CLAUS MEYER 1856 Linden - 1919 Düsseldorf Am

CLAUS MEYER 1856 Linden - 1919 Düsseldorf Am Frühstückstisch Öl auf Leinwand. 102 x 77 cm. Signiert oben links 'Claus Meyer'. Verso: auf dem Keilrahmen ein altes Museumsetikett 'Museum ...(?); 515

Claus Meyer (German, 1856-1919) Monks Reading. Sgn. lower left, Claus Meyer. Painting over a print 7 1/4" x 10 1/4". Property of The Strong, Rochester, NY (sold to benefit the museum's collection fund

Larry Flynt; Saul Fanfani (1856 - 1919): Nymph At The Fountain carved Italian marble with a gilt bronze wreath; signed to base 33 x 13 x 15 1/2 in. (83.82 x 33.02 x 39.37 cm.)

A head and shoulder bust of a woman, the shoulders draped in a gilt foil garment with shoulder straps, green marble base, signed Fanfani on the shoulder for Saul Fanfani (1856-1919, Italian). Measures

August Hermann Knoop, German 1856 - 1919. Oil on mahogany board of 2 colonial gentleman, one studying a piece of artwork with magnifying glass, the other seated with portfolio, signed lower right A. K

BAUM, L. FRANK. 1856-1919. Dorothy and the Wizard in Oz. Chicago: Reilly & Britton, 1908. 4to. 16 color plates by John R. Neill. Publisher's blue cloth stamped in black, with pictorial applique on cov

Alexander Max Koester 1864 Bergneustadt - 1932 Munich 1885 studied art at the Karlsruhe Academy with Carl Hoff and Claus Meyer; earned his money as a student painting portraits; moved to Chiusa in Sou

BAUM, L. FRANK. 1856-1919. DENSLOW, W.W., illustrator. The Wonderful Wizard of Oz. Chicago: Geo. M. Hill Co., 1900. 8vo. 24 plates (including title) inserted throughout and numerous text illustrations

Oil on wood board by Kenyon C. Cox (1856 - 1919), portrait of painter Will Hicok Low in his studio by window with paintings on wall, including a portrait of man in black suit, which is included in thi

BAUM, L. FRANK. 1856-1919. The Emerald City of Oz. Chicago: Reilly & Britton, 1910. 4to. 16 color plates by John R. Neill. Publisher's light blue cloth, stamped in black and silver on spine, pictorial

BAUM, L. FRANK. 1856-1919. Rinkitink in Oz. Chicago: Reilly & Britton, 1916. 4to. 12 color plates by John R. Neill. Publisher's light blue-green cloth, stamped in black on spine, pictorial applique on

BAUM, L. FRANK. 1856-1919. Tik-Tok of Oz. Chicago: Reilly & Britton, 1914. 4to. 12 color plates by John R. Neill. Publisher's blue cloth, stamped in black on spine, pictorial applique on upper cover,

Louis Richard Max Meyer (1856-1912) Tacoma, Washington and Mt. Rainier signed 'Max Meyer' (lower right) and titled (on the presentation plaque) oil on canvas 18 1/2 x 28 1/4 in. framed 24 x 33 1/2 in.

Alexander Max Koester 1864 Bergneustadt - 1932 Munich 1885 studied art at the Karlsruhe Academy with Carl Hoff and Claus Meyer; earned his money as a student painting portraits; moved to Chiusa in Sou

OIL/ CANVAS "HARVESTING" SIGNED A. MUZII (ALFONSO MUZII 1856 - 1919) 37" X 24"

[CHILDREN'S BOOKS]. BAUM, L. Frank ("Laura Bancroft") (1856-1919). [The Twinkle Tales Series:] Mr. Woodchuck -- Bandit Jim Crow -- Prairie-Dog Town -- Prince Mud-Turtle -- Sugar-Loaf Mountain -- Twink

Kenyon Cox (American 1856-1919) Serenity, c.1900, oil on canvas, signed lower right, framed. Dimensions: 18 x 24 in. canvas size, 25.5 x 31.5 in. as framed. Condition: Wax relining, some touch up in

L. Frank Baum (1856-1919) Author. Baum is chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Oz series. He made nume

Walter Heimig 1881 Wesel - 1955 Bad Ems Painter and lithographer; Pupil at the Duesseldorf Art Academy under E. v. Gebhardt and Claus Meyer, then stayed in Paris for some time; during World War I lieu

Charles Grant Beauregard Pastoral Scene 1907, Signed. Wonderful pastoral scene in autumn with four cows grazing along a river by Charles Grant Beauregard (American, 1856-1919). Born in Canada, Beaureg

Saul Fanfani (1856-1919) 19th century White Carrara Marble bust of a woman. Signed en verso, "Prof F. Saul". Exc Measures 12.5" x 9.5" x 19"

AUGUST HERMANN KNOOP (MUNCHEN, 1856-1919) OIL ON PANEL INTERIOR SCENE OF ARTISTS STUDIO WITH PAINTER SITTING IN FRONT OF PAINTING WITH PEOPLE & OTHER WORKS IN BACKGROUND , SIGNED A KNOOP , MUNCHEN , 1

Wu Shixian (1856–1919), zugeschrieben Tusche auf Papier. Signiert mit rotem Siegel. Flusslandschaft. Repariert. 151x42 cm (218x53 cm).

American, early 20th century oil on canvas depicting a jockey in red and white stripes, sitting atop a horse, signed illegibly l.r., possibly Henry Harry Sandeman (1856 - 1919) 16" x 20" canvas, 18 1/