Dissertations Moral & Critical London 1783 Beattie

Heading: (Religion) Author: Lowth, Robert, translator Title: Isaiah. A New Translation; With a Preliminary Dissertation, and Notes Critical, Philological and Explanatory Place Published: London Publis

[Bailey, Samuel] A Critical Dissertation on the Nature, Measures and Causes of Value chiefly in reference to the writings of Mr Ricardo and his followers. London: R. Hunter, 1825. First edition, 8vo,

“A Critical Dissertation on I Cor XI 10 For this Cause ought the Woman to have Power on her head because of Angels”, by Strickland Gough, printed at London for J. Roberts, 1742. Collates complete

“A Critical Dissertation on I Cor XI 10 For this Cause ought the Woman to have Power on her head because of Angels”, by Strickland Gough, printed at London for J. Roberts, 1742. Collates complete

To Which is Added a Critical and Historical Dissertation on Places of Retirement for necessary Occasions, together with an Account to the Vessels and Utensils in use amongst the Ancients. London: for

A GEORGE III SILVER POCKET WATCH with chain. London 1783. 114 grams. 5 cm diameter.

Hester Bateman stuffing spoon. London 1783. 9" long.

English Sterling Silver Serving Tray, London, 1783, with maker's mark WC, rococo handled form with foliate scroll border and engraved scroll design to center of tray, raised on four scroll feet. W

Hester Bateman (1708-1794) Sterling Silver Coffeepot, hallmarked London, 1783-1784, of baluster form, with crested wooden handle, acanthus-mounted "gooseneck" spout and hinged ogee-domed lid with urn-

A PAIR OF GEORGE III SILVER CANDLESTICKS the circular crested bead edge bases supporting flared fluted stems and tulip sconces with detachable drip pans 28.5cm high London 1783 maker William Abdy

An 18th century George III sterling coffee urn, hallmarked London 1783 (maker's marks rubbed), the lidded urn-shaped body engraved with neoclassical motifs of swags of honeysuckles surrounding a monog

with engraved crest, possibly Walter Brind, London, 1783-84, 5 in. H., 13.40 ozt.

Hester Bateman, London, 1783 pear shaped body, beaded edge to foot and raised cover, foliate shaped spout with scrolling handle, 12"h., 27 troy oz.

Pair of Georgian sterling silver two-handled covered sauce tureens by Robert Hennell I, London, 1783. Measure appx 5 3/8" t x 8 7/8" handle to handle. Weigh appx 32.3 ozt total.

English (London), 1783. A pair of sterling silver chambersticks with snuffers, by John Crouch I & Thomas Hannam. Both with full marks and engraved crest; oah. 4 in., dish dia. 5.25 in. (each), silver

With turned wood handle and finial, an empty cartouche on two sides, and floral swag decoration on the body and lid. Footed teapot stand with beaded border. Both marked London, 1783. Thomas Evans & Ja

A Georgian / George III English sterling silver tea caddy. Hallmarks for London, 1783, maker's mark WV (possibly William Vincent). The oval caddy having an overall embossed and chased motif of flowers

A George III sterling silver teapot and standRobert Hennell, London1783-1784overall height 7in (18cm); length 10in (25.5cm); width 5in (12.5cm); gross weight approximately 20oz troy Provenance:With M

Hallmarked IO, London, 1783, floral repousse decoration likely added at a later date, weight approx. 9 T.O. 4-3/4"h to top of finial x 4-3/4"l

A George III dish cross William Plummer, London 1783, of traditional form with four radiating arms and adjustable slides, beaded and well pierced detail throughout, the disc feet similarly decorated (

A George III sterling silver teapot stand or waiter, London 1783 by Hester Bateman Of circular form with cavetto edge and beaded border, raised on three ball and claw feet. The field engraved with a c

...Biographical and Critical (London: Nichols, n.d.), to include 16 of 75 titles published in 1790, 16mo (6.25 x 4 in.), full calf, gilt spine with titles. Additional high-resolution photos are avail

Weight: 202 grams. London 1783.

Each signed and dated by James Tassie, London, 1783 Depicting George Dempster Esquire and D. S. Buchane-Comes. Each in an early black painted wooden frame and brass hanging ring. Provenance: Constanti