American Aesthetic Movement Faux Bois Frame

American, ca. 1870, having carved top edge with gilt liner. Overall 12" X 14 1/2", Rabbet 8" X 10", Molding 2 1/2"

American, ca. 1880, pair of wood toned faux bois frames in the aesthetic taste having oak leaf and fan decoration. Rabbet: 11" x 13" Overall Dimensions: 16 1/2" x 18 1/2" Molding Width: 3"

American, ca. 1880, pair of wood toned faux bois frames in the aesthetic taste. Overall 14" X 16", Rabbet 7 3/4" X 9 3/4", Molding 3 1/4"

American, circa 1880, with gilt berry top edge and faux bois outer edge, in a great standard size. One of a pair with Lot # 342. Overall 16" x 18", rabbet 8" x 10", molding 4 1/4".

American, circa 1880, with gilt berry top edge and faux bois outer edge, in a great standard size. One of a pair with Lot # 343. Overall 16" x 18", rabbet 8" x 10", molding 4 1/4".

Pair of English Aesthetic Movement dried flower arrangements in walnut and faux bois frames with incised and gilt-painted designs and patterns, one arrangement with the initials "G.T." Larger: image:

American Aesthetic Movement Faux Bamboo Dressing Table fourth quarter 19th century, possibly by R. J. Horner, New York, in maple and birdseye maple, the rectilinear mirror plate in a frame modeled to

American, circa 1870, having alternating levels of faux marble, ebonizing, incising, and stenciling in a great standard size, with lemon gold liner. Rabbet 8" x 10", Overall 15" x 17", Molding 4".

American, circa 1870, having alternating levels of faux marble and ebonizing, in a great standard size, with lemon gold liner. Rabbet 8" x 10", Overall 12 1/4" x 14 1/4", Molding 2 1/2".

American, circa 1870, having alternating levels of faux marble and incising, in a great standard size, with lemon gold liner. Rabbet 8" x 10", Overall 10 3/4" x 12 3/4', Molding 1 1/2".

American, circa 1870, having alternating levels of faux marble, burl, ebonizing, incising, and stenciling in a great standard size, with lemon gold liner. Rabbet 8" x 10", Overall 13 1/2" x 15 1/2", M

American, ca. 1870, having corner block form with alternating rows of finished wood and ebonizing, in a great standard size. Overall 14 1/4" x 16 1/4", rabbet 8" x 10", molding 3 1/4".

American ca. 1880, having vine and lattice decoration, in a great standard size. Overall 21 1/2" x 27 1/2", Rabbet 18" x 24", Molding 2"

American Aesthetic Movement Faux Bamboo Dressing Table fourth quarter 19th century, the rectilinear mirror plate with rattan-style brackets, the birdseye maple dresser base with a pair of pedestals, e

American, ca. 1890, cast to resemble carved and gilded oak. Overall 37 1/2" x 48 3/4", Rabbet 32" x 43", Molding 3".

American, ca. 1870, having basket weave decorated panel. Overall 29" x 36", Rabbet 24" x 32", Molding 2 1/2"

American Aesthetic Movement Maple and Faux Bamboo Dresser fourth quarter 19th century, with a rectangular tilting beveled mirror mounted to a base fitted with three side-by-side drawers over two long

American, circa 1880, aesthetic movement reverse profile frame with naturalist motif. Overall 17 1/2" x 21 1/2", Rabbet 10 1/4" x 14", Molding 4".

American aesthetic movement piano stool, ebonized wood frame with the modified lyre form back, swivel seat on four shaped legs, mauve velour upholstery, late 19th c., 33" (h). Provenance: Benita Valen

American, circa 1890, mirror with aesthetic movement frame with velvet liner, 17" x 15 1/4".

American, circa 1880, pair of Aesthetic Movement frames decorated with lattice work and grape vines. Overall 20 1/2" x 22 1/4", Rabbet 12 1/2" x 14 3/4", Molding 4 1/4".

Two Black Forest Carved Cuckoo Clocks, One Musical (Germany, ca. 1915) First with crest with eagle and leaves above case with faux bois frame and musical movement. Second with leaf and fretwork crest

An American Mixed Metals Aesthetic Movement Lamp Base, Circa 1880. Faux alligator skin copper canteen form vessel atop Aesthetic feet with silver plated panels. One panel depicts children catching but

Four Antique 19th C American Victorian Chairs. Aesthetic Movement / Eastlake style. Caned. Carved frames with caned portions, needing some repair. From a New Canaan, Connecticut estate.