Drawing, Joe Franklin De Yong, Mexican Gentleman

Title is Campfire Stories. 21" by 28 1/2" framed. Joe (Joseph) Franklin De Yong (1894 - 1975) was active/lived in California, Montana, Missouri. Joe De Yong is known for Western painting and sculpture

Cancel stamp on the envelope is dated 1926 and says Visit Glacier National Park. 7 5/8" by 9 5/8" on matte. Joe (Joseph) Franklin De Yong (1894 - 1975) was active/lived in California, Montana, Missour

on canvas, unframed 16 x 22 signed lower left. Condition: Has 3 small indentations upper left and a few faint scratches. Needs a cleaning.

watercolor on paper, signed lower left 14 x 11 inches sight

mixed media on paper, signed upper right Condition: matted and framed under glass. No visible tears or creases. Not examined out of frame. 21 1/2 x 15 1/2 inches sight; 34 x 28 inches frame

JOE DE YONG (American 1894-1975) "Summer Camp", "On the Job", "Sun and Sand" and "Going On" Etching. Sight: 3 1/2 x 3 3/4 inches; Frame: 8 5/8 x 9 1/16 inches. Sight: 3 1/2 x 3 3/4 inches; Frame: 8 5/

A mixed media illustration of a rodeo rider, signed and dated for 1926 at the lower right corner. Dimensions: 19 1/2" x 14".

PAINTING IS 22" TALL X 18" WIDE--SIGNED LOWER RIGHT--PAINTING IS UNDER GLASS

Joe De Yong (1894-1975) American paintings ,Pencil / paper ,Measures 12,5" x 10"

6 1/2" by 5" by 4 5/8". Title is Black Bear. In 1963 Joe De Yong Charles M. Russell's only protege wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly

6 1/4" by 4 7/8". Very nice grouping. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly

22 1/2" by 21 7/8" in shrink wrap. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly un

23 7/8" by 16 1/8" in shrink wrap. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly un

24" by 16 1/4" in shrink wrap. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly untrai

St. Francis de Assisi Mexican retablo. Signed Tovar Guerrero, May 1957. Painted in Saltillo Coahuila Mexico. FREE DOMESTIC SHIPPING.

Jose Luis Cuevas (Mexican, 1934-2017). El Castillo de Kafka,1954. A Signed and dated 1954 Letter from Cuevas to Gomez Sicre with a drawing from the Kafka Series. Collection Jose Gomez Sicre, a persona

This lot consists of a hand drawn graphite on hard paper portrait in the naive folk style of Frida Kahlo. Frida Kahlo de Rivera was a Mexican painter known for her self-portraits. Kahlo\'s life began

This lot consists of a hand drawn graphite on paper portrait in the naive folk style of Frida Kahlo. Frida Kahlo de Rivera was a Mexican painter known for her self-portraits. Kahlo\'s life began and e

This lot consists of a hand drawn graphite on paper .The drawing depicts a female portrait in the naive folk style of Frida Kahlo. Frida Kahlo de Rivera was a Mexican painter known for her self-portra

Framed conte crayon drawing on paper, "Mujeres de Yucatan" (Women of Yucatan), signed lower left Zga (Francisco Zuniga, Mexican, 1912-1998), dated 1964, sight: approx 19"h, 24"w, overall: 30.25"h, 35.

This lot consists of a hand drawn in on paper .The drawing depicts a self portrait of a women in the naive folk style of Frida Kahlo. Frida Kahlo de Rivera was a Mexican painter known for her self-por

This lot consists of a hand drawn graphite on paper .The drawing depicts Diego and Frida holding hands in the naive folk style of Frida Kahlo. Frida Kahlo de Rivera was a Mexican painter known for her

(2) Anthropolgoical Mexican tribal studies, hand-colored engravings (drawings by Jacques Grasset de Saint-Sauveur and engraved by J. Laroque in 1796), from Saint-Saveur's encyclopedia of travels,

Mexican retablo, depicting La Alegoria de la Redencion (The Allegory of Redemption) , oil on tin, circa 19th century 14 x 10 in. Provenance: The collection of Joe and Jane Edwards, San Antonio, Texa