EMERALD AND DIAMOND RING France, ca. 1990, signed 'Cartier', assay '750', numbers '639389' and '54' Accompanied by original makers case, original Cartier certificate of authentici

Ancient Egypt, Predynastic period, late Naqada II to Naqada III, ca. 3200 to 3000 BCE. An enormous hand-built marl clay jar with a russet-hued surface made with a thin iron-oxide slip. The burnished v

Late Naqada II to Early Naqada III, Ca. 3500 - 3200 BC. A charming breccia jar with an ovoid body that tapers in towards the narrow base and deep red-brown veining which permeates the pale-yellow ston

Bell Telephone Co subscriber set, consisting of manual switch "coffin" style magneto ringer box. Ca 1877-1878; wall magnetic transmitter, Ca. 1877-1878, and wooden hand telephone receiver, Ca. late 18

CARL KAUBA (1865 - 1922);Sculpture, "Metamorphosis," France, ca. 1900; Patinated and gilt bronze, plique-à-jour enamel, marble; Signed C. KAUBA; Open: 10 3/4" x 6 3/4" x 8", closed: 9 1/2" x 3 1/2" x

Pre-Columbian, Mexico, Oaxaca, Zapotec culture, Monte Alban III, ca. 600 to 800 CE. A magnificent ceramic vessel in the form of a seated god, Cocijo or Cociyo, the god of rain and lightning, wearing a

DAUM Vase with black violets, France, ca. 1900 Acid-etched, padded, and wheel-carved cameo glass Etched Daum Nancy 7 1/8" x 3 1/8" dia.