James Pollard (British, 1792-1867)

AFTER JAMES POLLARD (British, 1792 - 1867). The Birmingham Tally-Ho! Coaches, 1828, Aquatint printed by G. Bentley depicting the stage coach passing the Crown Tea Garden, marked lower left corner "Pri

James Pollard (British, 1792-1867) etching with aquatint, Four in Hand. 15 3/4" x 22 1/2" (with frame: 24" x 30 1/2"). Not examined out of frame.

After James Pollard (British, 1792-1867), "A Celebrated Fox Hunt, Breaking Cover," 1817, hand colored aquatint, engraved by R. Havell and Son, overall (with frame): 25.25"h x 28.25"w

After James Pollard (British, 1792-1867), "Returning Home by Moonlight," 1817, hand colored aquatint, engraved by R. Havell and Son, published in London 1817, overall (with frame): 25.25"h x 28.25"w

James Pollard, London scene colored lithograph, After James Pollard (British, 1792-1867), "The Royal Mails Starting from The General Post Office, London", printed by R.G. Reeves, 12.75"h x 17.75"w (si

James Pollard Antique English Oil Painting. Oil painting on canvas, framed, with plaque. Measures 13.5 x 17.5 inches. James Pollard (1792 - 1867) was active/lived in United Kingdom, England. Estate In

James Pollard Antique English Oil Painting. Oil painting on canvas, framed, with plaque. Measures 13.5 x 17.5 inches. James Pollard (1792 - 1867) was active/lived in United Kingdom, England. Estate In

Framed oil on canvas painting, The Stagecoach, signed lower right James Pollard (English, 1792-1867), relaid, sight: approx 15 5/8"h, 19.5"w, overall: approx 22"h, 25.75"w, 5.5lbs Start Price: $500.00

AFTER JAMES POLLARD (ENGLISH 1792-1867), LOT (2) LITHOGRAPHS INCLUDING THE NEW LONDON ROYAL MAIL, 1851, FRAMED AND GLAZED-24 X 30" AND THE BEDFORD TIMES, FRAMED AND GLAZED-22 X 25"

Hand-colored etching, after an original design by James Pollard, 1792 to 1867, an English artist who is known for his coach scenes. The artwork depicts the change of carriage horses. Titled underneath

"A Day's Hunting" portfolio, titled "Breaking Cover", "The Chase", "The Death", and "Returning Home by Moonlight". All etched and pencil by Robert Houston (British 1891 - 1942), and dated for 1929. Di

James Pollard, "Newman’s Patent Stage Coach", two coloured engravings, 11.25 x 17 each.

Roberts, attributed to James (British, 1791-1867), Actors in a French Interior, 1826, watercolor, heightened in white, on paper, signed J. Roberts and dated lower right, sheet 6.75 x 5.25 inches, fram

4 Framed after James Pollard Sporting Colored Etchings. All in matching frames. Each 20 1/4"x9"x1". Weight on all 5 pds 9 oz. James Pollard was a British painter and aquatint engraver known for his co

Benjamin West. (1738 - 1820). Christ Rejected. Antique Steel Engraving on wove paper after the original oil on canvas by master engraver James Henry Watt (British, 1799-1867). 1834. Signed in the plat

James Clarke Hook. (1819-1907). Arming the Knight. Antique engraving on wove paper after the original by master engraver William Ridgway (British, 1855-1885). 1867. Signed in the plate. Excellent. Ima

Framed print by Prideaux John Selby (1788-1867) From "Illustrations of British Ornithology" (1821-1834). Plate XXXV, 1) Oriole Male, 2) Oriole Female. Signed twice in the plate and dated 1821 (see pho

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

MUNNINGS, Alfred James (British, 1878-1959). Large House by Riverside. [20th century]. Oil on canvas. Signed lower left. Image: 20 x 24”. Frame: 26 x 36”. Excellent condition. Not examined

Charlie JamesBritish Columbia / Canada, (1875 - 1938)Small Totem Polewood carbingsigned on the back25 inches tall, 5 x 5 inch base

19th century. 'House of Rana of Cote Gooroo' aquatint by James Baillie Fraser. A beautiful and early hand-colored view of Himalayas. Overall good condition, some toning but clean. Two vertica

19th century. 'Fort of Raeengurh' aquatint by James Baillie Fraser. Overall good condition, some toning but clean. Sealed in shrink plastic and backed with board, but not adhered. Measures 27

MUNNINGS, Alfred James (British, 1878-1959). Horse’s Heads. 1912. Pencil on paper. Signed and dated lower right. Image: 8 ½ x 11 ½”. Sheet: 11 x 15”. Frame: 16 x 19”.

McBey, James (British, 1883 _ 1959). The White Palace (Venice). September, 1925. Drypoint etching, signed and numbered by the artist in lower margin, dated in plate. 18 _ x 12 _. Fine.