American Classical Mahogany Veneered Armoire.

American Late Classical Mahogany Armoire second quarter 19th century, Richmond, Virginia, the top with a large, flared cornice over an in-curved frieze, above a pair of framed and paneled doors, each

American Late Classical Mahogany Armoire second quarter 19th century, the coved cornice over a pair of paneled doors with Gothic arches, flanked by columnar pilasters with foliate-carved capitals on s

American Classical Carved Banded Mahogany Armoire, c. 1850, Philadelphia or New York, the stepped crown over an arched setback frieze atop double two panel doors flanked by applied pilasters with carv

American Classical Revival Carved Mahogany Armoire, late 19th c., the stepped curved crown over a single door flanked by serpentine stiles, on a stepped base to scrolled feet joined by a long lower dr

American modernist style mahogany veneered armoire. Circa 1980. 70 1/2"H x 40"W x 20 1/2"D

American Classical Carved, Gilded and Stenciled Mahogany Armoire, early 19th c., attr. to Joseph Meeks and Sons, New York, flared cornice, blocked lyre decorated frieze, columnar supports, paneled doo

American Late Classical Carved Mahogany Single Door Armoire,19th c., probably Prudent Mallard, New Orleans, ogee cornice, single mirrored door, molded and beaded surround, plinth drawer, bracket feet,

Transitional American Late Classical into Rococo Revival Mahogany Armoire ca. 1850, the foliate- and shell-carved crest over a projecting molded cornice, the single door with a shaped mirror plate and

American classical carved mahogany sofa, with scrolled and veneered crest, rolled arms and carved turned feet. 37" high, 83" long, 25" deep.

probably New York, 1820-1840, with original white marble top, on mahogany veneered pedestal base with octagonal pedestal and scrolled feet, 29-1/2 x 29-1/2 in.; Provenance: The Estate of William N. Ba

Monumental American Late Classical Mahogany and Parcel-Gilt Overmantel Mirror second quarter 19th century, with a mahogany-veneered ground framed with a giltwood molding, set with a beveled mirror pla

AN AMERICAN CLASSICAL STYLE CARVED MAHOGANY SOFA, PROBABLY NEW YORK, CIRCA 1825, the scroll arms with carved crotch mahogany veneered with cornucopia terminating in rosettes, the top rail with carved

An American Mahogany Classical Two Drawer Side Tableattributed to Philadelphia, circa 1830, mahogany veneers, poplar secondary, high grade veneered rectangular top with rounded corner, two graduated d

AMERICAN DIMINUTIVE COUNTRY CLASSICAL MAHOGANY WALL MIRROR, two-part form having projecting molded cornice fitted with acorn drops over a veneered frieze above likely original reverse-painted tablet o

American, 19th-20th century. A square, mahogany-veneered center table, together with four lamps (one is made from an early oil lamp). Table is 27" high. (B13)

American Late Classical Chest of Drawersmid 19th century, cherry and mahogany veneer, poplar secondary, rectangular top with vertically veneered edge, upper convex drawer over three graduated recessed

Pair of American Classical Carved and Stenciled Mahogany Pier Tables , c. 1830, Philadelphia, carrara marble top, cove-molded frieze, robustly scrolled supports mounted with silk-covered ornaments, mi

Fine American Classical Mahogany Sideboard early 19th century, school of Joseph Barry, Philadelphia, the King of Prussia stone top with a paneled backboard and brass edge gallery, the case with a proj

American Classical Mahogany Sofa ca. 1825, of scroll form with dolphin-carved arms, the turned crest rail with foliate-carved scroll ends, the apron with panels above cornucopia-carved paw feet, uphol

19th C. American Classical center table, with black and white veined marble top, on mahogany pedestal base, with three carved foliate feet. 28”H x 39.25” dia.

American Classical Parcel-Gilt and Stenciled Mahogany Pier Table New York, probably by J. & J. W. Meeks, second quarter 19th century, the marble top over a frieze centered by fruit- and foliate-stenci

American Classical Bronze-Mounted Mahogany Pier Table ca. 1825, the marble top over a figured frieze with inlaid brass stringing, raised on columns with bronze capitals and bases, on a figured concave

American, Philadelphia, Classical or Empire mahogany and mahogany veneer sofa in the manner of Anthony Gabriel Quervelle (French/American Philadelphia 1789-1856), circa 1830, having a carved back with

American Classical Brass Inlaid and Bronze-Mounted Mahogany Sideboard, early 19th c., School of Duncan Phyfe, New York, blocked, molded top, conforming case, central fall-front compartment enclosing s