Munetsugu Satomi (Japanese, 1900-1995) Orient Calls

Oriental Tourist Conference ca. 1936 artist's name printed in image; printed The Toppan Printing Co., Ltd., Japan; dated 36 39.5 x 25 in.

Printed by Seihan Printing Co., Osaka. 1937. Japanese Government Railways. Board of Tourist Industry. Printed in Japan. Tears to top, bottom, and right edges. Loss bottom right. Staining and water dam

Toyohara Kunichika (1835-1900) Enlightenment is good Yoshimi Satomi Danjuro Ichikawa. . Size: Oban. Japanese woodblock print.

Selma Hortense Burke1900-1995Resting Child1970carved black marble16 inches highidentified on bottom with two labels from her estate, with an inventory #16, which is listed in a corresponding document,

(1) "Crowning the Gravelly Hill - A History of the Roland Park - Guilford, Homeland district", hardbound, 1987 by James F. Waesche; (1) "The Suburban Club of Baltimore County History 1900-1995", minor

Grosses Okimono Japan, um 1900. Lackarbeit. Signiert Chikue saku. Holz, geschnitzt und in Rot und Gold lackiert. Eingelegte Glasaugen. Stehender Bodhidharma, Daruma, in rotem Gewand. Schadstellen. H 3

Paravent Japan, um/nach 1900. Farbe und Silberblatt auf Papier. Sechsflüglig. Drei Kraniche in Bambushain. H 172, B 376 cm. Schadstellen, Wasserflecken.

ZEHN VERSCHIEDENE ARBEITEN Japan, um 1900 Farbholzschnitt, gedruckt auf textilem Grund/Papier. R. 35,6 cm x 19,8 cm bis 37,8 cm x 50.5 cm. Teils gemarkt, u.a. 'Hiroshige', 'Oukyo'. Hinter Glas gerahmt

Fumibako Japan, um 1900. Lackschatulle mit Schriftutensilien. Holzoberfläche imitierende Schatulle mit Rand in Goldmakie. Mit Mari (Ball) spielender Shi-shi-Löwe auf sehr hoher Taka-Makie reliefiert

Shibayama Okimono in the shape of a pepper, Japan, c. 1900 (Meiji). Realistic, fully plastic representation of the fruit as an ivory carving with inlays of mother-of-pearl and other materials in the f

Shibayama Okimono in the shape of a pepper, Japan, c. 1900 (Meiji). Realistic, fully plastic depiction of the fruit as an ivory carving with inlays of mother-of-pearl and other materials in the form o

Shibayama Okimono in the shape of grapes, Japan, c. 1900 (Meiji). Realistic, fully plastic depiction of the fruit as an ivory carving with inlays of mother-of-pearl and other materials in the form of

Shibayama Okimono in the shape of a banana, Japan, c. 1900 (Meiji). Realistic, fully plastic representation of the fruit as an ivory carving with inlays of mother-of-pearl and other materials in the f

Artist: Tsutaka, Waichi (Japanese, 1911 - 1995) Title: Untitled Abstraction Date: 1957 Medium: oil on canvas Dimensions: 35.75 x 46 inches Description: an expressive minimalist abstraction wi

Ace Ventura: When Nature Calls (1995) Jim Carrey's Screen Worn Prop Timex Watch W/(2) COAs, Publicity Still, and VHS - This silver tone Timex watch was worn by Jim Carrey as "Ace Ventura" throughout t

Akio Takamori Untitled Japan, c. 1995 glazed and hand-painted stoneware 22.5 h x 13.5 w inches Glazed signature to reverse 'Akio'.

PAAR GROSSE CLOISONNÉ-DECKELVASEN AUF HOLZSOCKEL Japan, um 1900 Email-Cloisonné. H. 62 cm (mit Holzsockel). Zwei große Reserven auf der Wandung mit Blumen- und Vogeldekor. Zwischen den blauen Reser

TOSHI YOSHIDA (Japanese 1911-1995) 16 'Scenes of Japan', color woodblock print, each sheet overall: 11 x 8.25 inches (unframed), each is signed in pencil lower right: 'Toshi Yoshida'; titled lower rig

TOSHI YOSHIDAJapan, 1911-1995“Friendly Garden” triptych: Plum Tree, Pine Tree and Bamboo. Each signed and seal marked in the image and pencil-signed lower right.Woodblock prints, 20”

Circa 1900 Japanese/Chinese studio porcelain bowl with attached crawling lizards on a yellow and peach color ground. Height 1 7/8 inches.Diameter 6 1/2 inches.

Toshi Yoshida (Japanese 1911-1995) Opus No. 4; Opus No. 6; Opus No. 9 & Opus No. 12 4 woodblocks in color, 1952, 1953, all signed, dated and titled in pencil. 14 3/4 x 9 5/8'' ea.

Fumiko Matsuda, large painting, Fumiko Matsuda (Japanese, b. 1900), Geisha playing shamisen, oil on canvas (linen), signed "Matsuda" with red seal, lower left, 46"h x 29"w (stretcher), framed

Waichi Tsutaka (Japanese, 1911–1995) Abstract composition, 1957 Acrylic on canvas. Signed and dated to lower right and signed, dated and titled verso. 36" H x 46" W x 1" D

KINKOZAN WORKSHOP MEIJI PERIOD. CIRCA 1900. A fine square tappered vase. One side painted with a standing cockerel, another side painted with two beautiful standing Geisha and the other two sides with