Attributed to Max Beckmann (1884-1950): Dreaming

Mixed media on paper. Featuring a portrait of Gandhi. Signed Beckmann on the lower left corner. Attributed to Max Beckmann (1884-1950, German). 35 x 25 cm (13.75 x 9.75 inches). PROVENANCE: This lot c

Attributed to Max Beckmann (1884-1950), etching. Sight 9" x 7 1/2", overall 16" x 14".

Max Beckmann (1884-1950): Weather-vane (Wetterfahne); and Circus (Zirkus), from Day and Dream Two lithographs in black on buff paper, 1946, both signed in pencil, numbered 30/90 and 53/90. Both 15 3/4

Max Beckmann, (1884-1950) Resurrection. 1918. Drypoint etching on Japanese paper. Plate 24.5 x 33.4 cm. Edition 18/80. Verso estate stamp: Beckmann Nachlass, P.B. signed by the executor. In the passe-

MAX BECKMANN(1884-1950) Untitled Woodcut 5 1/4" x 8 1/4"

DAVID BUMBECK Vermont/Massachusetts b. 1940 “Max Beckmann”. Depicts the German painter Max Beckmann (1884-1950) against a surreal backdrop that includes nudes. Etching on paper, 14.75” x 16.5”

Title: Max Beckmann 1884-1950 L'apparition du mythe. Publisher: Taschen. Publication Date: 1995. Binding: Soft cover. Book Condition: Very Good. Dust Jacket Condition: No Jacket. This is the french la

Title: Max Beckmann 1884-1950 L'apparition du mythe Publisher: Taschen Publication Date: 1995 Binding: Soft cover Book Condition: Very Good Dust Jacket Condition: No Jacket This is the french language

Max Beckmann (German, 1884-1950), one of Beckmann's last works, "Kopf" ("Head"), executed in 1959, bronze with dark brown patina, captures most of his signature "Angst". Exhibited and illustrated: Cat

Max Beckmann (German, 1884-1950) In the Tram (In der Trambahn) 1922, pencil signed and numbered 27/40 bottom left (from the total edition of 100 in this state (Hofmaier's state III.B.d. of III.B.d.)),

Max Beckmann, German, 1884-1950, "Main River Landscape", 1915, drypoint, from a portfolio of 19 prints entitled Gesichter (Faces) printed by Franz Hanfstaengl, Munich, published by Mar_es-Gesellschaft

Max Beckmann (Germany, 1884-1950) Lovers II (Liebespaar II) from Faces (Gesichter), 1918 drypoint signed in pencil 8 7/16 x 10 1/16 inches. Property from the Collection of James and Edythe Cloonan, Ch

Max Beckmann, German, 1884-1950, "Zwei Autooffiziere" (Two Auto Officers), 1915, drypoint from a portfolio of 19 prints entitled Gesichter (Faces), printed by Franz Hanfstaengl, Munich , published by

Max Beckmann (German 1884-1950), "Die Nacht", 1922 from Trip to Berlin (Berliner Reise) portfolio, black and white figural lithograph on sepia paper, signed lower right, and editioned 57/100 lower lef

Max Beckmann (German, 1884-1950) Die Bettler (The Beggars), Plate 7 from Berliner Reise 1922, pencil signed and numbered 59/100, with full margins, I.B. Neumann, Berlin, publisher. Lithograph on velin

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max Beckmann (German, 1884-1950) Der Schornsteinfeger (from Berliner Reise), 1922 lithograph signed, dated, and numbered 54/100 in pencil 17 3/4 x 13 1/8 inches. Property from the Private Collection o

Max Beckmann (German/American, 1884-1950), "Dame with Knabe (Lady with Boy)"-1923, drypoint etching, pencil signed lower right. Modern figural print depicting a woman in a hat and jacket beside a youn

Max Beckmann, German- American (1884-1950). Fully Signed Lithograph. Circa 1912, Fully Signed and Titled "Das Bad Der Straflinge" with Paper Label From 2 Galleries on the Back. Framed Under Glass. Not

MEASUREMENTS:15"HX17"W FRAMED, MINT CONDITION/"in the style of"Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and wri

Max Beckmann (German, 1885-1950)Attributed/ in the manner of: Untitled, Portrait of a Man. Engraving on hand made paper. Signed below plate, unframed. Paper has two distinct watermarks. Amedeo Modigli

(1884 Leipzig - New York City 1950). "Der Überfall" aus der Serie "Der Mensch ist kein Haustier". Lithographie. 1937. Ca. 15 x 9,5 cm. Aufl. 100. A.d. ob. Ecken auf Kart. mont.

Max Weber(German, 1884-1950)Prayerlinoleum cutsigned in pencil9 x 2 3/4 inches.