12 x 20 frame with necklace of 33 fine drilled bon

CIRCUS PERFORMERS, color lithograph, signed in ink, numbered 40/120 in pencil, sheet 28 ½ x 20”, frame 33 x 24 ½” with glass broken lower left corner.

BOUQUET QUATRE, oil painting on canvas, signed lower right, signed and inscribed on verso, 28 ½ x 20 ½”, frame 33 ½ x 25 ¾”. Provenance: Cambridge Art Gallery,

STREET SCENE, oil painting on canvas, signed lower left, 24 x 20”, frame 33 ½ x 28 x 3”.

I LOVE NYC, hand-painted mixed media 3-D polymorph, signed lower right, 12 x 25 x 1”, frame 20 x 33” with Plexiglas. Provenance: Bittan Fine Art Inc.

BAY OF NAPLES, oil painting on wood panel, signed lower right, 13 ¾ x 25 ¾”, frame 20 ½ x 33”.

FAITH, HOPE AND CHARITY, color digital archival print, signed and titled and numbered 48/200 in pencil, sight 20 ¼ x 41 ½”, frame 33 x 53 ½”. Provenance: From the CODA Colle

VOYAGE DANS LE JARDIN DES CHOSES, color lithograph with collage, signed and numbered 33/225 in pencil, image 27 ½ x 20”, full margins, frame 39 x 31” with glass.

NU ASSISE, 2005, lithograph on grey wove paper with hand-coloring, signed and numbered V/CC Roman numeral (5/200) in pencil, images 20 ½ x 17”, full margins, frame 41 x 33 ½”

SURREALISTIC CITY LIFE, color aquatint etching, signed and numbered 12/25 in pencil, plate 20 x 11 ½”, full margins, hand-made custom frame 33 ½ x 24” with Plexiglas.

TOUTE BEAULE, oil painting on canvas, signed lower right, titled on verso, 20 x 24”, frame 29 ½ x 33 ½”.

DALI FOLLOWING CARRIAGE, color photograph, signed and numbered 7/10 in ink, sheet 20 x 24”, frame 29 ½ x 33 ½” with Plexiglas.

TITLED (HAND IN HAND), 1980, color aquatint etching, signed and titled and inscribe Bon au Tier (fit to print) in blue pencil, image 12 ½ x 15 ¼”, full margins frame 29 x 33 &frac1

ZEBRAS AND GIRAFFES, acrylic painting on canvas, signed lower right, 30 x 24”, frame 33 ½ x 27 ½”.

PACKAGE DEAL IN PALOMINO VALLEY, 1977, color screenprint, signed and dated and numbered 1/5 in pencil, sheet 29 x 22 ¼”, frame 33 ½ x 27” with plexiglass.

OWL, watercolor on paper, signed lower right, 22 ½ x 14 ½” frame 33 ½ x 26” with Plexiglas; COTTAGE WITH WAGON, acrylic wash on coated paper, signed lower right, sight

CHAM PL., 1984, acrylic painting on paper, signed and dated lower right, 29 ¾ x 41 ½”, frame 33 ¾ x 45” with Plexiglas. Provenance: Los Angeles County Museum of Art Re

BIRCH GROVE, 2000, oil painting on canvas, signed lower right, signed and dated and titled and inscribed #00135 on verso, 22 x 28”, frame 27 ½ x 33 ½”.

LONDINIUM, lithograph, signed and numbered 2/20 in pencil, printed by Tamarind, sheet 22 ¼ x 30”, frame 25 ½ x 33 ½” with glass. Provenance: Tobey Moss Gallery, Los An

INTERIOR PARLOR SCENE, oil impasto painting on canvas over wood, signed lower left, 19 ¾ x 25 ½”, frame 27 ½ x 33 x 3”.

HERD OF SHEEP, 1982, oil painting on canvas, signed and dated lower right, 21 x 26”, frame 29 x 33 ½”.

HERD OF SHEEP, 1982, oil painting on canvas, signed and dated lower right, 21 x 26”, frame 29 x 33 ½”.

PARROTS, acrylic painting on canvas, signed lower left, 33 ½ x 53 ½”, frame 38 x 58”.

MUSICIANS, 2005, acrylic painting on paper mounted to foamcore, signed and dated lower right, 24 x 27 ¼”, frame 29 ¾ x 33 ½”.

TWO HANDS CHASING A FLY ACROSS THE HUMAN CONDITION, 1980, color etching, signed and numbered 4/7 in pencil, blind stamp lower right, sheet 33 ½ x 23 ½”, frame 37 ½ x 27 &fra