A GRAND TOUR GLASS PASTE CAST IMPRESSION AFTER AN INTAGLIO. HERCULES SUBDUED BY EROS.

A GRAND TOUR GLASS PASTE CAST IMPRESSION AFTER AN INTAGLIO. HERCULES SUBDUED BY EROS.19th century14 x 24 x 4 mmThe hero is walking right, naked holding the club and wearing the lion skin. On his back,

A GRAND TOUR GLASS CAST IMPRESSION. MYTHOLOGICAL SCENE. 18th - 19th century25x32x6,5 mmOn the right, Hercules seated on his lion skin with the club, hands tied behind his back; next to it a double hum

A GRAND TOUR PONIATOWSKI GLASS CAST IMPRESSION. MENELAUS DESPOILING THE BODY OF PISANDER [CASSANDER].19th century32 x 35 x 7 mmBeautiful mythological scene signed ______ (by Kromos). Dark orange color

This is part of a framed collection of rare Grand Tour Intaglios and coin impressions from the early 1800's. They are mounted and framed under museum glass in a new custom-made frame. The outer mattin

This is part of a framed collection of rare Grand Tour Intaglios and coin impressions from the early 1800's. They are mounted and framed under museum glass in a new custom-made frame. The outer mattin

This is part of a framed collection of rare Grand Tour Intaglios and coin impressions from the early 1800's. They are mounted and framed under museum glass in a new custom-made frame. The outer mattin

A collection of six Italian 19th C. volumes filled with plaster cast intaglios titled "Liberotti Impronte". Each volume double sided. Contains a total of 195 intaglios. Each volume: 10-1/4in tall x 6-

16 volumes of faux-book boxes, each fitted with plaster casts, the inside covers with written list of contents Rome, early 19th century

Collection of 500 cameo impressions depicting famous statues and fountains of Rome, layered in 10 wooden fitted stacking trays with each one being numbered to corresponding hand written list. The list

Italian,19th Century Figural cast iron statuary of Greek goddess Aphrodite and God Adonis standing atop a plinth of seated putti encircling a fountain form supported by figural mermaid legs,an exquisi

Grand Tour cast bronze figural hanging brazier, 19th c., Italy, finely cast dark patinated cast bronze, cast as intertwined griffin, hippocamp and chimera, snake-form bowl supports, joined to canopy b

Seven Framed Groups of Grand Tour Plaster Intaglios 19th Century depicting classical scenes. 179 pieces total. 2 3/4 x 3 1/2 inches (largest intaglio).

Collection of Grand Tour Plaster Intaglios , 19th c., presented in 15 gilt shadowbox frames, each with manuscript number and gilt liner, framed en suite, 12 in. x 8 1/4 in

Italian Grand Tour Plaster Intaglios19th century.Framed: 16 x 20 1/4 in.

Italian Grand Tour style pair of torchiere floor lamps with carved giltwood in rococo revival taste and slag glass shades, previously electrified. 65" H x 14" Diameter.

19th century dark brown patina, very finely cast bronze, Italian Grand Tour Sculpture of Venus at the bath. H:29 inches, W: 10.25 inches, D: 13.75 inches.

Group of plaster Intaglios, Italian, 19th cent., Grand Tour Souvenirs as originally cased in 9 original wooden trays of Intaglios, mostly portraits and classical scenes. (RSOLO7306/LOT PR) Dimensions:

Two beautifully detailed and finely cast Braziers, Athe?niennes or Stands, circa late 19th Century or Early 20th Century, One brazier was cast by Sabatino De Angelis and Son, from an original item in

An Italian Grand Tour sculpture "Rape of Polyxena" after Pio Fedi (* 07.06.1815 Viterbo, † 31.05.1892 Florence), late 19th centuryFree-standing, fully sculptured and highly detailed bronze cast

Pair of French Grand Tour verdigris bronze covered tripod urn vessels or garden ornaments with flambeaux flame form lids, the bowls cast with fish scale decoration, upon three claw feet, struck with "

Pair of Italian Grand Tour watercolors on paper. Frame size H 15-1/4" W 23-1/4". CONDITION: Excellent. Please copy & paste th link below for high-res images. https://www.dropbox.com/s/7b7dobhjyci2dil/

Italian Grand Tour marble and bronze gueridon, Late 19th/20th c., 1-inch thick Portaro marble top, over three cast bronze satyr supports, 30"h x 24"dia Provenance: A Private Collection: 550 Park Avenu

A Neoclassical relief panel cast in patinated resin to imitate marble. The piece depicts a man fallen off a horse. Presuambly a motif from Ancient Greek sculpture, the Elgin Marbles collection of the

The Punishment of Dirce, aka The Farnese Bull. Circa 1875. A fine Grand Tour period casting displayed upon an unusual slate and marble base raised on cast bronze paw feet. The casting after the antiqu