Unidentified master of the 18/19. C., Mary with the

Unidentified master of the 17th / 18th cent., crucifixion scene, oil / canvas, relined, approx 92x70 cm, frame

Old Master School, painting, Old Master School (Continental, 17th/18th c.), Mary and the Archangel, oil on board, unsigned, 26"h x 20"w (sight), 30.5"h x 24"w (frame) Provenance: Estate of Dr. John Br

O/C OLD MASTER STYLE MARY MAGDALENE W/ FINE PERIOD BAROQUE GILT FRAME, 18/19TH C., H. 35" W. 28" (AFTER GIAMPIETRINO)

Henry Jacob Thompson. The Signal. Antique engraving on laid paper after the oil on canvas by master engraver Charles Cousen (British c. 1819 - 1889). 1862. Signed in the plate. Image Size 5 7/8 x 10 1

Old Master School, "Mary Magdalene," 19th c., oil on board, unsigned, presented in a gilt frame, H.- 27 1/4 in., W.- 21 1/4 in., Framed H.- 30 in., W.- 24 1/8 in.

Artist/ School: Circle of John Vanderbank (1694-1739) British Title: The Annunciation Medium: ink and wash drawing, framed Size: image: 9.5” x 7.5” (24.2 x 19cm) framed: 17 x 13 inches Pro

17th C. Continental School Old Master Painting of the Virgin Mary. Oil on tin. Appears to be unsigned. Sight Size: 10 x 8 in. Overall Framed Size: 14 x 12 in.

19th century Russian silver punch ladle with gold wash to the interior of the bowl. Monogrammed. With a Russian city stamp of St Petersburg, an unidentified assay master's mark, "84", and an

Old Master School, oil on board, Old Master School (Likely 19th c.), depicting a swaddling baby Jesus, Mary and Joseph, no signature detected, 4.5"h x 4"w (sight), 10.5"h x 10"w x 1.75"d (frame) Prove

"St Anne Instructing the Virgin Mary with 2 Cherubs" from the Italian School of artists. Old Master 18th c. Oil on canvas. Canvas has a hole with what appears to be a recent application of scotch tape

17th / 18th Century ? Old Masters Vision Oil on Canvas of Madonna Virgin Mary with Baby Jesus and Cupid Cherub Signed Illegible Lower Left Most likely Italian Christian Religious Scene Holy Infant 37"

17th Century Oil on Tin Painting of the Virgin Mary. Appears to be unsigned. Sight Size: 10.75 x 8.5 in. Overall Framed Size: 14.5 x 12 in. (B 232)

Giovanni Battista Sassoferrato (Giovanni Battista Salvi da Sassoferrato) (Italian, 1609-1685). The Madonna. Antique engraving on laid paper after the original painting by a Master Engraver. Year: c. 1

"Pensive Mary" oil on canvas 23 x 19 1/2 inches. framed 29 x 24 1/2 inches.

Antique Document Master's Oath From the Schooner Mary Ann as she entered Port of New York, September 1808, from Port of St. John. From a large private Nautical Collection in NY. Framed between two pie

American hand-pieced and hand-quilted quilt in the Feathered Star Pattern by Mary Jane Gregory Balis (Amenia, NY, 1819-1892), all cotton blue resist print and plane white fabric throughout with white

Stamped, "84" with an unidentified maker's mark, assay master's mark of "BC/1873" and a city stamp of Moscow. Total approx. weight is 7.97 troy oz (gross). From a Roslyn Heights, N

Stamped, "84" with an unidentified maker's mark, assay master's mark of "BC/1873" and a city stamp of Moscow. Total approx. weight is 7.97 troy oz (gross). From a Roslyn Heights, N

Old Master Madonna and Child painting, 18th c. or earlier. Oil on canvas. Mary is pictured cradling Jesus, her left hand resting on a Bible, with a landscape with a shoreline spreading out in the back

Sir John Everett Millais, 1st Baronet (English, 1829-1896). Portrait of J. C. Hook, R. A. (English Painter, 1819-1907). Antique Engraving on wove paper after the original by Master Engraver A. H. Palm

Louis XVI Fauteuil,c.1775-1780, stamped P. Brizard, Pierre Brizard, French,1737-1804, master carver 1770-1790 Provenance: From the estate of Baroness Mary McFall de Gunzburg, New York New York and Mia

Maker unidentified RP/46 in shield, Oslo, 1749, Assay Master Jacob Andersen Moller. Period floral repousse decoration with engraved name Povel Christensen 1752, 1st January, Elingsbo? Raised on three

Old Master School, "Mary and Joseph Turned Away at the Inn," 18th c., oil on canvas, unsigned, canvas stamped indistinctly en verso, possibly with a coat of arms, unframed, H.- 20 in., W.- 24 in.

Sebastiano del Piombo (Roman; Venetian; Italian, c.1485/6-1547). Saints Catherine and Barbara and Mary Magdalene. Antique engraving on wove paper after the original by master engraver Heinrich Merz (S