16/17th C. FLEMISH, ADORATION OF THE MAGI, O/C

16/17th C. Flemish Tapestry Fragment, Framed. Size: 24'' x 33.5'', 61 x 85 cm (sight); 27.5'' x 37'', 70 x 94 cm (frame).

Christ on the road to cavalry. Apparently unsigned. Dimensions: H 23.75" x W 37" Condition: With old lining. Beginning of craquelure throughout. Recent tear lower right. Heavily varnished.

Two Men Smoking Outside a Tavern Oil on canvas laid to tin With painted faux frame Size: 9.4 x 15 in.Provenance note verso by J.M. & Doris Robertson, Toronto/King City dated Feb 1988: 1967- Acquired f

C Pagnotta (ca early 20th century) 64x46 , O/C , signed lower right , Flemish Still Life , Depicting traditional still life, urn Condition: prior relining, evidence of inpainting

A beautiful antique Russian Orthodox icon dated from the late 19th century. The Adoration of the Magi is a gospel story about the wise men who came from the East to worship the Infant Jesus and bring

O/C OLD MASTER ANGELIC FIGURE, 16/17TH C., 18" X 13"

Flemish school, XVII century."The Adoration of the Magi".Oil on copper adhered to board.According to the model of "The Adoration of the Magi", Museo del Prado, Peter Paul Rubens, 1609-1629.Size: 65 x

Artist Name: Hieronymus Bosch | Title of Art: (Plate One) The Adoration of the Magi c.1450-1516 | Medium: Fine Art Print from Museum Artist | Unsigned & Unnumbered | Art Size: Approx 8 x 10 | Offered

Full title: A large Flemish wall tapestry of 'The Miraculous Draft of Fishes', Oudenaarde, 16/17th C. Description: H 335 x L 527 cm Provenance: - Sotheby's, London, Nov. 1, 2005, lot 114. (link availa

DIMENSIONS APPROX 26.5X26.5X3CM. Please carefully study all photographs to get an accurate idea of the object. In good condition, as seen. Shipping is in-house and we ship internationally to US and re

Flemish School (17th/18th century), The Adoration of the Magi, oil on canvas, unsigned, private collection inventory number verso, canvas: 18"h x 64.5"w, overall (with frame): 21.25"h x 69"w. Provenan

PAIR OF 18TH C. DUTCH/FLEMISH OIL ON CANVAS GRAND PARLOR PAINTINGS HAVING CENTER VIGNETTES OF WELL COSTUMED FIGURES IN COURTING SCENES ENCOMPASSED WITHIN A FLORAL AND BAROQUE PAINTED FRAMED SILHOUETTE

Joyce Fenn, Circa 1880 Dutch School Flemish Flowers O/c. Oil on canvas painting. Signed, Label on verso. Antique. Size: 19.5x15.5

Unclearly Signed (20th Cent, European) 25x20 , O/C , Signed lower right , Flemish Still Life , Condition: could benefit from restretching/conservation Size as framed 28.75" x 24"

In the manner of Carlo Maratti (Italian, 1625-1713) "Adoration of Magi" oil on canvas, plaque bearing the name of C. Maratti. Image size: 25.5" x 19.5" Provenance: Cathedral Village Retirement Communi

After Paolo Veronese. 18th C. Sight-44"h x 38"w Overall- 4'4" h x 45-1/2"w

Roman School 17th Century Adoration of the Magi Oil on canvas 34 1/2 x 28 3/4 inches (87.5 x 73 cm) C

"Adoration of the Magi" enhanced chromolithograph 13 1/4 x 16 inches. unsigned. presented in a gilt custom frame

A Flemish Carved Oak Panel 16th Century depicting the adoration of the Magi.Height 9 x width 8 1/4 inches. This lot is located in Chicago. Property from a Private Collection Provenance: de Montfort, R

Europe, Paris, France, ca. 1563 CE. An original leaf form the Biblia Latina, Testamenti Novi, with an elaborate woodcut engraving depicting the Adoration of the Magi, printed on handmade paper in Pari

A 20th C. large-format oil on canvas depicting the Adoration of the Magi, after Peter Paul Rubens. Unsigned and gilt framed. Canvas: 58-1/2in x 42-1/2in.

1-Albrecht Dürer; after (German 1471-1528) Saint George Slaying the Dragon; c. 1504 Print on laid paper with watermark Size-8 3/16x5 7/16 in. 2- Jan Sadeler I (Flemish 1550-1660) The Adoration of the

Flemish School, 16th/17th c, Manner of David Teniers, o/c, A Doctor Tending to a Wound, no visible signature, bears an import label verso dated Nov 15, 1952, 25" x 30", in a 30-1/2" x 35-1/2" gilt fra

An antique oil on copper Flemish old master painting depicting a multi figure Adoration of the shepherds scene. Circa 18 century. After the original painting of Frans Francken II, created between 1620