Ahmedabad – Entrance to the Jumma Musjid. c1875

Giuseppe Borsato (Venice 1771-1849 Vienna) The entrance of Napoleon into Venice oil on canvas 23 3/4 x 31 1/2in (60.4 x 80cm) Footnotes: Napoleon Bonaparte arrived in Venice in 1807 when, for a brief

Ford Service Entrance Double Sided Porcelain Sign TAC 9.5. DSP (double sided porcelain) sign has excellent color and gloss. Nice example. Measures 22"x36". Rated 9.5 by The Authentication Company (TAC

Cherrywood chest on chest 72.5 inches high x 21.75 inches deep x 39.5 inches wide Upper chest portion is 36" tall) Cherrywood to me, I am no expert. It might be mahogany, or another wood stained.

Guy Carleton Wiggins American, 1883-1962 Winter - At the Park Entrance Signed Guy Wiggins. (ll); signed Guy Wiggins and inscribed as titled on the reverse Oil on canvasboard 12 x 16 inches (30.5 x 40.

Large bi-unial English magic lantern, complete with two matching brass-bound lenses, each with rack and pinion focusing, all fittings made of brass, the chimney made of iron, two gas lamps built-in, t

A Minton Majolica Revolving Oyster Stand c.1875 Modeled as a tiers of oyster shells connected with green seaweed and surmounted by three fish forming the handle, all above a a shaped circular seaweed

cast iron, with shamrock decoration. Maker's stamp Jones. 290 cm. high; 305 cm. wide

shape no. 1366, the cobalt glazed body decorated with lion head masks and garlands of fruit and nuts around a flower head and tied with a pink bow, all supported by three bearded men separated by corn

A restored three piece American Victorian walnut and burl walnut bedroom set attributed to Thomas Brooks circa 1875. Comprised of a queen width bed, armoire and marble top dresser with a mirror. Bed:

Grand entrance mirror & console with a marble top and gold frame. Has two 3 light sconce on either side. Small chip on bottom left. 112"H x 51"W x 19"D

George Moreland (1763-1804), At the Tavern Entrance, unsigned, oil on canvas, American Art Assoc., Anderson Galleries label verso and provenance paperwork verso, 24" by 30", framed 31 1/4" x 37". Need

A set of six 'Grass Seat' dining chairs in teak, produced in Ahmedabad, India. A George Nakashima design. 28 x 21 x 19 . Measurements are in inches. (Height x Width x Depth)

Wooden Beach Entrance Trade Sign X217" x 96" ea.

PR OF TERRA COTTA ENTRANCE WAY DOGS 29" TALL X 28 1/2"

Each modeled as a cobalt woven upright basket with applied cyclamen plants emanating from three bulb feet, all supported on a circular earthy ground base, 8". Donna and David Reis Collection Curated a

each of square form with panelled sides. 270 cm. high; 90 cm. wide; 90 cm. deep

GEORGE LORING BROWN (American, 1814-1889)Entrance to the Harbor of Norwalk, Connecticut1863, oil on paper laid on boardsigned and dated Geo. L. Brown 1863 lower right; titled, signed, and dated vers

A Rare George Jones Majolica Desk Stand c.1875, modeled as a shaped cobalt tray with an orange border and supported on twig feet. Two birds nests surrounded by apple blossom for the ink pot holders, w

A George Jones Storks Garden Seat c.1875 The cobalt blue barrel shaped body decorated with a large Japanese style pond fauna and large white heron, the top formed  as woven rafia, 19” cobalt blue b

George Jones Majolica "Cow" Cheese Keeper, circa 1875, impressed marks 2200 P11.5" H x 12.5" Dia.

Qajar large oil on canvas painting of dancer, c1875Painting: 33.25" x 63"Frame: 34" x 63.5"ProvenanceThe Estate of Dr David Y Solomon, of NYC, heart surgeon and avid collector of rare French, Middle E

Modeled as an oak tree and two grouse atop an earthy ground, cattails to the rear, all supporting a bark and oak leaf oil chamber and cover, original brass burner ( funnel and shade replaced), 17". D

Sierra Leone Photograph album, c.1875 containing 23 albumen prints (mounted, various dimensions, 11 x 15.5cm to 16 x 20cm) 4 of which captioned on mount as depicting Elmina Castle and Cape Coast Castl

GORDON PARKS (1912-2006) Colored Entrance, Department Store, 1956 Archival Pigment Print, Printed After 12" x 12" This photograph was part of Gordon Parks 1956 photo essay for Life Magazine documentin