Gioacchino La Pira, (Italian, 1839-1870), Capri da

Gioacchino La Pira (Italian, 1839-1870), "Island of Nisida, in the Gulf of Naples", gouache on paper, signed and titled lower right, sight 16-1/4" x 24-1/2". Glazed, matted and framed.

ARTIST: Gioacchino La Pira (Italian, 1839 - 1870) NAME: Landscape - Naples, Italy MEDIUM: watercolor and gouache on paper CONDITION: Some tears (1 1/2" longest) and damages to edges and corners. Minor

Gioacchino La Pira (Italian, 1839-1870) Pozzuoli gouache on paper signed lower right 8 5/8" x 12 7/8"

Gioacchino LaPira (ITALIAN, 1839-1870) Very Fine 19C Neapolitan Gouache, "View of Naples", image size 17" x 25"

(Italian, 1839-1870) depicting an Italian bay at sunset with a monk on a stone bench, signed in red l.l.; together with a watercolor on paper by Yves Gianni (Italian, active 19th/20th C.) of a bay, si

ITALIAN GOUACHE "BAY OF NAPLES" GIOACCHINO LAPIRA 1839 - 1870 NOTED IN VERSO (20 7/8" X 28 3/4" OVERALL)

(Italian, act.1839-1870). Watercolor on paper, signed "La Pira" lr, sight size: 12 x 20 in., framed size: 17 x 24 inches.

Gioacchino La Pira (1839-1870) Original Gouache on Paper. A Moonlit Night on the Bay of Naples with Vesuvius erupting beyond, signed lower left. One of the best and most renowned artists of "Gouaches

After Gioacchino La Pira, Italian (19th century) Bay of Naples from Carmine indistinctly inscribed (lower right); label from Louis R. Menger (affixed to the stretcher) gouache on paper mounted to canv

"Carmine". Both signed and inscribed lower right. Enrico La Pira (Italian, 19th C). From a Scarsdale, NY estate. Dimensions: Sight - 11.75" high x 16.5" wide each. Condition: "Carmine" has a central v

Alessandro La Volpe (Italian, 1820-1893), "Taormina" 1870, oil on canvas, signed and dated lower left, gallery title label (Montgomery Gallery, San Francisco, CA) affixed verso, canvas: 30"h x 53"w, o

after Antonio Lanzirotti (Italian, 1839-1921), signed "A.G. Lanzirotti Paris" and titled on base. 33"h

Luigi Frullini, Italian, 1839-1897, Florentine Renaissance Revival Carved Walnut Bellows, c. 1870, caved with scrolls, Fleur de Lis and classical masks, the brass nozzle in for of an owl. (JGRO008){WK

After Jacopo da Palma called Palma Vecchio (Italian, ca. 1480-1528) "Portrait of a Young Woman, Called La Bella" oil on canvas unsigned, after the 1518/20 portrait now conserved at the Museum Thyssen

decorata e percorsa da elementi a raffigurare panoplie militari, tralci vegetali, bandiere e cimasa centrata da stella, reca cartigli con la dicitura anno 1870 con scritta parzialmente decifrata con d

Antique Italian polychrome terracotta bust by Dini e Cellai; after La Belle Florentine, the depiction of Saint Constance rendered by a follower of Desiderio da Settignano (circa 1428-1464); ex

Known as Il Parmigianino (Michele da Parma) La Bocca della Verità Oil on canvas Size: 28.5 x 34 in. Proveance: Private Collection, Toronto; by descent. We are grateful to Professor Giancarlo Sestie

Socrate Butazzi (Italian, 19th/20th century). Oil on canvas after Antonio da Correggio. La vergine adora il bambino. Unsigned. With info and titled and dated MCMXXII (1922) on verso. 25 1/2" x 31 1/2"

Luigi Frullini (Italian, 1839-1897), second half 19th century. Exuberantly carved Italian Renaissance revival walnut secretary desk, having a shaped overhanging rais-de-coeur cornice, frieze with garl

19th century Italian carved walnut mantel, in the manner of Luigi Frullini, (Italian, 1839-1897), the mantel shelf with an egg and dart border surmounting a relief carved frieze of scrolling foliate g

Luigi Frullini (Italian, 1839-1897) Pair of Armchairs circa 1889 carved walnut each signed "L. Frullini, Firenze" 66 x 25 x 27 inches Literature: Simone Chiarugi, Botteghe di Mobilieri in Toscana 1780

(Italian, 1839-1890) A pair of Orientalist scenes: Travelers on Camels, both signed lower right "G. Mormile/Napoli", oil on panel, 4 x 7-3/8 in.; matching original gilt wood frames with stencilled san

Gaetano Mormile (Italian, 1839-1890), “Gypsy Wedding,” oil on canvas, signed lower right, canvas: 38"h x 54"w, overall (with Newcomb Macklin frame): 45.5"h x 61"w. Provenance: Simpson Galleries Au

Carlo Fachinetti (Italian, 1870-1951) "Mother and Child" oil on canvas signed lower right. Giltwood frame. 27" x 19", framed 37-1/2" x 29-1/2" Provenance: The Collection of the Late Dr. E. Ralph Lupin