Willaim Hogarth Etching & Engraving.

William Hogarth, English, 1697-1764, Satirical Print, 1747, published late 18th/early 19th century, etching and engraving, with publisher's name at lower left burnished out (THELS7406) {AM}(THELS) Dim

Burning Ye Rumps at Temple-Barr ;two Don Quixotes, The Unfortunate Knight of the Rock Meeting

William Hogarth (British, 1697 - 1764) (After): The Lecture (A fac-simile of Hogarth's own engraving) etching and engraving on paper, un 12.5 x 11.5 inches framed; 7 x 6 inches plate Very good conditi

"Hudiras Encounters the Skimmington" Plate 12

Two from Don Quixote, "Don Quixote Releases Galley Slaves, Vol. 1 Pg. 129 Book 3rd Ch. 8th. Plate signed; "The Curate & Barber Disguising Themselves to convey D. Quixote Home" Vol 1 P. 166 Book 3rd Ch

"The Right Reverend Father in God, Dr. Benjamin Hoadly Lord Bishop of Winchester, Plate signed. Hogarth ; Painting the Comic Muse; Captain Thomas Coram. Plate signed. Three in the lot.

"The Committee, Plate 9; "Hudibras Triumphant, Plate 10; "Hudibras Vanquith'd by Trussa" Plate 5; "Hudibras in Tribulation." Plate 6 26"H. x 19"W

"Hudibras's First Adventure" Plate 3 "Hudibras Catechiz'd " Plate 4

A Collection of 18th - 20th Century British Prints. Numerous etchings, engravings, and lithographs including Haden, Hogarth, Herkomer, and others. Some pencil signed Largest approx: 14" x 19"

After William Hogarth, 1697-1764. An 18th century engraving on paper titled "Marriage A-la-Mode" Plate II. Signed "Wm Hogarth" in the plate lower left. Some toning and rippling to paper, slight foxing

14 20th c. etchings/engravings & prints including The Rake's progress; Hogarth's Works; Napoleon; landscapes; military uniforms. Stains/foxing; tears. 12 inches x 9 inches.

William Hogarth (English, 1697-1764), Industry and Idleness (Complete Suite of 12)each an etching and engraving, 1747, presented in uniform matting and framing. Plates to include "The Fellow 'Prentic

William Hogarth (English, 1697-1764), A Rake's Progress (Complete Suite of 8)each an etching and engraving on laid paper, 1735, one marked as "Retouch'd by the Author 1763," plates to include "The Hei

William Hogarth (English, 1697-1764), A Rake's Progress (Complete Suite of Eight)each an etching with engraving on laid paper, published 1735, plates to include The Heir, The Levée, The Orgy, The Arr

William Hogarth (English, 1697-1764), Four Stages of Cruelty (Complete Suite of 4)each an etching and engraving on laid paper, 1751, plates to include "The First Stage of Cruelty," "The Second Stage o

William Hogarth (English, 1697-1764), A Rake's Progress (Complete Suite of 8)each an etching and engraving on laid paper, 1735, one marked as "Retouch'd by the Author 1763," plates to include "The Hei

William Hogarth (British,1697-1764), "Southwark Fair"-circa 1733, etching and engraving on paper, first of only one state, "Invented Painted & Engrav'd by Wm Hogarth 1733" lower left margin, verso of

William Hogarth, engraving, William Hogarth (British, 1697-1764), "Strolling Actresses Dressing in a Barn", etching and engraving, 1738, 17.5"h x 22"w (sight), 21.5"h x 29.5"w (frame)

William Hogarth (British, 1697-1764) The Four Stages of Cruelty (the complete set of four prints), 1751 etching and engraving Each: 15 ½ x 12 ¾ inches. Property from the Madison Museum of Co

William Hogarth (British, 1697-1764) Industry and Idleness (the complete set of 12 prints), 1747 etching with engravings Largest: 11 x 16 inches. Property from the Madison Museum of Contemporary Art P

A GROUP OF TWO ETCHING AND LINE ENGRAVINGS FROM WILLIAM HOGARTH (English 1697-1764) "THE INDUSTRIOUS PRENTICE," LONDON, ENGLAND, 1747, LATER 19TH CENTURY PRINTING, comprising Plate 1 "The Fellow Prent

79. Hogarth, William.The Sleeping Congregation. Fine engraving and etching. 10-1/2 x 8-1/4 inches plus margins, neatly matted, in glass-fronted frame; a few brown spots. Np, 1762 [150/250]

WILLIAM HOGARTHEngland, 1697-1764ìA Rakeís Progressî, a series of eight engravings with etching. Paulson 132-39.14" x 16". Framed 22.25" x 24.5". Provenance:The Sema and Ivan Faigen Est

An antique engraving with a chisel, etching, on paper, Night in London, a sheet number four from the series, The Four Times of the Day. Circa: early 19th century after the original, 1730, by William H