ATTRIB. TO JOHN E. FERNELY SENIOR (1782-1860), Study of

Framed oil on canvas painting, Portrait of a Bay and Grey Hunter, signed lower right J. Ferneley, Melton Mowbray (John E. Ferneley, Senior, English, 1782-1860), dated 1823, sight: approx 35"h, 44"w, o

Attributed to John E. Ferneley Sr. (1782-1860), oil on canvas, Pheasant Shooting, unsigned, label on verso: Gimbel Brothers, 17" x 20" *No credit card payments will be accepted for silver, gold, or je

MANNER OF JOHN E. FERNELEY, SR. (BRITISH 1782-1860)Portrait of a Bay Horse and King Charles Spaniel, oil on canvas87 x 99 cm (34 1/4 x 39 in.)framed dimensions: 99 x 111 cm (39 x 43 3/4 in.)

John Ferneley (British, 1782-1860) The horse 'Vagabond', owned by Henry Everard Esq, and the dog 'Nell', owned by his fiancé Miss Helen Stuart signed, dated and inscribed 'Ferneley/Melton Mowbray

Oil on canvas equestrian portrait depicting a dapple-grey hunter in a hilly landscape set against a cloudy sunset or sunrise sky. Signed lower left, "John Ferneley," (British, 1782-1860). Handwriting

John Ferneley the Elder English, 1782-1860 A Racehorse with his Groom Signed J. Ferneley, dated 1818 and inscribed Melton Mowbray (lr) Oil on canvas 28 1/8 x 36 inches (71.4 x 91.5 cm) Provenance: Kno

"Still Life with Minton Pitcher" Study, 1984, attributed to John Stuart Ingle (American, 1933-2010), watercolor with gouache on paper, framed. Signed, dated and inscribed in pencil lower right "John S

Edward John Cobbett (British, 1815-1899) Young Girls on a Path. Sgn. lower left, E. J. Cobbett, 1860. Oil on canvas. 28" x 36". A Rochester, NY Family.

Solomon Joseph Solomon (1860-1927) British, A conte study for the 'Birth of Love', 18" x 10" (46 x 26 cm).Provenance: Christies sale 5 November 1993.

1860-61, Roxbury, MA Dial: white enamel, black Roman numeral hour markers, black outer minute divisions, subsidiary sunken sub-seconds, blued steel spade hands with flat polished faces, signed: E. How

Oil on canvas, of left and right format, Clasher is set atop a hill, while a saddled Clinker is in his stall. John Fernelely is regarded as one of the great British equine artists, second perhaps only

John E. Ferneley, Junior English, 1815-1862 A Black Horse in a Landscape Signed John Ferneley Jr. and dated 1849 (ll) Oil on canvas 25 x 30 inches (63.5 x 76.2 cm) Provenance: Pawsey & Payne, Ltd., Lo

Attributed To: John Henry Dolph, American (1835 - 1903) Oil on Canvas "Playful Kittens" Signed Lower Right. Baystate Stretcher stamp on the reverse side. Measures 14" x 20-1/8", frame measures 21-1/2"

CHARLES FRASER (SOUTH CAROLINA, 1782-1860), ATTRIBUTED, MINIATURE PORTRAIT OF A GENTLEMAN, (updated 6/23/22) watercolor, a fine bust-length example, the dark-haired subject in slight profile, his face

(American, 1920-1985). Serigraph in colors, 1977, ed. 88/100, pencil signed and dated "Gene David" lr, 37 1/2 x 43 in., framed. From the Estate of John E. Shenk, Alexandria, VA.

attrib. John and Thomas Seymour, Boston, late 18th c. bellflower inlay to tapering legs ending in unusual spade feet; both back legs swing out to support the top when open; 29"h; 36"w; 17.75"d From th

WODEHOUSE, P.G. 1881-1975; and WESTBROOK, HERBERT. D.1959. Not George Washington. London/Paris/New York/Toronto/Melbourne: Cassell & Company, 1907. 8vo. Frontispiece by John E. Sutcliffe. Publisher's

Thomas Edward Nozkowski (American, 1944-2019). Oil on paper, 1989, identifying information affixed on verso, 9 1/2 x 6 1/4 in., framed. From the Estate of John E. Shenk, Alexandria, VA. Baumgartner Ga

John Wesley 1782 ALS "Deal very gently with them. And lovingly labour to convince..." John Wesley autograph letter signed regarding missionary work. 1p, measuring 6.25" x 8", "near Manchester", dated

Portrait of George Washington Attributed to John Trumbull (1756-1843) Pencil on paper. A finely detailed drawing, likely preparatory for the 1792 life sized painting "General George Washington at Tren

Oil on canvas (Dimensions: 63.5cm x 76cm (25in x 30in))(63.5cm x 76cm (25in x 30in))Provenance: Property of Archibald Stirling of Keir

John Dawson (American, b. 1946) Study for Moving Toward the Light Acrylic and pastel on paper 36.5 x 27 (in) Signed in pencil John Dawson, lower left Titled, verso.

John Constable (attrib), oil on canvas, Attributed to John Constable (British, 1776-1837), Landscape with Herdsmen, no signature observed, artist tag on frame, old auction label verso stretcher, 35"h

(British, 1795-1865) Mundig with William Scott Up at the Start of the Derby Stakes at Epsom, 1835, bearing spurious signature lower left "J. F. Herring", oil on canvas, 26 x 40 in.; gilt wood frame, 2