Bound For New Orleans 1841

Early Shipping Bill of Lading from the Rowland G. Hazard papers, dated port of New York, 1841. For 36 Rolls Cotton Bagging [known as Hazard's Goods] being shipped on the Ship called the Trenton now in

Charles Franklin Tuttle (American/New Orleans, 1841-1893) , "At Gigi's Academy, Rome", 1873, "Woman with a Black Lace Collar", "Woman with Purple Boutonniere" and "Woman in Profile", 4 watercolors, fi

Bound For New Orleans 1837 - Early Shipping Bill of Lading from the Rowland G. Hazard papers, dated 1837. For domestic goods [known as Hazard's Goods] being shipped from Port of Providence, R.I. to Ne

Early Shipping Bill of Lading from the Rowland G. Hazard papers, dated Harbor of New York, 1837. For 4 bales domestic goods [known as Hazard's Goods] being shipped on the ship called the Saratoga boun

Roland G. Hazard (1801-1888) American Financier, leading businessman, author and philosopher. He accumulated a large fortune in mercantile & manufacturing. While in New Orleans in 1841-42, he was thre

Roland G. Hazard (1801-1888) American Financier, leading businessman, author and philosopher. He accumulated a large fortune in mercantile & manufacturing. While in New Orleans in 1841-42, he was thre

Roland G. Hazard (1801-1888) American Financier, leading businessman, author and philosopher. He accumulated a large fortune in mercantile & manufacturing. While in New Orleans in 1841-42, he was thre

Including a variety of letters dating throughout the 19th century, bound in a New Orleans account ledger.

The Mistick Krewe of Comus, 1857-1947, paperback; Ghost Stories of Old New Orleans by Jeanne DeLavigne, New York: Rinehart & Company, 1946; Music in New Orleans, The Formative Years 1791-1841 by Henry

Group of New Orleans-Retailed French Leather-Bound Books, early 19th c., 30 various volumes

Tiffany & Co. "Chrysanthemum" Sterling Silver Flatware Set the pattern designed in 1880 by Charles T. Grosjean (1841-1888), New York, New York, including eight nine-piece place settings (four pieces l

French Neoclassical-Style Bronze and Glass Chandelier the eight-light chandelier with a bowl-form body set with cut and frosted glass inserts, and decorated with ribbon-bound swags of pierced flowers,

American Coin Silver Pitcher of Jewish Interest dated A.M. 5602 (1841/42), by Gale, Wood & Hughes, New York, New York, the inverted pear-shaped body decorated with a wide repousse floral band centerin

After Emile Henri LaPorte (French, 1841-1919) "Actaeon", 20th century patinated bronze cast signature along back of self-base, inscribed "Siot Paris 4499" along edge of self-base, titled across front

Louis XVI-Style Fruitwood Writing Table early 20th century, the brass-bound rectangular top with an inset leather writing surface, above a conforming frieze fitted with two drawers to one side and two

Biedermeier-Style Burled Satinwood Center Table19th century, the dodecagonal top centered by an inlaid star, above a conforming brass-bound frieze, raised on a paneled vasiform standard joined by scro

French Gilt-Bronze Chandelier second quarter 20th century, the scroll-molded frame supporting downturned arms molded as ribbon-bound bundles of reeds, set with frosted glass floriform shades, the cent

French Tole Peinte, Wood and Leather Grape Harvesting Bucket first half 20th century, labeled "Chateauneuf du-Pape" on a green ground, along with ribbon-bound gilt crossed keys and a crown, the back m

Louis XVI Giltwood Mirror, fourth quarter 18th century, the rectangular surround delicately fluted and carved with a ribbon-bound outer edge, the crest depicting a pair of lovebirds perched on a cros

George William Whitaker (American, 1841-1916), "River Landscape with Figures", oil on canvas, signed lower right, 25" x 30". Framed.

Pair of English Regency Revival Giltwood Convex Mirrors fourth quarter 19th century, each with a cove-molded surround lined with ribbon-bound reeding on the outside and laurel leaves on the inside, an

Set of Six French Gilt-Bronze Two-Light Sconces, second quarter 20th century, in the Louis XVI taste, in two sizes, on swag-form backplates, the arms molded in the form of ribbon-bound reeds, h. 12" t

Louis XVI-Style Kingwood Bureau Plat, late 19th century, the ormolu-bound rectangular top with an inset leather surface, above a frieze fitted with a central drawer flanked to one side by two small dr

Rare Storr & Mortimer, New York, Coin Silver (.900) Waiter, 1839-1841, of circular form with milled floral and foliate rim and three shell-and-scroll bracket feet, the plateau engraved with a wide ban