Andrey Avinoff 1944 lithograph On Threshold of Death

Avinoff, Andrey (Russian/American/Pittsburgh, 1884-1948), On The Threshold of Death, 1944, (from the portfolio The Fall of Atlantis), lithograph (variant early edition), 14 x 10.5 inches, lithograph p

Avinoff, Andrey (Russian/American/Pittsburgh, 1884-1948), The Birth of The Solar Cult, 1944, (from the portfolio The Fall of Atlantis), lithograph, 14 x 10.5 inches, lithograph published in an edition

The Fall of Atlantis, A Series of Graphic Impressions of the Poem by George V. Golokhvastoff, Pittsburgh, 1944. Illustrated by Andrey Avinoff. In original folio. Measures 21 inches high x 16.25 inches

containing 50 color offset lithographs in original folio, 1960 First Edition, published by C. Harrison Conroy, New York, printed by L. Van Leer & Co., each print 23x17in., leather portfolio as-is, lea

Avinoff, Andrey (1884-1948) - New York / Russian Federation. Folio of ten prints/ offset lithographs in original envelope (not framed). Commons Room at the University of Pittsburgh’s Cathedral of Le

Ranch Hand & Pony, 1944, lithograph, 9 1/2 x 13 1/4, signed lower right: Jerry Bywaters

Rockwell Kent (Am. 1882-1971) "Glory Hallelujah" 1944 Lithograph, framed under glass Signed in pencil l.r., titled in pencil l.l. 8 1/4" x 9 1/4" sight, 16 3/4" x 14 3/4" framed Prov

Avinoff, Andrey (Russian/American 1884 - 1948), Pittsburgh Porch, pastel on tinted paper, 19.5 x 14 inches , signed A. Avinoff lower right, Provenance: The Estate of Andrey Avinoff, framed measuring 2

Avinoff, Andrey (Russian/American/Pittsburgh, 1884-1948), Mountain Laurel, c.1930s or 40s, watercolor on paper, 13.75 x 11 inches, in a wood frame 19 x 16.5 inches. Provenance: Knoedelers, Dayton Art

Wanda Gag Philodendron 1944lithograph image: 13.125 h x 9.625 w in (33 x 24 cm) sheet: 16.125 h x 12.125 w in (41 x 31 cm) Signed to lower right margin 'Wanda Gag'. Stamped to lower left ma

ASSURANCE SUR LA MORT (DOUBLE INDEMNITY), 1944 MOVIE POSTERFrench, 1944, lithograph. For the classic film noir directed by Billy Wilder, starring Fred MacMurray, Barbara Stanwyck, Edward G. Robinson,

(Israeli, 1876-1944), lithograph portrait, pencil signed and dated 1923 by Albert Einstein (lower right), pencil signed ‘Hermann Struck 102/150’ (lower left below mat), and with artist’s Star of

BAILEY, Bill. Ringling Bros. and Barnum & Bailey Circus / Panto’s Paradise. 1944. Lithograph poster depicting a procession of dancers and performers atop horses and elephants. 23 x 41 ½&

Albert de Belleroche (British, 1864-1944) Lithograph of Seated Girl. Pencil signed in bottom right corner. Professionally framed and matted. Lithograph measures 13.5 inches high x 10.5 inches wide. Fr

Attributed to Piet Cornelius Mondrian (1872-1944), lithograph. Blind stamped. 17" x 17". Has foxing.

"Carnival in Kripplebush"; 1944; Lithograph; 9.5" x 12.5"; Signed Lower Right; Framed (under glass).

Stow Wengenroth (American 1906-1978) "Maine Lobsterman," 1944, lithograph, signed in pencil, lower right, edition of 202 plus 10, The Print Club of Cleveland publication no. 22 for 1944, matte

Thomas Hart Benton (1889-1975) The Farmer's Daughter (Fath 62), 1944 Lithograph, on wove Alexandra watermarked paper, signed in pencil, from the edition of 250, published by Associated American Artist

Rosenberg, Samuel (American, 1896-1972), Title: The Threshold, 1944, Medium: oil and tempera on masonite panel, Dimensions: 24 x 20 inches, Signature: Signed upper left, Provenance: Associated America

Scott Gustafson "Snow White and the Seven Dwarfs" 1944 S/N Lithograph: Unframed, measures 32.5 x 21". With COA

FRANCIS BACON (1909 – 1992)DEUXIEME VERSION DU TRIPTYQUE 1944" (S. 24, T. 25) 1989 The complete set of three lithographs in colours, on Arches paper,Dimensions with full margins : 143.7 cm x 10

MAURITS C. ESCHER Encounter. Lithograph, 1944. 342x464 mm; 13x18¼ inches, wide margins. Signed in pencil, lower left. A superb, dark and well-inked impression with strong contrasts.According to B

Thomas Hart Benton (American, 1889-1975), Wreck of the Ol' '97lithograph, 1944, pencil signed at lower right, edition of 250, published by Associated American Artists, New York, and retains their labe

THOMAS HART BENTON Wreck of the Ol'97. Lithograph, 1944. 263x382 mm; 10 x15 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A b