1815 Massacre of the American POW

Painted Leather Fire Bucket, American, probably Boston, MA, Dated 1815, with original painted surface, depicting an a arm grasping a fire bucket, inscribed "FRIENDS / PUBLICK / 1815", and the name, "S

Offered in this lot is a collection of modern prints of photos taken in the early 1920’s at a Native American Pow Wow in Chadron Nebraska. The town of Chadron Nebraska is just outside The Pine Ridge

1815 American Preceptor Anti Slavery Columbian Orator Bingham Americana USA Caleb Binghams “The American Preceptor” is a thoughtfully curated collection of texts for reading and oration, d

THE BLOODY MASSACRE... March 5th, 1770, mid-20th century copy after Paul Revere's engraving depicting the Revolutionary War massacre "perpetrated in King Street BOSTON on March 5th, 1770 by a party of

1815 RARE American Naval Biography NAVY Perry Decatur Bainbridge Truxtun Porter Isaac Bailey’s ‘American Naval Biographies’ is an exceptional early 19th-century collection of sketches on the mos

1815 African American tax record Frame: 8 3/4" x 11" Record: 6 3/4" x 8 1/2"

1891 1ed Indian Horrors Native American Massacres Sitting Bull Illustrated WARS “The history of Indian tribes of our country is intensely interesting and is eagerly read by all classes of people. Th

1891 1ed Indian Horrors Native American Massacres Sitting Bull Legends Tribes Henry Northrops “Indian Horrors” is a heavily biased account of warfare and relationships between Native Ameri

1891 1ed Indian Horrors Native American Massacres Sitting Bull Legends Tribes Henry Northrops “Indian Horrors” is a heavily biased account of warfare and relationships between Native Ameri

1895 Indian Massacres Native American Life Torture Sitting Bull Illustrated WARS Henry Northrop’s “Indian Massacres” is a supremely biased account of warfare and relationships between Native Ame

1891 Indian Horrors Native American Massacres Sitting Bull Illustrated WARS Henry Northrop’s “Indian Horrors” is a supremely biased account of warfare and relationships between Native American I

(American, 1815-1872) signed l.r. "S. Roesen". Overall: 40-5/8"h x 35-1/2"w Oval sight: 30-1/2"h x 28"w Provenance: Property from a Private Princeton, NJ Collection

David Gilmour BlytheAmerican, (1815-1865)Fruit Vendor (Man Selling Apples), ca. 1858-1860oil on canvassigned lower right, framed.Exhibited: The World of David Gilmour Blythe (1815-1865)National

Severin Roesen (Prussian, American, 1815-1872) Still Life Oil on canvas 30 x 24.25 (in) 36 x 29.75 x 2.75 (in) Framed Signed Roesen, lower right Provenance: Private Collection, Tucson, Arizona passed

school of Severin Roesen (American, 1815-1872), Still Life with Flowers and Bird's Nestoil on canvas, unsigned, circa 1850, the verso with stencil mark for S. N. Dodge's Artist & Painter's Supply Stor

Attributed to Joseph Whiting Stock (American, 1815-1855) Portrait of a Girl with a Basket of Flowers 1830s oil on canvas unsigned 35 1/2 x 28 1/2 inches. This lot is located in Cincinnati.

(American, 1815-1855) Double Portrait of The Marshall Children, unsigned, oil on canvas, 30 x 36 in.; fine reproduction carved gilt wood frame, 38 x 44-3/4 in. Note: The artist's journal includes a re

John White Allen Scott (American, 1815-1907) Deer in the White Mountains oil on canvas signed and dated "J.W. Scott, 75" (lower left) 35 5/8 x 28 3/4 inches (sight) 44 1/4 x 37 1/2 inches (frame)

John White Allen Scott (American, 1815-1907) Summer, Near Monadnock oil on canvas 12 x 20 inches. Property from the Collection of Noel and Kathryn Dickinson Wadsworth, Atlanta, Georgia Provenance: Vos

probably American, 1815-1825, scarce barrel back form with tufted tan upholstery, carved and turned front legs with brass casters, 45 in. (overall), 18 in. (seat height); Provenance: The Estate of Wil

Edward Chope, American (1815-1901). Large figure of 2 polychromed bronze eagles in flight, battling over a fish. Mounted on a stepped marble plinth with bronze plaque. Includes COA signed by Charles L

Robert Motherwell (American, 1815-1991), "Hollow Man," etching with aquatint on Moriki hand-made paper colle, pencil signed lower right, proof I/II, artist's embossed blind-stamp lower right corner, i

In the manner of JAMES BARD (American, 1815-1897), portrait of steamship ''Kossuth'', oil on canvas, appears unsigned. Canvas cut and laid down to board, bubbling, expansion crackle, tear lower middle

MAJOR GENERAL GEORGE G. MEADE (AMERICAN, 1815-1872) GIFTED POST-CIVIL WAR 14K-18K YELLOW GOLD CROSS PENDANT, cross with bail to top and an attached hanging loop, front side with chased