A LARGE HUNTING PRINT BY ALFRED G HAIGH signed in pencil with blind stamp TOGETHER WITH A LIONEL

Helen Bradley, large print, figures on a promenade with blind stamp, signed in pencil, together with another smaller, Victorian figures on a pier, together with a print of a lady in a nightgown

Edward S. Curtis(1868 - 1952)Yan Tsire ("Willow Bird") - San Ildefonso, 1905large platinum printsigned lower right: Curtiscopyright blind stamp lower left: COPYRIGHTED 1905 BY E.S. CURTISneg

VIDEY AFANGER #X (G.1519), 1991, aquatint, signed and dated in pencil, numbered 55/75, printed by Gemini G. E. L. with the artist’s and their blind stamps lower right, image 4 ½ x 6”, sheet 11 x

AVICENNA (A.37), 1970, color lithograph, signed in pencil, numbered 72/75, printed and published by Gemini G. E. L., with their blind stamp lower right, sheet 16 x 22", framed.

1990 screenprint on paper artist board, pencil signed and dated, ed. 186/250, Gemini G.E.L. blindstamp lower right Condition: good. Framed under Plexiglas. 10 x 7 1/4 inches; 14 1/2 x 11 1/4 inches fr

ITATA from V Series (A.23), 1968, color lithograph, signed and dated in pencil, numbered 100/100, printed and published by Gemini G. E. L. with their blind stamp, sheet 16 ¼ x 22 ¼”, framed with g

"The Oval Office" colored limited edition screenprint on Rives, artist signed, dated and numbered in pencil, print 106 of 175, Roy Lichtenstein, 1992, with printer's blindstamp (Brand X Editions, NY),

UNTITLED (Blue Curve) (A.201), 1983, color lithograph, signed and numbered 75/250 in pencil, printed by Gemini G.E.L. with their blind stamp lower right, published by MOCA Los Angeles, sheet 29 x 41&r

CLUB from Eight by Eight, 1982, color lithograph, signed and numbered 20/250 in pencil, printed by Gemini G. E. L., with blind stamp lower right published by MOCA Los Angeles, sheet 40 x 27”, fr

1983; color lithograph on Arches 88 paper; signed and numbered 68/250 in pencil; from Eight by Eight to Celebrate the Temporary Contemporary; Gemini G.E.L, Los Angeles blindstamp; published by the Mus

BLACK STACK (A.47), 1970-71, lithograph, signed and dated and numbered 3/56 in pencil lower right corner, printed and published by Gemini G. E. L. with blind stamp lower right corner, frame 41 x 29 &f

Edward S. Curtis(1868 - 1952)The Vanishing Race - Navaho, 1904large platinum printcopyright blind stamp lower left: COPYRIGHTED 1904 BY E.S. CURTISin negative lower left: 301-04negative date: 1904, pr

JOHN MARIN Woolworth Building (Swaying). Pencil on heavy cream wove paper, circa 1913-15. 370x298 mm; 14¾x11¾ inches. Signed in pencil, lower right recto. Strathmore paper blind stamp lower

Kenneth Noland (American/North Carolina, 1924-2010), "Untitled", 1979, watercolor on handmade paper, pencil-signed and dated en verso, artist blind stamp "KN" upper left, "André Emmerich Gallery, N

ANDY WARHOL (American, 1928-1987)Gertrude Stein (F. & S. II.227)1980, screenprintnumbered 58/200 and signed Andy Warhol in pencil lower rightwith publisher's blindstamp lower left

Leon Amiel, New York, 1971. Complete portfolio illustrated with 12 original etchings in color and gold dust, each signed and numbered in pencil by Dalí, with LA blindstamp. Edition in Arches Paper

Henri Cartier-Bresson (1908-2004) A Café in the Old Harbor, Marseilles, Gelatin silver print, printed later, signed in ink and copyright credit blindstamp in the margin. 9 1/2 x 14in (24.1 x 35.6

Mr. Brainwash (born 1966) Full of Hearts, 2021 Screenprint in colors on wove paper, signed in pencil and numbered 15/75, with the blindstamp and artist's fingerprint with date in pencil '2021' on the

printed 1979; gelatin silver print; signed in pencil on the mount; titled, dated in ink and with 'Carmel' credit stamp on the mount verso; matted and framed under acrylic; 15 1/4 x 18 inches sight; 22

Nathan Oliveira (1928-2010) Angel Rocker, 2005 Aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 14/40 (there were also 6 artist's proofs), with the blindstamp of the

Frank Stella (American, b. 1936) - Jundapur 1996, pencil signed, dated and numbered 4/35, the full sheet, Tyler Graphics Ltd., Mount Kisco, New York, publisher and with their blindstamp. Lithograph, s

Paul Landacre (American, 1893-1963), Growing Cornwood engraving on Japan paper, 1932, pencil signed, titled, and numbered 60/60 lower margin, sheet bears blindstamp at lower right, unframed. Image siz

Title: "L'Arbre Vert" (Green Tree with Lovers), lithograph on paper, printed in colors,, 1980, signed in pencil by the artist,, numbered 41/50,As printed by Mourlot, Paris, with their blindstamp, (Mou

Ed Ruscha (born 1937) Big Dipper Over Desert (Engberg 131), 1982 Aquatint in colors on wove paper, signed in pencil, dated and numbered 40/48 (there were also 10 artist's proofs), with the blindstamp