GILBERTO ANTONIO TARIN "LA DESPIDIDA" ACRYLIC

Gilberto Antonio Tarin (American, born 1943). Original mixed media figural painting on paper. Titled "Un Abrazo" ("A Hug"). A figural scene with a woman, child, and angel figure. Artist signed, dated

Gilberto Antonio Tarin (American/Texas, 20th Century) "Penne", 1974 pen, ink, gouache and collage on paper titled in painting, signed and dated lower right. Backed by board and wrapped with Mylar plas

ANTONIO QUINTANA (1919-1963) La Rampa Project (preparatory sketch) Acrylic and pencil on transparent paper 34" x 37 1/2" sheet; image approximately: 28" x 28 1/2" Signed and dated lower right Various

"Rambler de la Flores". Signed l/r. Verso signed and titled. Acrylic on Canvas. Measuring 37" by 56". Framed. (Cond: good) (50/500)

(or Arturo Antonio Chavez, New Mexico, born 1949) Cerca de la Bajada, 1993, signed lower left "Usner" and inscribed verso with title, acrylic on Masonite, 12 x 16 in.; modern gilt frame, 17-7/8 x 21-7

Terry MacSparran (Am. 1897-1973), Dreamscape # 7, acrylic on paper 11 1/4 x 28 1/4, NS. Terry MacSparran was born in San Antonio, TX; studied at Sophie Newcomb College, New Orleans, LA, and at the Un

olio su tela, W. 73 - H. 61 Cm

CANAL, Antonio. La Terrazza.XVIII secoloAcquaforte, 143x210 mm. Al margine inferiore A. Canal. f. I/III stato. “Questo piccolo capolavoro, saldamente costruito sui calibrati passaggi dei neri br

Retablo Panel Painting. La Virgen del Carmen: Our Lady of Mount Carme. Attributed to the Truchas Master Painter Pedro Antonio Fresquis (Truchas, 1749-1831). *Collection of J.B. Neumann, New York (labe

LOLO SOLDEVILLA (1901-1971) La Rampa Project (preparatory sketch) Acrylic and pencil on transparent paper 34" x 34" sheet; image approximately: 29" x 29" Signed and dated lower right in pencil Various

Antonia Eiriz - Acrylic, La Rampa Project c. 1963 Cuban Measures 34.5 x 33 inches

(Venezia, 1668 - 1725) Fortuna di mare Olio su tela, cm 91X72 Questa burrasca di mare si riconosce al pittore Antonio Marini. La tecnica pittorica tutta di tocco e impasto, con pennellate veloci e dis

ANTONIO MURADO LÓPEZ (Lugo, 1964). "Marañas", Madrid, 1996. Oil on linen. Signed, dated, located and titled on the back. With label of the Antonio de Barnola Gallery. Measurements: 116 x 130 cm

Robert Gordy (American, 1933-1986), La Toiletteacrylic on canvas, signed with monogram and dated 1966, framed, retaining label from Galerie Simonne Stern to verso. Stretcher size 50 x 40 in.; Frame di

LA DODGERS, 2003, acrylic painted 3-dimensional canvas construction, signed and dated lower right side, 14 x 11 x 3â€, framed. Provenance: Art One Gallery label on frame verso.

circa 1873 oil on canvas signed and dated lower right Condition: with patch 30 x 39 1/2 inches

Georges Mazilu(b. 1951)La Tentation (The Temptation)acrylic on linensigned lower right: Maziluinscribed verso: George Mazilu / La tentation25 1/4 x 20 3/4 in. (64.14 x 52.71 cm.), Frame: 33 x 28 3/4 x

Bernard Aubertin Monochrome noir, fait a la petite cuillere 2014acrylic on canvas11.75 h × 11.75 w in (30 × 30 cm) Signed, titled and dated to verso 'Monochrome Noir Fait A La Petite Cuillere 9-0

Antonio SEGUI (Né en 1934) La calle,2018 Acrylique sur toile Signé, daté et titré au dos 92 x 73 cm

Antonio Nicolo Gasparo Jacobsen (1850-1921) La Champagne signed, dated and inscribed 'A. Jacobsen 1890 / 705. Palisade Av. West Hoboken. NJ.' (lower left) oil on canvas 22 x 36 1/8 in. (55.9 x 91.8 cm

Jorge Severino (Dominican Republic, b.1935) "La Amante de Paul Eluard" Acrylic Painting on Canvas. Measures approx. - 28 1/4" wide x 34 1/2" high, total with frame - 33" wide x 39

La Vague / Die Welle / Wave motion machine Kinetic sculpture La Vague / Wave Motion Machine. Acrylic glass / brushed steel, blue liquid. Electrified. 78.5 x 30 x 11.5 cm. The kinetic sculpture gained

(Venezia 1675 - 1741) Riposo nella fuga in Egitto Olio su tela, cm 94X126 Ricondotta al catalogo di Giovanni Antonio Pellegrini da Filippo Pedrocco, la tela è una bellissima testimonianza pittorica i

Venere e cupido Olio su tela, cm 100X80 Il dipinto raffigura Venere con un amorino e i caratteri di stile conducono a strette analogie con la produzione di Giovanni Antonio Pellegrini (Venezia 1675-17