B. GIUSEPPE CHIARGLINI (Italian 19th century) Int

'Still Life, Potatoes with Fly.' Reverse painted glass. Signed bottom right. 10 1/4 x 13 1/2"; 14 1/4 x 17 1/2" (framed). The fly would appear to be a trompe l'oeil deception and would have been paint

'Still Life, Melon with Fly.' Reverse painted glass. Signed bottom right. 10 1/2 x 13 1/2"; 14 1/4 x 17 1/4" (framed). The fly would appear to be a trompe l'oeil deception and would have been painted

Italian Neoclassical walnut commode, in the manner of Giuseppe Maggiolini (Italian, 1738-1814), 19th c., contrasting scrolling foliate marquetry, two half drawers over two long drawers, rising on tape

19th CENTURY GIUSEPPE GAMBOGI ITALIAN CARVED ALABASTER SCULPTURE. Height: 34 in. by Width: 20 in. by Depth: 17 in.

ARTURO ORSELLI (Italian 19th Century) A PAINTING, "Neoclassical Spring Beauty," oil on canvas, verso a paper label. 20 1/2" x 12 1/2" Provenance: B. Manheim, Royal Street, New Orleans, Louisiana. Priv

Giuseppe Armani (Italian, b. 1935), 21st century. A porcelain sculptural wall hanging entitled "Passion of the Christ". The crucifix with the head of Christ down to one side and his eyes closed. Inclu

Property from a Private Collection, Jekyll Island, GA Description: Giuseppe Corelli (Italian, 19/20th Century), Italian Seascape, Gouache on Paper, Probably 19th Century, signed lower right, depic

"Penitent Magdalene" (Hermitage, Saint Petersburg) Oil on canvas Size: 34 x 27 in. Executed c. 19th C.

Giuseppe Aureli (Italian, 1858-1929)Watercolor : The duet signed and inscribed \'GAureli / Roma\' (lower right)16 1/2 x 23 3/4in (41.9 x 60.4cm) (sight).Estimate $1.000-1.200

E Star B Napoli Italian majolica, hand shaped and painted lettuce tableware, 19th c. to include a serving dish 14"l; a bird plate 5"h; plates (bowls), largest 10"dia, etc. ; together with five other e

Item/Description: Attributed to Giuseppe Fattori (Italian 1818-1888) Old Master Painting, King Herrodt & John. Back marked in part: studio st caterina firenze. No noticeable signature. Material: Oil o

Giuseppe Mazzolini (Italian, 1806-1876) "Muse Calliope with a Putto" oil on wood panel (oval) incised signature lower center. Together with Continental School (19th Century), "Muse Calliope with a Put

many European featuring actors/actresses 44 total together with Holy Holy Art Cards by Don Celender, Tarot Cards by B.P. Grimaud, Italian Playing Cards by Edoardo Pignalosa (2) and 2 partial decks of

Mario Passoni (Italian, b. 1937), "Parigi", oil on canvas, sight: 11 x 15", frame: 25 x 29" Mario Passoni was born in Naples in 1937. He is best known for his 19th century style impre

Giovanni Battista Piranesi (Italian, 1720-1778) etching. The 18th or 19th century Piranesi etching, Veduta di Piazza Navona Sopra le rovine del Circo Agonale is from the “Vedute di Roma”, which is

Giuseppe Ballesio (1880 - 1920, Italian) "The Cardinal" Oil on Canvas, 19th C. Measures 40" x 30". Signed in the bottom corner

19th C. oil on board by Italian artist Giuseppe Giardiello (1877 - 1920). The portrait portrays a Neapolitan fisherman enjoying his pipe, his worn face portraying a hard lived life. Giardiello (1877 -

of Dogs in a Landscape Chinese, probably, 19th century copies of works after Giuseppe Castiglione (Italian, 1688-1766) titled "The Ten Prize Dog Album", each painting depicting finely executed dogs in

(19th century) Three posters: Teatro Regio, pl.192, 1898, Giuseppe Boano (Italian,) 14 x 9-7/8 in. (sight); [Salon des Cent], signed lower left in stone Fernand Louis Gottlob (French, 1873-1935), 14-1

Tommaso Principe (Italian, b.1942) Oil on Canvas Undated, signed lower left, turn of the 19th century style depiction of street activity at La Place Bellecour, Lyon, France; gold painted frame; accomp

Italian Infantry Photos and Shoulder Boards, 19th C. Italian 78th Infantry Battalion Troop and Officer photos, 5" x 7" oval (Officers and Others) with two felt 78th (sewn) Inf Batl Shoulder Boards, al

19th Century Italian Religious Scene, O/C, Jesus and his Disciple, Signature Not Visible, 55 x 40", 60 x 45" Framed, Damage Throughout and Dirty.

Western Europe, Italy, Neoclassical period, ca. early 19th century CE. Signature on lower left periphery. A gorgeous signed agate cameo by Italian engraver Giuseppe Girometti (1780 -1851) featuring a

An Italian late 18th/early 19th century rosewood, bois satine, walnut, 'pastiglia' and fruitwood marquetry comodo or commode Lombardy, in the manner of Giuseppe Maggiolini With a quarter veneered top