2 CECILIA "CECY" DAVILA ETCHINGS

Two Original Limited Edition Cecilia "Cecy" Davila Etchings, "Freesia" #55 of 99 and "Duet". #49 of 99. Both numbered, titled and signed in pencil by the artist. In matching frames. 13 1/4"x13"1/4"x1/

Cecilia (Cecy Davila(Peruvian, b,1945) "Tulips, " intaglio print, signed in pencil, lower right, numbered A/P lower left, titled, framed. Dimensions: 29 x 22 in. sheet size. Condition: Very good wit

Giovanni Piranesi (Italian, 1720-1778) Etching "Sepulcro de Cecilia Metella" etching on laid paper, state unknown, 18" x 25-1/8" plate, 21-1/4" x 28-1/2" sheet, good condition, laid down on board, fox

Giovanni Battista Piranesi (1720-1778): Veduta Del Lato posteriore del Mausoleo di Cecilia Metella; and Veduta degli Avanzi delle Camere Two etchings in black on laid paper. Both 15 3/4 x 23 1/2 in. (

Bror J. O. Nordfeldt- ''Camp of Company F''; ''Company H''- 2 etchings, both signed in pencil, good condition. 6 1/2 x 7 1/2'' ea.

2 etchings, Renee Sintenis, drypoint, "Boy with Foal", 18" by 12.75", actual image, 8 5/8" by 6 5/8" & "Two Foals Playing", same size, with Buchholz Gallery, (Curt Valentin) label

Francisco Goya, (2) etchings from "Los Caprichos", Francisco Goya (Spanish, 1746-1828), 1st issue: plate 80, "Ya es Hora", with copy of invoice, 8.5"h x 6"w (sight), 16.75"h x 14"w (frame); with, plat

Ernest David Roth, (2) etchings, 1908, 1913, Ernest David Roth (American, 1879-1964), Venice Bridge View and Venice Street Seen Through an Arch, each pencil signed and dated lower margin, on laid pape

nocturnal cityscape & interior view, image area 14.25" x 11.75", signed.

Francisco Goya, (2) etchings from "Los Caprichos", Francisco Goya (Spanish, 1746-1828), 1st issue: plate 64, "Buen Viage", with copy of invoice, 8.5"h x 6.25"w (sight), 16"h x 13.5"w (frame); with, pl

Arthur Luiz Piza, (2) etchings, Arthur Luiz Piza, (Brazilian, 1928-2017), etching and aquatint on paper, one embossed "La Hume, Paris" lower left, each pencil signed lower right, and numbered 94/99 an

Ryohei Tanaka (Japanese 1933- )- Bell Tower; and Thatched House- 2 etchings, 1966, 1984, both signed, dated and numbered 9/100 and 32/120 in pencil. 11 1/2 x 14 1/4''; 9 x 15 1/2''

2 etchings, Manet & Renoir, signed. includes portrait of a woman, signed Manet 4.75" by 4" & Girls with hats by Renoir, 5" by 3 5/8"

(Russian/French, 1887 -1985). 1.) "Tchitchikov's Farewell to Manilov," c.1923, plate size: 9 x 11 1/2 in., framed 2.) "The Cards to Be Played," c.1948, edition of 50 on Japon Nacre, plate size: 8 3/4

Harold Doolittle (American 1883-1974)- Mountain Vista; ''Cypress Trees''; Mountain Slope with Pines; Pines on Shore- 2 etchings and 2 aquatints, ca. 1945, all signed in pencil, various sizes.

1st item: Pierre Bonnard (French, 1867-1947) etching on paper titled "The Old Engraver". Housed in a gilt wood frame. Plate - 7 5/8" H x 4 3/4" W. Sight - 8 1/8" H x 5 1/8" W. Framed - 16 5/8" H x 13

John Philips (British 19th c.)- Portrait of Rodin; Portrait of Nikuch- 2 etchings, both signed in pencil, good condition. 12 1/2 x 9 1/2''; 11 5/8 x 9''

Charles A. Platt- ''Hartford'' and Boats at Dock- 2 etchings, 1885, 1889, both signed in pencil, staining and foxing in margin. 11 5/8 x 17 1/2''; 11 1/2 x 18''

Sarah Brayer (American, 1957-). 2 etchings. Cascade, signed, dated 99, titled and numbered 7/25 in pencil in the lower margin, sheet 41 1/4" x 29 1/2"; Peak, signed, dated 00, titled and numbered 18/4

Giovanni Battista Piranesi, Italian, 1720-1778, Chimneypiece in the Egyptian style, from the portfolio series" Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte all'archit

Joseph Pennell (American 1857-1926)- ''Under the Bridges, Chicago'' (Wuerth 593); and ''Stock Yards, Chicago'' (W. 594)- 2 etchings, 1910, both signed and annotated 'imp' in pencil, edition of 50, lig

Ernest Haskell- ''Baby Sequoia''; ''Wildcat Canyon''- 2 etchings, both signed in pencil, very slightly light struck. 14 3/4 x 7 3/4''; 7 x 9 3/4''

Manuel Silberger (American 1898-1968)- ''Old Barn''; ''Market Day in Hungary''- 2 etchings; together with ''Composition'' and ''Composigion'' (with House)- 5 lithographs, 1944, 2 untitled with Figures

Max Pollak- ''New Orleans - Fish Market''; ''Wharf in Monterey''- 2 etchings in color, both signed, titled and numbered 42/50, 7/100 in pencil. 7 x 10 1/2''; 3 1/8 x 11 1/8''