Abraham Louis Rudolphe Ducros (1748-1810)-attributed

Abraham-Louis-Rodolphe Ducros (1748-1810) ? Attributed, Chateau de Chillon, water colour with black chalk and black ink on paper, in passepartout, framed under glass, 46 x 60 cm

Abraham Louis Ducros, attributed to. Swiss/French. "Thermes de Caracalla." Large watercolor painting depicting bath ruins of Caracalla with figures. Titled lower center. Sight: 19.75 x 28.5in. Overall

A set of twelve Swedish Neoclassical style parcel gilt and paint decorated dining chairs after a model by Louis Masreliez (1748-1810)post 1950With brass nailhead upholstered leather backs and seats.he

Handsome Louis XVI Provencal Canape 18th century, attributed to Pierre Nicolas Pillot (1748-1822), Nimes, France, the carved and molded polychromed frame with a central floral spray, acanthus-carved a

Attributed Louis Antoine Collas (French, 1775-1856), Portrait Miniature of a Womancirca 1810, watercolor on , unsigned, the sitter with hair raised and wearing white dress, on a steel-blue background,

Breguet, Ref. 3690, 18k Gold Anniversary Regulator Dial, Ltd Ed. 125/004, Circa 1996 Case:

Circa 1810, attributed to Greenville County, South Carolina. Having a rectangular top over two large drawers above three graduated drawers all banded nicely and with inlaid escutcheons the case restin

LOUIS AUCOC (Attributed to), BEAUTIFUL ART-NOUVEAU MULTI COLOR ENAMEL AND GEMSTONE BUTTERFLY BROOCH,French, High carat gold.The wings beautifully with multi color enamel, including vibrant red and ora

French, circa 1900, giltwood frame set with fine upholstery in the Art Nouveau taste, set with loose seat cushion, fully upholstered back, 44-1/2 x 35 x 25 in. Provenance: Private Collection, New York

French, circa 1900, walnut frame, naturalistic carving with two panel back, modern blue and white upholstery, 36 x 18 x 17 in. Provenance: Macklowe Gallery, 1994; Private Collection, New York

Attributed to: Louis Marcoussis, French (1883-1941) oil on canvas. "Still Life" Signed Lower Right. Measures 31 inches high x 23 1/2 inches wide + 2 inch frame.

Attributed Louis-Constant Sevin (1821-1888) for Ferdinand Barbedienne Foundry (French 1838-1952) pair of ormolu and marble Neo-Greco brulle parfums, late 19th century, each having a gadrooned body sup

Pair of Henry Dasson (French 1825-1896) attributed Louis XVI Revival gilt and patinated bronze and malachite veneer Athenienne brule-parfums, each having a foliate and fruit finial, reticulated band,

A beautiful gilt bronze garniture style Louis XV, attributed to Henri Picard. This impressive set of watches consists of a large rococo golden bronze mantle style clock and a pair of five-enlightened

Maison Jansen Attributed Louis XVI Style Carrara Marble Topped Brass Mounted Mahogany Commode, with three pairs of side by side drawers, each with bass fittings and pulls above tapering circular colum

A French Art Nouveau bedroom set, attributed to Louis MajorelleCirca 1905Each with intricate marquetry inlay depicting Icelandic poppies, clematis, and waterlilies, comprising a bed, an armoire, and a

Attributed to Abraham Govaerts (Antwerp 1589-1626) The return from the hunt oil on panel 39.8 x 49.6cm (15 11/16 x 19 1/2in). Footnotes: Provenance Sale, Sotheby Parke Bernet, London, 12 De

A French Art Nouveau parlor suite, attributed to Louis MajorelleEarly 20th centuryPossibly in the "Ombelles" design, constructed of walnut, comprising a settee, two armchairs, two side chair

(French, 1740-1811) Vues des ruines du Colisee, unsigned, ink inscriptions verso, red chalk on laid paper, 17-1/8 x 21-7/8 in.; gilt wood frame, 21-7/8 x 26-7/8 x 1 in. Provenance: Collection of Charl

LOUIS MAJORELLE (1859-1926), ATTRIBUTED TO Three Piece Bedroom Suite circa 1900 comprising a bed frame, armoire and nightstand, mahogany with marquetry height of frame 60in (152.5cm); width 61in (155c

Rosewood Credenza Attributed to Louis Majorelle Height 36 1/2 inches, width 8 feet 9 1/2 inches, depth 22 inches. Provenance: Moderne Gallery, Philadelphia Doyle, Doyle+Design, November 4, 2009, Lot 1

Attributed to Louis Comfort Tiffany (American, 1848-1933), Orientalist Scene with Potters, oil on canvas, bears initials left center, canvas; canvas: 25.5"h x 27.5"w, overall (with frame): 33.75"h x 3

Attributed to Louis Nicolas van Blarenberghe (Lille 1716-1794 Fontainebleau) Trompe l'oeil still lifes of landscapes a pair, gouache on paper laid down on card 20.1 x 17.5cm (7 15/16 x 6 7/8in). (2)<

Attributed to Louis Joseph Watteau “Fete Champetre” oil on canvas. Canvas: 42.5"H x 32"W; Frame: 49"H x 38.5"W. PROVENANCE: Newhouse Galleries, New York, NY (label on verso). Louis Joseph Watteau