ALLES & FISHER

Litho on tin w/ original tax stamp label. 2 1/2" x 5 1/4" x 3 1/4"

Decent example.

This is a lot of nine tobacco tins. It includes an Allen & Ginter's, a Knapsack, a Alles & Fisher's, a Highest Grade Falk Smoking Tobacco, a Cameron's Smoking Tobacco, a Lafayette Mixture, a Jewel of

Includes My Linda, Cubist, War Eagle, Alles & Fisher, and City National. Very Good-Excellent

3 Alles & Fisher's, Alvarez Lopez, Emilia Garcia, The Erb, Check (good as gold), Mayo Tobacco, 2 Yocum Brothers, Orange Flower, Bank Note, Between the Acts, Dexter Cigar (paper box), Blackstone (paper

(American, 1792-1863) Landscape with Cows, 1815, signed and dated lower right "A. Fisher pinxit/1815", oil on panel, 28 x 40 in.; reproduction gilt wood frame, 34-1/2 x 46 in. Note: Exhibited: "Views

B. Prabha India,1933-2001 Depicts two women dressed in red and orange carrying fishing baskets. Prabha entered the art world when few Indian women were involved professionally, and worked on more than

EDWARD HOPPER Fisher Boy. Pen and ink and pencil on wove paper, circa 1900. 205x127 mm; 8¼x5¼ inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow, New

George Fisher and Elias Howe, Jr. Patent Agreement, July 15, 1845. Between George Fisher (trader) and Elias Howe, Jr. (machinist), both of Cambridge, Massachusetts and stating: "That whereas the said

A CHINESE KING FISHER FEATHER DECORATED GOLD BANGLE Of circular shape bangle finely weaved in filigree, punctuated with hardstones and kingfisher feather, Dimension: Diam. 8.5 cm. Weight 105 grams.

Vernon Fisher (American, b. 1943) 'Adding Chalk' 1992 Oil on blackboard slating on wood and chalk; 54 x 53.75 x 6.5 (in); VF 92-45 Works Gallery tag, verso

Pietro Bazzanti (Italian, 1825-1895). Marble sculpture titled "Fisher Boy," depicting a young boy in a straw hat holding a freshly caught fish. Signed "P. Bazzanti, Firenze" and titled along the base.

Alvan Fisher (American, 1792-1863) The Scouting Party, 1848 oil on canvas monogrammed AF and dated (lower left) 29 x 36 inches.

18k/14k Gold Atocha Shipwreck 8 Reale Silver Coin Necklace18k gold chain without clasp, coin mounted in 14k pendant. 152.8 grams total weight

19th century Chinese King Fisher hand mirror having form of peach on carved wood stand, 14" x 8" x 3". Provenance: from the estate of the late Beverley Jackson of Santa Barbara, California.

Sold from the Living Estate of Carmelo and Jole Leggio. Well know antique dealers for the last 50 years. 1882 - 1962. German/American. Oil on canvas painting, c. 1939. Image measures 31 1/4" h x 27 5/

Important George Fisher Daniels (1821-1879) 24"x40" o/c extremely well detailed landscape w cows watering & other animals & figures & extensive village against a mountain backdrop - possibly a CT Rive

ARTIST: Horace Fisher (British, United Kingdom, 1861 - 1928) NAME: Interieur Scene - Sick Child YEAR: 1894 MEDIUM: oil on canvas CONDITION: Few very minor paint loses. Very minor craquelure. Two inpai

A FINE KING FISHER FEATHER DECORATED PHOENIX DIADEM The elaborated diadem made by filigree dragons and phoenixes, decorated with king fisher feather, inlaid with hardstones. Dimension: L. 27 cm. W. 17

BALMORHEA, 1990, oil painting and chalk on blackboard with shelf, a signature not found, 58 ¼ x 65 x 6. Provenance: Hiram Butler Gallery, Houston.

Three Atocha shipwreck silver coins recovered by Mel Fisher, all in presentation folders with Certificates of Authenticity: 1) 2-Reale Grade 4 coin from the Potosi Mint and is from the rule of King Ph

Anonymous. King Fisher With Trout Carving. Not signed. c. 1920's-40's. Carved and painted wood with metal legs. Excellent condition. 12"h x 9.5"x 3.5”. Est. $600-900. Ship: $45

Kim Fisher. Magazine Painting (Caribbean Blue/Horizontal). 2013. Oil on aluminum on dyed linen. Signed, titled and dated on reverse. 31.75 x 53 inches (80.6 x 134.6cm)

William Mark Fisher American, 1841-1923 Portrait of James Abbott McNeill Whistler Oil on board 12 1/2 x 7 1/2 inches Provenance: M. A. McDonald, New York C Property from the Collection of Helen Sonnen