After James A. McNeill Whistler Print

PENCIL SIGNED JAMES MCNEILL WHISTLER PRINT "THE DOORWAY" . FIRST STATE. 13" X 17" FRAMED, 12" X 8" SIGHT. PROPERTY FROM THE BENTLEY ESTATE

Colour Photogravure Published C1907, London? Unknown Engraver after James McNeill Whistler. Paper Size: 19 x 16 inch (48 x 40cm) Mounted to board. Good condition

Large Folio Heliogravure by Dujardin after James McNeill Whistler. Published C1900, London or Glasgow. Paper Size: 26 x 18.5 inch (66 x 35cm) Closed tear, left side. Some margin toning

James McNeill Whistler (1834–1903), print of a store front street scene, under glass, Whistler butterfly signature above the street sign . From the Collection of Jeffrey M. Kaplan. [Art: 8" H x

This is an estate found signed print by American artist Clifford Isaac Addams (1876-1942). Addams was a protege of James McNeill Whistler. The framed print features the "Peerless" ferry coming to shor

James McNeill Whistler (American, 1834-1903) Plate IX from A Catalogue of Blue and White Nankin Porcelain by Sir Henry Thompson. Illustrated by Whistler, autotype print on paper. Image size: 6.75" x 6

Chromolithograph Published 1869-1914, London for "Vanity Fair" Paper Size: 15 x 10 inch (38 x 25cm) Some toning present

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James Abbot McNeill Whistler (American, 1834-1903), "Chelsea Bridge," 1871, etching, state VI/VII, unsigned, image: 4"h x 6.5"w, overall (with frame): 12.75"'h x 15.25"w. Reference: Glasgow 102; Kenne

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

James Abbott McNeill Whistler (1834-1903), (3) framed prints. Info verso. Largest frame overall 15 1/2" x 19 1/2".

After James Abbott McNeill Whistler (American, 1834-1903), Thames Police (Wapping Wharf), 1859, etching, plate signed and dated lower right, image: 6"h x 8.75"w, overall (with frame): 15.75"h x 18.75"

After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

After James Abbott McNeill Whistler (American, 1834-1903), "The Adam and Eve, Old Chelsea, 1879," print, overall (with frame): 14.5"h x 19.25"w

After James Abbott McNeill Whistler (American, 1834-1903), "Black Lion Wharf," rotogravure reproduction on paper, signed in plate, sheet (unframed): 8.75"h x 11.75"w

Etching print on paper, framed. Featuring old man working intently on a project. "Whistler" present in the bottom right corner with "1880" beneath it. Attributed to James McNeil Whistler (1834-1903, A

Described By:Michelle CNX 1520 7750 Title:James McNeill Whistler Annie Etching Description: Also comes with letter from The Denver Art Museum curator in 1984 Signature:Signed as part of print lowe

Percy Thomas (British, 1846-1922) James McNeill Whistler, 1874 etching signed in the plate 5 1/8" x 3 3/4"Catalog Note: This print was created as a frontispiece for the first catalogue of James Whistl

Comprising a Walter Greaves (English, 1846-1930) ink on paper, a Percy Thomas (English, 1846-1922) etching, and a Barry Moser (American, b. 1940) woodblock print. Overall: 13-1/2"h x 10-1/4"w, 12-3/4"

Heliogravure Published C1890, Paris. Engraved Dujardin after James McNeill Whistler. Paper Size: Closed tear extending into image.

A group of five prints, 19th and 20th centuryThe group features works by James McNeill Whistler, Charles Daubigny, Charles Beyer, along with two others.Largest 17 x 13in (43 x 33cm) Provenance:Propert

Title: The Rag Pickers. James Abbott McNeill Whistler (1834-1903) Etching, 1858. Edition: 80 Known impressions. Unsigned. Only signed and dated within the plate. Fifth state. Image size 6 x 3 1/2"

Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/