17C Guido Reni Circle Italian School Judith or Salome

Italian school; 17th century."Judith beheading Holofernes."Oil on canvas. Old relined.It presents faults and restorations.Measurements: 156 x 144 cm.Both for the dynamic composition of the scene, in w

Oil on canvas.58.5 x 101.5 cm; 74.5 x 117.5 cm (frame).

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

Italian School. 16th century. Bassano Circle. Oil on canvas. 76 x 105,5 cm. This painting has similarities to that of "The Supper at Emmaus", in which there is a series of characters in the foreground

Italian school of the XVIII century. Circle of CORRADO GIAQUINTO (Italy, 1703 - 1765/66)."Apotheosis of Apollo".Oil on canvas.Measures: 56 x 33 cm; 66,5 x 43,5 cm (frame).We are in front of a sketch w

Salome with the Head of John the Baptist. : Italian school of the 17th century. Half figure in interior with drapery, in front of her the head of the saint in a bowl, marked by his attributes lamb and

(Florentine, possibly 15th century) Madonna and Child, gold leaf and oil or tempera on course linen, tooled with circles and florets, mounted to panel with applied outer molding, 15-5/8 x 10 x 1-1/4 i

Continental school, 19th century. Italian Scene in the manner of John Gadsby Chapman (American/New York, 1808-1889), oil on canvas, Apparently unsigned with canvas stamp obscured by lining. Approx. 24

Undraped woman, figure study, French School, the model is most likely the Italian born Parisian model Agostina Segatori (1841-1910), circle of Camille Corot, circa 1865, unsigned, oil on paper board,

Italian school; around 1630-1640."Ecce Homo".Oil on wood. CradledAdapted artwork with a 17th century ebony frame.Measures: 55 x 44 cm; 80 x 67 cm (frame).This work follows the models established by th

Italian School(18th/19th century)Capriccio scenes (4)oil on shaped canvas39 x 56 1/2in (99 x 143.5cm)

North Italian School, late 18th Century Study of a young woman in a green turban oil on panel 58.6 x 45.8cm (23 1/16 x 18 1/16in). Footnotes: Provenance With Malcolm R. Waddingham, December

17th - 18th century. Italian School. Copy of Bartolomeo Caravarozzi. "The Sacrifice of Isaac" Oil on canvas. Relined. With an imposing carved and gilded wooden period frame. 120 x 182 cm. Frame measur

Italian School 17th Century Christ Carrying the Cross Oil on Panel 25''x19'' Image. An exceptional renaissance era painting or icon similar to the work by Titian. Christ with a crown of thorns carries

oil on canvas, unsigned Condition: with tears and repairs. Losses to frame throughout 24 x 19 1/2 inches; 32 x 27 inches frame

Italian School, 17th Century Portrait of Stefano Colonna, half-length, in black oil on panel 38.7 x 26.2cm (15 1/4 x 10 5/16in). Footnotes: The present work is derived from Bronzino's three-quar

Italian School After Sasso Ferrato G. Battista (Italian, 1591-1666) Oil on Copper, Ca. 18th.c., "Madonna And Child", H 7.2" W 5.7" | Oil on copper mounted on wood panel. Black frame with blue malachit

NORTH ITALIAN SCHOOL (17TH CENTURY) Lady with Table Laden with Fruit Oil on canvas, 132 x 190cm Provenance: Dartfield House, Co. Galway. This painting is noted as being in Dartfield House under the ow

Italian school of the first half of the seventeenth century. School of "CORREGGIO" Antonio Allegri (Italy, 1494 - 1534). "Madonna and child with St. Jerome and Mary Magdalene". Oil on canvas. Re-tinte

Painting after, Peter Paul Rubens' "Consequences of War", circa 1637. Giltwood framed, oil on canvas, mounted on panel. Signed on lower left corner, and inscribed Fiorenze.With Frame: L: 81 in. H: 54

Artist: Italian School 17th Century Title: Holy Family Medium: Oil on Canvas Size: Approx. 37" x 44" canvas size approximate. Date: 1650 circa. VV

Reception in the Iliad Room, Pitti Palace, Of a group of famous artists below their paintings in the Iliad room in the Pitti Palace, Florence. Oil on canvas Signed "Leon" in a cypher lower ri

(19th century) after the antiquity, heavy carved white marble, unsigned, 29 x 28 x 11 in., with 4-1/2 in. metal dowel for mounting Provenance: The Laura Davidson Sears Gallery of Fine Art, Elgin Acade

In the manner of Pompeo Girolamo Batoni (Italian, 1708-1787), early 19th century Continental oil on canvas depicting Esther before King Ahasuerus, the swooning biblical heroine attended by two maidens