Attributed Wynn Moody Chamberlain O/C Upside Down Mistletoe

O/C ATTRIBUTED TO GIACOMO GUARDI "CAPRICCIO" PROV. ASHTON LANGDON (8 1/2" X 6 1/8")

Russian painting attributed to Ivan Aivazovsky oil on canvas ship on rough sea, 26 x 36 inches

Portrait of Native American with inscription N. Fechin verso. Dimensions: (Frame) H 13.75" x W 11.75", (Sight) H 12" x W 10" Condition: No issues to note.

(American, 18th/19th century) Four Portraits of Men and Women, unsigned, three ink cutout on cream paper, one ink on cream paper hollow cut on black fabric, sight 3-3/8 x 2-5/8 in.; each in brass and

Ralph Albert Blakelock (New York/California, 1847-1919) oil on canvas landscape painting depicting a heavily forested area under a hazy sky; a river runs through the center of the work and into the fo

ATTRIBUTED TO: Nicholas Roerich O/C Russian (1874 - 1947) Oil on Canvas, "Sacred Mountain" Signed Lower left. Measures 28 x 22 inches

Attributed to Victor Hume Moody (British, 1896-1990) Figure of an Athlete Oil on canvas mounted to board. Verso a paper label. (Royal Society of British Artist). 13 1/2 x 7 1/2 in. Property of an Impo

Russian painting attributed to Ivan Shishkin oil on canvas, Landscape -dirt road through cypress tree forest. Signed lower right. 21-1/2 x 30 inches

ATTRIBUTED TO GEORGES HENRI MANZANA-PISSARRO (1871-1961) Le Port de Dieppe Oil on canvas 18" x 14" Signed left side Titled to verso, labels to verso, transit label which reads "E.D.E.T. International"

Adolph Gottlieb, Attributed Manner Of, Lg Abstract O/c; Oil on canvas painting, Yellow Circle over Black Lines. Signed lower right in initials "AG". Size: 49 in. x 24 in. ASKart: Adolph Gottlieb (1903

TO HENRY STONE (H.M. WAS WIFE OF CHARLES I OF ENGLAND) (THE CATHOLIC QUEEN) 23" X 29 1/2'

Attributed to George Morrison (American, 1919-2000) "The Quarry" - mid 20th century Oil on canvas Unsigned, inscribed to stretcher in pencil "Quarry / George Morrison" with University of Nebraska Art

20" X 24"--DAMAGE TO MIDDLE CENTER WITH A SMALL HOLE--NEWLY FRAMED—WE DO NOT GUARANTEE THE AUTHENTICITY OF THIS PAINTING

Property from an Estate, Westport and Boco Raton, FL Description: Attributed to Horace M. Livens (England, 1862-1936), Landscape with River and Cows, Oil on Canvas, Late 19th/ Early 20th Century,

Attributed to JOHN WILLIAM CASILEAR [1811-1893]. Hudson River with Palisades, Cows watering at River, Figure in Boat, Sailboat in background. Oil on Canvas Painting, Unsigned, Needs some restoration o

Attributed to: Anthony Van Dyke (Flemish b.1599 -d.1641). Titled- St. Francis of Assisi. Medium: Oil on Panel, Cradled wood back. Image Size: 17-1/4” x 22" (without frame). Condition: good for its

Excellent condition. 24" high.

18th century oil on canvas, depicting a shepherd resting with his flock, attributed to Philipp Peter Roos, (German-Italian, 1655/57-1706), 60"h x 87"w, overall size including frame 65"h x 93"w x 6"d.

DATED 1863 NEW YORK OR CONNECTICUT RIVER VALLEY LANDSCAPE WITH STREAM AT SUNSET. INITIALED "J.S.J" (ATTRIBUTED TO) JOHN JAMESON (1842-1864) IN ORIGINAL GILT FRAME 20 1/2" X 11" TERMS: THIS IS AN ON-SI

An attributed Robert Rauschenberg (American, 1925-2008) titled "South Sea" abstract mixed media on canvas: heavy oil, applied jute webbing remnant, cotton string balls, and acrylic. Signed Bob Rausche

Attributed to Homer Dodge Martin (American 1836-1897), 'Adirondack Lean-to', oil on canvas, depicting a small lean-to amongst a landscape, apparently unsigned, framed. Approximate dimensions: sight: h

"Cape Sounion in Greece" Purchased from Christie's East sale #6271, lot 4a on Jan 21st, 1987.Attributed to George Loring Brown.Christie's East label verso.Provenance: George Decas Collection, Massachu

Continental 'Game Trophy Still Life", 1878, oil on canvas, depicting game birds hanging upside down with a silver tableware in the background, illegibly signed, dated to lower right, framed. Approxima

Attributed to Hugh Collins, Scottish, active 1860-1896, Elegant Dowager, oil on canvas, unsigned. Exhibited at the British Royal Academy and more widely, the Scottish Royal Academy. NOTE: From Ms. Riv