19th C. Insect Collage, Attributed to August Eitel

1st item: Aesthetic Movement sterling silver ladle, attributed to Whiting, with figural fly or bee and leaf decoration to end of handle, the bowl with gilding to interior and matte exterior surface, i

Latin America, Mexico, Jalisco, Totatiche, attributed to Geronimo de Leon, dated August 20, 1896. Published in Saints & Sinners, Mexican Devotional Art, California Heritage Museum, page 55. A finely p

Beautiful attributed Luigi Pichler (1773 - 1854) intaglio cameo with a standing goddess with flowers and a flying insect. Measures approx 1" x 3/4". Diana, acquired by the designer in the 1940s.

Attributed to Ethel Ridley (active England, 19th Century) Study of an auricula inscribed 'Ethel Ridley/ August 26 1872' (on verso) gouache on paper 28.1 x 19.1cm (11 1/16 x 7 1/2in). Footnote

CREDENZA ATTRIBUTED TO POTTIER & STYMUS. Last quarter 19th century, New York City. August Pottier or William Stymus started their business in 1859 in New York City. They produces some truly lavish fur

Pair of mixed media/collage works on paper, 19th century. Each consists of a watercolor landscape scene with a large bird perched on a tree, with two cut-out and colored engravings of women. The birds

Pair of 19th c attributed to Newton Brooks (MA/NH 19th c) American School portraits of Samuel Fiske and Nancy Stone Fiske of Dedham Mass old note identifies on reverse- o/c 30 x 25"

French bronze of dead pheasant, 19th c., attributed to Moigniez. 7.5"h.x3.5"w.

19th c. insect study print, marked "E. Emmons Jr. Del./Lith of Rich. H. Pease, Albany.". Sight 9 1/2" x 7 3/4".

American Renaissance Revival bombe' oak pedestal, late 19th century, attributed to R.J. Horner, having a triangular top with canted corners, above a shaped apron with carved rosettes at the corners, s

Antebellum New Orleans Market Rococo Revival Rosewood Half-Tester Bed, third quarter 19th century, attributed to the warerooms of Prudent Mallard, the serpentine arched tester with a conforming foliat

An American Victorian Renaissance Revival cabinetMid-19th centuryAttributed to Pottier & Stymus, the backsplash with central bronze plaque of a Trojan figure with stepped central gallery over a double

An Art Nouveau dining room setLate 19th centuryAttributed to Dumas, each with carved wood and stylized Art Nouveau motifs, comprising an expanding pedestal dining room table with natural zebra wood to

Pair of Rare Rococo Revival Brass Gasoliers mid-19th century, attributed to Archer and Warner, Philadelphia, the five-light gasoliers set with flower- and scroll-molded weights on pierced pulleys, the

An American Victorian walnut roll-top deskLate 19th centuryAttributed to Wooton, the cylinder desk carved in walnut with multiple panels of gilt and ebonized details with various interior compartments

An American Victorian Meeks-style parlor suiteMid-19th centuryAttributed to J.W. Meeks in the "Hawkins" pattern, each Rococo Revival-style carved and laminated rosewood with acanthine crest,

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

American Rococo Revival Laminated Rosewood Gentleman's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Rare American Rococo Revival Laminated Rosewood Lady's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

Philadelphia Brass Rococo Revival Gasolier mid-19th century, attributed to Archer and Warner, the spiral-molded standard set with two graduated brass spherules, one with mounts of renaissance warriors

An American Victorian Renaissance Revival cabinetMid-19th centuryAttributed to Pottier & Stymus, a stylized backsplash with central bronze plaque of a Trojan with stepped central gallery and marble to

Four-Piece American Rococo Revival Laminated Rosewood Parlor Suite third quarter 19th century, attributed to J. & J. W. Meeks, in the pattern commonly referred to as "Hawkins", consisting of a settee,

Eleven-Piece American Neo-Renaissance-Style Mahogany Dining Set late 19th century, attributed to R. J. Horner, New York, commonly referred to as the "Man-of-the-Mountain" pattern, comprised of a circu