An Engraving After Salvator Rosa's 'Glaucus & Scylla'

John Browne after Salvator Rosa, 18th Century copper engraving, Apollo and the Sibyl, 21.5" x 29.75".

Italy, 17th century. Three original small etchings on laid paper by Italian artist, Salvator Rosa (1615-1673). Overall good condition; cut from a larger folio page. Entire page measures 8 x 14.5. inc

AFTER SALVATOR ROSAItaly, 1615-1673Satyr scene. Engraved by Simon Watts. "Vidi et Aures Capripedum Satyrorum Acutus" (I also saw the ears of the sharp-footed satyrs) in lower margin.Engraving, 18.25"

Pair of very Rare c. 1799 Hand Colored Engravings by John Murphy (1748-1820) after Salvator Rosa. John Murphy was a Mezzotint engraver (chiefly of historical and Scriptural subjects), print publisher;

Three 18th & 19th Century Prints. Includes an engraving after Giovanni Gaulli by Arnold Van Westerhout, an etching with drypoint by Salvator Rosa entitled "Democritus", and one other print with "Pesta

Attr. Salvator Rosa (1615 - 1673) Rough scenes scene. With figures in the foreground, approaching storm. Oil/Canvas. Sight Size: 39 x 29 in. Museo Civico Filangieri inscription verso. Multiple labels

Follower of Salvator Rosa Gamblers outside an inn with backgammon players and a small dog begging for food oil on canvas, in a Florentine carved, pierced and giltwood frame 64 x 99cm The painting is e

Circle of Salvator Rosa (Italian, 1615-1673) Marina with Rock Arch Oil On Canvas Painting. The original of this painting by Rosa is located in the collection of Doria Pamphili Gallery in Rome, Italy.

SALVATOR ROSA (CIRCLE) 1615 Neapel-Arenella - 1673 Rom RESTING FIGURES AND ANGLER AT THE RIVER BANK Oil on canvas (relined). 68,5 x 91 cm (F. 87 x 109 cm). Verso: Diverse old Collection or Inventory n

English, 18th century, in the Italian taste, in a great standard size. Overall 48 1/2" x 58 1/2", rabbet 40" x 50", molding 5".

Overall 45" x 37 1/4" Sight 36" x 28" Rebate 36 1/2" x 28 11/16" Size small Provenance: European Art branch of the Art Gallery of Ontario; received as an anonymous gift in 1997.

Italian, 18th century, having carved ornament. Overall 18" x 23 3/4", Rabbet 12 1/4" x 18", Molding 3".

18th Century European School, Rosa, Follower of Salvator (Italian 1615 - 1673), Tobias and The Angel, brown ink and grey wash drawing, 11.25 x 15.5 inches, inscribed Salvator Rosa Pinxit lower right,

Attributed to Salvator ROSA (1615-1673) Oil on Canvas. 19 1/4 x 26 in framed. 14 x 20 3/4 in unframed.Local Pick up call one day before to make an appointment. TO SHIP THIS ITEM IN USA OR INTERNATIONA

School of Salvator Rosa (1615 - 1673), oil on canvas, landscape with figure, unsigned, after Salvator Rosa, Christie's label on verso, 21 1/2" x 14 1/2".

Description française: École de Salvator ROSA (1615-1673) "Travels of the Covenant" Huile sur toile Signature et date en bas au centre Titrée sur étiquette au dos Provenance: Succe

J. Remanjon (Continental, 19th century) after Salvator Rosa (Italian, 1615-1673). "Rocky Landscape with Hunter and Warriors" after the original in the collection of the Louvre, oil on canvas. Signed a

Etching with drypoint. "St. Albert, The Companion of St. William". Signed in plate lower left. From a Morris County, NJ collection. - Dimensions: Sight: 14" high x 9.25" wide

Fine antique 18th century or earlier old master painting. Possibly workshop or RosaI’m fine antique gilt frame. Ware from age to painting and frame.

Attributed to Salvator ROSA (1615-1673) Oil on Canvas. 19 1/4 x 26 in framed. 14 x 20 3/4 in unframed.Local Pick up call one day before to make an appointment. TO SHIP THIS ITEM IN USA OR INTERNATIONA

After Salvator Rosa The Wood of the PhilosophersOil on canvas15 x

Salvator Rosa (Italian / Neapolitan, 1615-1673). "Apollo and the Cumaean Sibyl" etching and dry point on laid paper, 1661. Signed "ROSA" on base of lyre in lower right. An impressive etching on paper

American, 20th century, in the Italian style. Overall 32 1/4" x 37 1/2", Rabbet 24 3/4" x 30", Molding 4".

Salvator Rosa (Italianate) 1615-1673. River Gods. Etching, c. 1660-1661. Bartsch 15; Wallace 96. Only state. The artist's insignia in the plate, l.r. Printed in black ink on contemporary laid paper wi