Atlanta by Jim Bray, 1967 screen print

Atlanta by Jim Bray, screen print, signed, titled and marked EA (artist's proof) dated 1967. Instaled under glass in its original wooden frame. Frame size is 24.5x28 inches. Item ID:6170

Jim Bray Colored Dots II 1970screenprint on paper35 h × 23 w in (89 × 58 cm) Signed, dated and numbered to lower margin 'Proof Jim Bray 1970'. This work is an artist's proof.

Wu Hao. China. 1967. Screen-print. Abstract. Musicians. Signed lower right and with red seal. A/P Artist Proof. Inscribed lower left. Mounted on board. Unframed. Sight size: 28" x 44". Overall size: 3

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36"

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36"

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36"

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36"

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36" AW stamp to verso

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36"

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36" AW stamp to verso

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36" AW stamp to verso

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36" AW stamp to verso

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36" AW stamp to verso

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36" AW stamp to verso

AFTER ANDY WARHOL Marilyn Monroe, 1967 Screenprint in colors Print is a proof not signed and numbered, published by Factory Additions 36" x 36" AW stamp to verso

Roy Lichtenstein (New York: 1923 - 1997) screenprint in colours on wove paper titled "Brushstrokes, 1967". Hand signed in pencil to lower right. Pencil Edition: 241/300. Published by Leo Castelli Gall

"Harness The Sun," 1967 Screen print in colors on paper, DelMonico Books., Prestel, New York, pub. Signed lower right: Corita 20.75" H x 23" W Literature: I. Berry, "Someday is Now: The Art of Co

Andy Warhol (1928-1987), Lincoln Center Ticket 1967. Screen print in colors on opaque acrylic. Very good impression with strong colors. [44 3/4" x 24 1/4"]. Printer and publisher: Leo Castelli Gallery

1967 Screen Print on Woven Paper from the Fifth New York Film festival at the Lincoln Center, Andy Warhol from the unsigned edition of 500. Measures 46" x 25", Mounted on Hard Board.

'Composition', 1967. Screen Print. Signed and numbered '62/100' upper right and left. Provenance: L & M Pictures and Framing, Chicago, IL. Property from a Florida estate. Dimensions: Sight size: 1

Corita Kent (1918-1986) - To Understand is to Stand Under Which is to Look Up Which is a Good Way to Understand, 1967 Screenprint in colors. The print is on pellon. It is a synthetic, acrylic material

Vivid pink, yellow, and peach tones. iconic Andy Worhol Print. Lower left of print reads “Andy Worhol (American, 1928-1987). Marilyn Monroe, 1967. Screenprint, 36 x 36 in Copyright 1993 The Andy War

SIR EDUARDO PAOLOZZI CBE RA (Scottish 1924-2005) A PRINT, "Spontaneous Discrimination Non-Spontaneous Discrimination," 1967, screenprint on paper, signed at center in margin, "Eduardo Paolozzi," inscr

BRIAN RICE (English b. 1936) A PRINT, "The Death of Op Art," 1967, screenprint in colors on paper, signed and dated in pencil in margin, "Brian Rice '67," and in pencil in L/L margin edition number 21